Funding success for Wetlands Hub project from School of Music & Fine Art

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Wetlands, a student group led by Nadia Perrotta, MA Fine Art, School of Music & Fine Art, has been awarded a grant of £5,000 from the University of Kent Student Projects Grant Scheme for their project Wetlands Hub, to build an archive of documentation and film works about the local maritime history and the wetland landscape. This is the second time that the group has been awarded funding to run the project!

This year the Panel was chaired by the Director of Student Services and assisted by core members including representatives from Kent Union, the three Faculties, the donor community and the Development Office. The Panel was very impressed with the application and decided to allocate the full grant (i.e. £5,000) applied for.

Said Nadia: “I feel privileged to have received the funding and I would like to thank the donors for their support. Wetlands Hub will consist of an archive of site specific, sound and video works made by the students of SMFA in Medway. The archive will be accessible online. Selections of works will be also showcased in a pop up exhibition space, in the town centre. We are a group of 24 Fine Art and Music students, but everyone across the School of Music & Fine Art will be able to submit works to the archive and be part of the events at the pop up art space.”

 

For more info on Wetlands go to: http://wetlandsmedway.jimdo.com/

Pioneering experimental filmmaker Tony Hill visits the School of Music & Fine Art on Wednesday 24th February

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Still image from ‘Holding The Viewer’ © Tony Hill

 

On 24th February at 6pm, artist and pioneering experimental filmmaker Tony Hill will be visiting the School of Music & Fine Art to talk about his film practice.  Organised and funded by 51zero/voyager – an ongoing series of events, projects and touring activities, organised by 51zero, that engages directly with the communities of Medway, Kent, Northern France and further afield – the celebrated filmmaker will present and discuss his pioneering films and groundbreaking filmmaking techniques. Internationally renowned, Hill makes experimental short films that are somewhere between sculpture and cinema. To create his visually challenging and timelessly beautiful imagery, he often develops his own camera rigs, ingeniously using mirrors and unusual lenses, and sometimes humorous vantage points to make us rethink our assumptions about perspective, gravity, scale and movement.

Born in London in 1946, Tony Hill studied Architecture and Sculpture and has been working as an independent film-maker since 1973, he also works with installations, photography and sound and has presented his work at many galleries and in film festivals worldwide. His award winning films have been broadcast on network television in many countries and published in the UK and Japan, with commercial work including directing music videos and TV commercials. He taught film and video from 1982 until 2002 at the University of Derby becoming Professor of Film and at Plymouth College of Art from 2004 until 2011.

The Artist Talk starts at 6.00pm and will explore Tony Hill’s unique film production techniques highlighting the formalistic qualities and contexts at play in his work, followed by a discussion with curator Keith Whittle exploring Hill’s aesthetic and conceptual approach and the research and production processes involved in the making of his films. The event closes with an informal opportunity to meet the artist from 8pm until 9pm.

 

The event is free but RSVP is required. To book go to http://www.51zero.org/voyager/

For more go to http://www.tonyhillfilms.com/

FOUR Event & Experience Design students awarded paid apprenticeships to work on prestigious 2016 London Lumiere!

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FOUR Event & Experience Design students from the School of Music and Fine Art have been awarded paid apprenticeships to work on the prestigious London Lumiere this weekend. The students with apprenticeships are: Charlotte Harding Year 3, Shu Xin Wong (Sushi) Year 2, Greta Pencheva Year 2, and Elaiza Santos Ferreira Year 1.

Described as the biggest-ever light festival to hit the capital, the event is produced by Artichoke, a creative company that works with artists “to invade our public spaces and put on extraordinary and ambitious events that live in the memory forever.” Supported by the Mayor of London, for four evenings in January a host of international artists will illuminate the city from 6:30pm to 10:30pm each night.

Discover iconic architecture transformed with 3D projections, interactive installations and other extraordinary light works in a programme that responds to the unique architecture of each location. Lumiere London 2016 is spread across four of London’s most exciting areas: King’s CrossMayfairPiccadilly, Regent Street and St James’s; and Trafalgar Square and Westminster.

Kate Harvey, an Artichoke Producer, will be visiting the School of Music and Fine Art to talk to EED 1st Year students this term.

 

More info: http://www.visitlondon.com/lumiere and http://www.artichoke.uk.com/

2016 Visiting Artist Talks launch with Jaki Irvine on 26th January

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Se Compra: Sin é., 2014. Jaki Irvine.

 

On Tuesday 26th January, 2016 in the stunning Royal Dockyard Church, The Historic Dockyard Chatham, from 6.15pm to 8pm, the School of Music and Fine Art is thrilled to welcome Jaki Irvine, an artist working in mixed media, but mainly film, video and writing. She is represented by Frith Street Gallery, London.

Originally Dublin based but now living in Mexico City, she represented Ireland at the 1997 Venice Biennale. Overheard conversations and human incidents, casually observed, often form the starting point for Jaki Irvine’s work. She weaves these real events with fictitious narratives to produce haunting films and videos. Her work makes use of the potential discontinuity between moving image, musical score and narrator to undermine any sense of linear narrative. Irvine’s work suggests the fragmented mysterious and often absurd nature of the human condition.

The talk is part of an exciting series of visiting artists, writers, filmmakers, curators and performers who will talk about their work. Each speaker is renowned in their own field and uses imagery, materials and processes differently to pose distinct and searching questions to address the urgent concerns of our age. Our guests will provide a detailed presentation of their work, share their experiences of making work and also their involvement in navigating the complex multifaceted artworld.

Our Visiting Artists have national and international profiles, many are multi-award winners and their practices include multimedia installation, moving image, sound, photography, performance, socially engaged practice, painting, sculpture, publishing and curating.

 

Free to attend, and everyone welcome but please book via link: https://alumni.kent.ac.uk/events/jaki-irvine-jan-2016

“Underground grooves that can fit in a Micra …”

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On Wednesday 27th January, from 9am-1.30pm, contemporary music trio Skint will be performing and giving a workshop in the School of Music & Fine Art at the Chatham Historic Dockyard in the Galvanising Workshop.

Launching a project at Jazz Re:Freshed, London on January 28th, Skint consists of saxophone (Phil Meadows, award winning creator of the Engines Orchestra), bass (James Benzies, plays in MIMIKA, Myriad Forest)  and drums (Harry Pope, plays in World Service Project) who play intense grooves, rip roaring solos and soaring melodies, all aimed at breaking the jazz tradition and using it to replace DJ’s in nightclubs. Harry plays through Ableton Live, adding lots of electronics and Phil also plays some keyboards/multi-effects. The rhythms come from Africa, South America and Asia and the music has been written collectively.

Says Dr Ruth Herbert, Associate Lecturer in Music Performance in the School of Music & Fine Art, “We are delighted to present another workshop/masterclass with cutting edge musicians that really cross style boundaries in their work. Skint are coming to Kent the day before their project launch in London, so the music will be debuted to SMFA students ahead of the launch! Expect lots of improvisation and definitely plenty to talk about.”

Everyone is welcome at this FREE event – to book, contact: mfareception@kent.ac.uk

 

For more info go to http://www.jazzrefreshed.com/
Preview Skint at http://youtu.be/-mQ8rTJ3uAc

Dr Who composer Mark Ayres talks to Music students

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Mark Ayres with Lecturer Richard Lightman and Music students from the School of Music and Fine Art. Photo by Richard Lightman

 

Television and film composer Mark Ayres, best known for providing incidental music on the original series of Doctor Who, recently visited the Historic Dockyard Chatham to talk to Music & Sound for Film & Television. He revealed some of the secrets of his composition techniques and explored the relationship between composer and director. Mark, in addition to his composition work, is a director of BASCA and a current member of the touring Radiophonic Workshop. For more information click on http://www.effectrode.com/making-of-the-doctor-who-theme-music/

Ayres’s work on broadcast Doctor Who was during Sylvester McCoy’s era as the Seventh Doctor, and was hired after he sent producer John Nathan-Turner a demonstration video containing music he had written to accompany Remembrance of the Daleks, using digital synthesisers and samplers.

Ayres was also involved in the last days of the BBC Radiophonic Workshop, cataloguing and archiving their recordings for future use.

“This was a fantastic opportunity for students to meet with a BBC composer,” said Richard Lightman, Lecturer in Music in the School of Music & Fine Art. “Mark’s insights into the composer-director relationship and the career routes into the industry were a revelation.”

The talk was part of a series of industry talks for students.

MA Fine Art graduate’s first solo screening exhibition in Kent on Thursday 17 December

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‘Eating Resolved’ by Maeve Buckenham, 2015.

 

Maeve Buckenham, one of SMFA’s recent MA Fine Art graduates and winner of the Vice Chancellor’s Prize for her work in the 2015 degree show, has her first solo screening exhibition – the film screening premiere of The world is now all there is – on Thursday 17 December. Invited by 51zero, a dynamic arts organisation working in South-East England and Northern France, artist Maeve Buckenham presents new work where she uses her own video, poetry and sound design to explore the excavation of family history in relation to identity formation. With her thought-provoking and visually assaulting films Maeve opens a dialogue with the viewer on the perception of mental health conditions, particularly Anorexia Nervosa in young women.

Programme:
6:00 – 6:30pm
Welcome and refreshments.

6:30 – 8:00pm
Artist Filmmakers’ Salon with Maeve Buckenham
Introduction / Short film screening / Group response

Venue:
No34 / 34 High Street, Sittingbourne, ME10 4PB

 

For more information go to http://www.51zero.org/voyager/

Music Talent Showcase at Liberty Quays

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From 8pm until late on Thursday December 17th the award winning bar and bistro Cargo Bar at Liberty Quays welcomes bands from the School of Music & Fine Art to perform sets of original material and covers.  This stunning nautical and industrial-style venue is the perfect place to sample some of the best live music acts the area has to offer.

FREE to attend, the popular gigs always draw a crowd and have a fantastic atmosphere. The SMFA gig at Cargo last Easter was a huge success, with three bands from across the stages of the School of Music and Fine Art giving powerful and exciting performances.

 

MAAST sound system features in works at ICA by International composer, Seth Ayyaz

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The School of Music and Fine Art’s MAAST (Music and Audio Arts Sound Theatre) is delighted to participate in events organised by fig-2 at the Institute of Contemporary Arts (ICA), London, between Monday 30 November and Sunday 6 December 2015.

The MAAST sound system will feature in recent works by London based composer-performer, writer and occasional curator Seth Ayyaz.

A new configuration of work is presented, which marks the fourth and final expansion of the project fig-2 into the premises of the ICA Theatre and the ICA Studio. Seth Ayyaz brings together three significant strands of his practice into a new formulation: an installation of his multi-channel AAdM Listening system using part of the MAAST, two electroacoustic concerts with the entire MAAST diffusion system, a specially commissioned publication, as well as supporting events.

Born in 1970, Ayyaz has presented his work internationally including: Cafe Oto, London; Kunsthalle Luzern, Switzerland; Irtijal Festival, Beirut; Maerz Music, Berlin; the World Forum for Acoustic Ecology, Finland; and the Haus Für Elektronische Künste in Basel, Switzerland. Ayyaz also writes on sound and has been published in The Wire, Organised Sound, and most recently in, On Listening. Live work includes the Usurp Chance Tour 2014 — Cage and Beyond. He also curated the MazaJ Festival of Experimental Middle-Eastern Music, London.

For his first solo exhibition, Ayyaz connects two distinct spaces, unfolding two different experiences of listening. Transforming the ICA Theatre into a forest of sounds, he uses the AAdM system to carve paths for the audience to walk through and immerse themselves in the experiences of listening. In the Studio, Ayyaz provides an alternative experience of using the same self-regulating system, which responds to the change of architecture and acoustics. The installation will be active during the week, complemented by two performances of a triptych of electroacoustic works.

 

For more details visit http://www.fig2.co.uk/#/48/50

For info about MAAST go to : https://www.kent.ac.uk/smfa/musicandaudio/postgraduate/maast.html

Liquidity Symposium: Life flows, money flows and artists capture the axiomatics that bind these flows.

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‘Transcalar EU Lovesongs’ by Hilary Koob Sassen

 

Wednesday 9th December, 11.15am – 6pm
Institute of Contemporary Arts (ICA), The Mall, London, SW1Y 5AH

Sponsored by the University of Kent and organised by Dr Andrew Conio, Programmes Director, Fine Art and Event and Experience Design, School of Music and Fine Art, this cross-disciplinary forum creates a provocative encounter between philosophy, geography, psychoanalysis, high finance, film, economics, art and activism.  With papers from Professor Philip Goodchild, Professor John Russell, Oliver Ressler, Angus Cameron, Anastasios Gaitanidis, James Buckley, Georgious Papadopoulos and films from Ami Clarke and Hillary Koob-Sassen, the symposium at the Institute of Contemporary Art on 9th December investigates the flows of life, money and art and the axiomatics that bind them together.

Every society in history has created economic, social and political systems to channel flows into things, functional processes and systems.  This symposium asks; to what extent do the Quadrillions of dollars channeled through markets every day determine the ontological horizons and conditions of possibility of life.  How are the flows of money and life’s imminent flows consiliant or forced into disjunctive relation, how does the artist capture these flows?

The School of Music and Fine Art is proud to be working with the Institute of Contemporary Art, London’s foremost multi-disciplinary arts centre. Founded in 1947 by a group of artists, poets and radicals, the ICA is an essential meeting place for anyone interested in contemporary culture. Designed as a playground for ideas, the ICA has worked with a litany of inspired artists and writers, including T.S. Eliot, Cartier-Bresson, Francis Bacon, Jacques Derrida, Joseph Beuys, Gerhard Richter, Jeff Koons, Yoko Ono and Slavoj Žižek.

 

For more on the symposium go to: https://www.ica.org.uk/whats-on/symposium-liquidity