Royal Opera House 2016-17 season Student Membership Scheme

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Great student ROH Membership includes post show talks at the Gulbenkian Café after Royal Opera House opera or ballet screenings, and ticket giveaways on the ROH UKC facebook page.

Students signed up to the scheme can enjoy the following perks at the ROH itself…

  • Over 10,000 dedicated Student tickets
  • 1 entire performance of Frankenstein
  • 10 Slips and Standing tickets for every single main stage performance at face value (usually £4-£9)
  • 4 Dedicated Amphitheatre performances
  • 2 tickets for £10 at participating cinemas
  • Dedicated booking days for each Booking Season
  • Last minute £10 Student Standby tickets
  • Discounts in our bars and reduced price programmes on Student Amphitheatre evenings
  • A price range from £1 to £25 on Student Tickets
  • Twitter here https://twitter.com/roh_ukc?lang=en-gb to see information about ROH events happening locally.
  • You can like the University of Kent ROH Students facebook page here https://www.facebook.com/ROHStudentsUKC/
  • Students can sign up to the scheme (which is totally free) by visiting this link http://www.roh.org.uk/for/rohstudents/whats-in-it-for-me

 

Win an Insight Day at Whitehall on Wednesday 7 December

Civil Service Fast Stream are excited to offer selected students the opportunity to visit Whitehall. You will gain an insight into working at the heart of Government and the variety of work carried out by over 420,000 Civil Servants, whose aim it is to make this country run as efficiently as possible. The day will consist of presentations, workshops and networking opportunities that will give you an opportunity to meet with and speak to current Fast Streamers about their experiences of the application process and being on the Fast Stream programme.

The Civil Service is a modern and diverse workplace, which is truly reflective of this country. Our core values are something that set us apart from other employers; we are accountable to the tax paying public and to the Government of the day, and our values underpin everything we do to fulfil that responsibility.

This prize is just for Kent Students and places are limited to 10 so if you would like to be in with a chance to attend please submit a 250 word application telling us about a time when have you taken the initiative and made a decision that resolved a problem?

Please email your application to placements@kent.ac.uk by 5pm on Friday 25 November!

Transport will be free and leave from the University of Kent at Canterbury at 9am, returning 5pm.

KISS Research Seminar on Robert Smithson, Rome/Passaic: Monday 21st Nov

Dr. Monica Manolescu (University of Strasbourg, Département d’études anglaises et nord-américaines)
WHEN? Monday 21st November at 4 PM – 5:30 PM

WHERE? Grimond: Room GS 6

Rome/Passaic: Eternal Cities. On Robert Smithson’s A Tour of the Monuments of Passaic, New Jersey

Abstract:
My talk will deal with “negative sightseeing” in the 1960s, especially in New York and New Jersey, via an investigation of Robert Smithson’s exploration of suburbia in his essay A Tour of the Monuments of Passaic, New Jersey (1967). “Negative sightseeing” refers to many artists’ fascination at the time with urban ruins, industrial landscapes, suburbs, slag heaps, strip mines, polluted rivers, rock quarries, burnt-out fields, abandoned airstrips, sand banks, remote islands, swamps, and deserts. Smithson and other artists of his generation saw such negative spaces not only as themes, but as conditions of art. I will insist on the role of New Jersey (traditionally seen as a marginal and empty cultural place) in the experimental and innovative art created at the time. I will use archival material from the Robert Smithson archives at the Smithsonian. Smithson’s reflection on the urban condition is based on a seemingly absurd transatlantic mirroring between famous historical capitals (Rome as the Eternal City) and suburban Passaic as the American “non-place”. I will try to demonstrate that, in Smithson’s vision, this mirroring of polar opposites (Rome/Passaic) is culturally and artistically meaningful.

Bio:
Dr. Manolescu is Associate Professor of English at the University of Strasbourg, France, working on 20th century and contemporary American literature and art. She holds a Ph.D. in American literature from the University of Paris 7 – Denis Diderot (2005) on Vladimir Nabokov’s representations of space and geographies. She has published two books on Vladimir Nabokov and articles on a variety of American writers and artists. The main focus of her research is on the ways in which space is imagined, experienced and invested in 20th century American literature and art. More recently, she has examined the city as privileged subject and medium in the practices of a certain number of American artists after 1960. She has a special interest in theories of the spatial turn and the connections between cartography, art, and literature. She was a “visiting scholar” at the Institute for Advanced Study in Princeton in 2011-2012, and will visit the IAS again for the second semester of 2016-2017.

Please note that Dr. Manolescu will be visiting the University of Kent during November 21-25. If anyone wishes to meet with her please email her at: manoles@unistra.fr

Applications now open for International Youth Arts Festival 2017!

Applications Deadline; 27th January 2017 at 5pm.

Theatre, music, dance, film, comedy, circus, cabaret, visual arts, workshops and other art forms will be celebrated and championed for the 10 days of the festival by emerging young artists from all over the world.  Hundreds of events across various venues including Theatres, Pubs, Parks, Streets and Galleries will be showcasing the best of youth arts in the most dynamic atmosphere that is simply not worth missing.

More information about applying is available here: www.iyafestival.org.uk.

Festival dates; 7th to 16th July 2017

SUBVERSIVE MIGRANTS/ SHEILA ROWBOTHAM

When: Thursday 17th November 2016 at 4pm
Where: Grimond Lecture Theatre 2, University of Kent, Canterbury

Sheila Rowbotham (University of Manchester) will discuss her new book Rebel Crossings: New Women, Free Lovers, and Radicals in Britain and the United States, which relates the interweaving lives of four women and two men as they journey from the nineteenth to the twentieth century, from Britain to America, from Old World conventions toward New World utopias.

Sheila Rowbotham, who helped start the women’s liberation movement in Britain, is known internationally as an historian of feminism and radical social movements.

The talk will be followed by a drinks reception in Grimond Foyer.

Experiences of War – Three First World War Plays

When; Monday 21st November 2016
Time; 18:00 – 21:00
Where; Aphra Theatre, Grimond Building University of Kent
Price; FREE!

What did the men who wrote Peter Pan and Winnie the Pooh make of the Great War?

Fresh from their celebrated performances at the Somme centenary, Threadbare Theatre Company presents three plays written during the First World War in a Music-Hall style evening of laughter, singing, and reflection, including The New Word (1915) by J. M. Barrie and The Boy Comes Home (1918) by A. A. Milne. These plays provide a fascinating insight into the experience of war both for the men at the front and for those left at home. Although written 100 years ago, the issues of masculinity, generational difference, loss and fear, hope, pride and identity are as as relevant today as ever.

Experiences of War is an event hosted by the Popular and Comic Performance Resaerch Centre at the University of Kent.

Booking is essentialBOOK HERE

Events; Discount tickets for School of Arts students at the Gulbenkian

Macbeth

Wed 9 Nov 7.30pm

A Radical Classic™ from the Volcano Theatre Company back-catalogue, remade for 2016. It is 18 years since Swansea-based Volcano Theatre premiered its breathtakingly original version of Macbeth, subtitled ‘Director’s Cut’. With its ‘libidinous’ choreography by Nigel Charnock, its strobe-and-thrash-metal descent into chaos after the murder of Duncan and its visual references to the sordid crimes of Fred and Rose West, it was universally acknowledged as an extraordinary performance, and elicited strong responses on every part of the spectrum from awe to outrage.

Tickets for School of Arts students – £6.50

Book through Gulbenkian Ticket office in person or phone 01227 769075

 

ROH: Anastasia

Sun 6 Nov 2pm – Followed by conversation in cafe with the Royal Opera House Student Ambassador for University of Kent.

At the height of the Russian Revolution the royal family were executed, but afterwards a young woman appeared – apparently a surviving royal princess, the Grand Duchess Anastasia. Known as ‘Anna Anderson’, she couldn’t remember her past and she was presumed to be an imposter. Many wanted to forget the massacre and the Revolution; many believed, or hoped, that a princess could have survived, a remnant of the old world. One of Kenneth MacMillan’s first creations on becoming Director of The Royal Ballet in 1970, Anastasia is a dramatic and haunting exploration of Anna’s nightmare of memory and identity.

ROH Student Scheme – Sign up to get 2 tickets for £10 to Royal Opera House Screenings at Gulbenkian.  Visit the Royal Opera House Students – University of Kent Facebook page for more information and other perks of the scheme: https://www.facebook.com/ROHStudentsUKC/?fref=ts

‘The Sharp End’ with Johnny Fewings

When; Wednesday 9th November
Time; 2pm-3.30pm
Where; Jarman 2

Kent Graduate Johnny Fewings is a record and film industry veteran of over 40 years. Prior to establishing JFMC he had been Head of Strategic Initiatives at Universal Pictures International Entertainment (UPIE), the home entertainment arm of Universal Pictures.

In this lecture Johnny will discuss film development and ask ‘where does the money come from and where does it go?’ He will cover where and how the money gets spent and deals with above the line, below the line, talent, music, fx, special shoots, tech issues, post production, etc as well as where funding comes from and dealing with equity, tax breaks, EIS, deferment, gap, BFI, subsidies, the cultural test, pre sales, etc. The talk will also include trailers and examples of films Johnny been involved with.

This is an open event and no RSVP is required.

Underwire Festival

When; 26th to 27th November
Where; 71a Gallery, 71 Leonard Street, London

Underwire Festival are hosting Wired Women Weekender, a weekend packed with workshops from the leading ladies in the film industry that look at the craft behind filmmaking and new opportunities on the horizon.

Spaces are very limited – book quick:  bit.ly/WiredWomenWeekender

Keep an eye out for further festival announcements, and we look forward to seeing some of you there!

On the Importance of Comedy Studies: Past, Present and Future

On the Importance of Comedy Studies: Past, Present and Future

When: Thursday 10th November
Time: 6pm-8pm,
Where: Keynes Lecture Theatre 5,University of Kent

Sharon Lockyer is the Director of the Centre for Comedy Studies Research, an international, interdisciplinary research centre devoted to the academic study of comedy based at Brunel University London. She is also Senior Lecturer in Sociology and Communications. Her publications include Beyond a Joke: The limits of humour (2005, with Michael Pickering) and Reading Little Britain: comedy matters on contemporary television (2010).

This event is open to everyone, booking is not required.