Category Archives: fine art

Leave your mark- National Student Survey 2014

www banner

 

 

Why not take part in the National Student Survey and claim your
FREE £10 Amazon Voucher? It takes less than 5 minutes.

The National Student Survey opens Monday 27th January. Complete your survey by Monday 17th February to claim your FREE £10 Amazon voucher.

It’s quick to complete and you’ll be helping prospective students make the right choices of where and what to study.

As a student, it is a chance to have your say about what you  like and don’t like about your  student learning  experience here at Kent at the School of Music and Fine Art.

The survey is commissioned by the Higher Education Funding  Council and fully supported by the National Union of Students.

Visit: www.kent.ac.uk/leaveyourmark

Thank you.

 

 

Fine Art graduate opportunity for Artist In Residence at DRAWInternational, France.

School graduate Daniella Turbin has just launched a new campaign to seek funding to support her first ever Artist In Residency at DRAWInternational in France during February for 3 months. She is very excited by the project and is offering a piece of her original work to her backers. But the clock is ticking…

Artist in Residence Crowd Funding Art opportunity
Daniella Turbin

The Crowd Funding campaign allows backers to pledge a small sum towards the campaign, who in return, can receive a unique piece of Daniella’s work during the residency. She is set to create over sixty drawings and an installation comprised of thousands of suspended hand-drawn marks. However, there is a limited period of time for a minimum pledge in order for her to take up this fantastic opportunity. She needs to raise £2,766 by February 6, 2014 in order to commence this project.

Daniella graduated from the School of Music and Fine Art with her Fine Art degree in 2013, continued her  practice and in November went on to be shortlisted for the Turner Contemporary Platform Graduate award as well has have her work exhibited at the Turner Contemporary.

“The residency in France is important in my journey to continue to draw and raise the profile of drawing not only as a tool for thought but as a primary discipline in its own right. France plays a significant part in the development of contemporary drawing as not only does it hold Europe’s first fair dedicated to contemporary drawing; Drawing Now Paris: Le Salon but is home to DRAWinternational, an institution completely dedicated to research into Contemporary drawing.” Says Daniella in advance of the upcoming event.  Daniella will be extremely busy in the three months. “As a site responsive artist I will create a minimum of 60 drawings which respond to this new historical and social context. In addition to the 60 drawings I will also create my most ambitious installation yet.”

Read more  about Daniella’s upcoming Artist In Residency or  pledge your backing to support her (minimum £1) for your chance to gain an original piece of art.

http://www.kickstarter.com/projects/1526502631/daniella-turbin-artist-in-residence-at-drawinterna

CHASE and 50th Anniversary University Scholarships

SMFA Logochase logoThe Faculty of Humanities at the University of Kent, as a partner within the Consortium for Humanities and Arts in the South East (CHASE), has been successful in its bid to the Arts and Humanities Research Council to establish a 5-year doctoral training partnership that will create over 230 PhD studentships across the participating institutions, the Universities of Kent, East Anglia, Sussex, Essex, the Open University, Goldsmiths and the Courtauld Institute of Art.

CHASE will provide many innovative opportunities for students wishing to develop a range of practical and intellectual skills in the Humanities during their doctorates.

We are therefore delighted to announce a range of AHRC-funded PhD opportunities across the Schools and subjects within the Faculty of Humanities at Kent, in addition to the Kent 50th Anniversary Scholarships.

We will be holding a briefing session for anyone who is thinking of applying for a scholarship to pursue a PhD in a Humanities subject. This will take place on Thursday 12th December (week 11) in DLT1 (Darwin Lecture Theatre 1) at 12 noon.
At this meeting we will explain the procedure for applying for the new CHASE scheme, and we will also provide information about the University of Kent’s 50th Anniversary Scholarships.

The application deadline for both schemes will be 31 January 2014 so it is vital that you start talking to potential supervisors as soon as you can.

Kent is offering some very exciting opportunities for research students, and we look forward to explaining the procedures, talking about what makes for a strong applications, and addressing your questions.

View School of Music and Fine Art Scholarship page for more details.

More about CHASE:
CHASE: Consortium for the Humanities and the Arts South East England

The Courtauld Institute of Art, Goldsmiths, University of London, the Open University, and the Universities of East Anglia, Essex, Kent and Sussex have formed a consortium to promote excellence in research, postgraduate research training and knowledge exchange in the Arts & Humanities. The consortium aims to:

  • Support world-class researchers in the understanding of human culture and creativity
  • Engage with employers and develop partnerships to encourage creativity and innovation and to secure funding
  • Raise the national and international profile of the Universities.

Visiting Artist Talk – Kate Adams

The School of Music and Fine Art are delighted to welcome Kate Adams in the next of our  Visiting Artists series.

Thursday 21st November, 6-8pm
BridgeWardens College- Lecture Theatre,
Open to Students and Staff

Kate Adams is a visual artist; her practice encompasses video, installation, construction and drawing. Much of her work addresses the phenomenology of built space, nonverbal communication and perceptual impairment. Kate co-founded Project Art Works, an artist-ledorganization that conducts collaborations with galleries, care agencies and people who have complex needs.

Her politically engaged advocacy as an artist informs the cultural and social connectedness of Project Art Works and its actions. This aspect of her practice requires sensitivity to the ethical issues arising from what she describes as nonconsensual involvement in art. Kate will discuss the potential of art to shift responsibility for change from the amorphous realms of ‘society’ and ‘culture’ to the individual.

Recent exhibitions include: States and Spaces, MK Gallery (2011/12); Who’s There? One Year Later, Jerwood Gallery, Hastings 2013; The Room and Everything in it, Dilston Grove, London (current).

www.projectartworks.org
http://www.mkgallery.org/exhibitions/project_art_works/
http://www.jerwoodgallery.org/news/39/whos-there-one-year-later

View our Visting Artist Talks web page

Visiting Artists Talk – Trish Scott and Dan Scott

Artist Trish Scott will explore the relationship between digital media and embedded art practice through discussing a selection of site specific projects including collaborative works made with sound artist Dan Scott.

10th December
BridgeWardens College, Lecture Theatre
6-8pm

Change ManagementArtist Trish Scott will explore the relationship between digital media and embedded art practice through discussing a selection of site specific projects including collaborative works made with sound artist Dan Scott.

Trish and Dan’s joint practice incorporates their respective fields of video, performance and sound and explores narratives of place, playfully utilizing institutional methodologies such as ethnography, archaeology, management consultancy and literature.

Previous projects include Change Management, a life-coaching course for a piece of derelict land in Kent, Herring Quest, an exploration of the declining herring industry in Northern Iceland and Our Father a project following the encounters of an English Catholic priest in rural Portugal.

Trish and Dan have a background in social anthropology, and are currently both engaged in practice-based doctoral research at the University of the Arts, London. Their projects have been presented internationally both in gallery and public spaces.

Further links:
http://www.danscott.org.uk/front.html
http://www.trishscott.org/

Third Year Fine Art Exhibition – IAM Presents ‘INTERIM SHOW’

Third year Fine Art students at the School of Music and Fine Art are delighted to be exhibiting their work in Rochester during Friday, 13th December through to Sunday 15th December.

IAM image

Forty two final year students studying Fine Art at the University of Kent will be showcasing their recent work at the IAM SHOW.

Time:
Opening hours 10am-5pm
There will be a private viewing available on 13th December from 7pm-10pm to launch the show.

Venue:
337-341 High Street, Rochester, Medway ME1 1DA

 

Get a sneak preview of some of their work:

twitter.com/IAMpresents

Instagram: iampresents

 facebook.com/iampresents

Vice Chancellor 2013 Prize recreation of working practice installation

Natasha Pocock, Vice Chancellor Prize Winner
Natasha Pocock, Vice Chancellor Prize Winner

 
Natasha Pocock, winner of the University of Kent’s Vice Chancellor 2013 Prize has completed her working practice installation at the University’s Rutherford Dining Hall, Canterbury campus.

The installation by the School of Music and Fine Art postgraduate student, Natasha Pocock recreated her piece in front of staff, students and visitors at the Canterbury campus from 11-15 November.  ‘I have been seduced by the Chatham Dockyard’s historical content, feeling compelled to respond to Kent’s archives concerning the haunting aspects of the female worker’s lives on site. Specifically for this piece I have responded to an article found in the ‘Black & White Magazine’ calling for Victorian women to apply their skills to the Sail and Colour Loft based at the Dockyard. The work is described to be delicate, clean and light work, ideally suited to women’ Natasha said about her inspirational work.

The installation is based on garment construction and crochet to recreate the passage of time through textiles. It follows the same ethos of Natasha’s work which featured in the Fine Art Degree show, ‘Joining the Docks’, which took place at the Chatham Historic Dockyard earlier this year. Her work explores issues of identity and time through textiles, sculpture and performance with a focus on Dockyard-specific history.

Since graduating, Natasha’s work has been on display at the Galvanize exhibition at the London Barbican. She is also exhibiting at the Horsebridge Gallery in Whitstable throughout November and December, with the sculptural work on display for this exhibition developed from her London Barbican experience.

Sound Image Space Research Seminar – Aura Satz

Tuesday 19th November, 2013
BridgeWardens College Lecture Theatre – 6-8pm
Chatham Historic Dockyard

SATZ-Aura

Aura Satz 
Research Seminar

Aura Satz is an artist whose work encompasses film, sound, performance and sculpture. In recent years she has made a collection of films which look closely at sound visualisation through various technologies and acoustic devices such as a Chladni plate, a Ruben’s tube, a theremin, pianola paper and mechanical music, phonograph grooves and drawn/optical sound. Her works pay close attention to the materiality of such technologies, the resulting sound patterns – codes in the act of formation – and how these destabilise paradigms of writing and readership. Several projects have also centred on moments of technological invention and in particular the often unsung contributions made by women. Her talk will focus on the extended historical research that feeds into her projects, following a trajectory of sound inscriptions, data storage and encryption, abstract notation and colour composition.

Aura Satz has performed, exhibited and screened her work nationally and internationally including:
Rotterdam film festival (Rotterdam)
Zentrum Paul Klee (Switzerland)
Färgfabriken (Stockholm)
Wundergrund Festival (Copenhagen)
Frieze Art Fair NY (New York)
Tatton Park Biennial (Cheshire)
AV festival (Newcastle)
Arnolfini (Bristol)
Ikon gallery (Birmingham)
FACT (Liverpool)
Site Gallery (Sheffield)
Galleria Civica di Arte Contemporanea di Trento (Italy)
De La Warr Pavilion (Bexhill-on-Sea)
BFI Southbank
Whitechapel Gallery
Victoria & Albert Museum
Barbican Art Gallery
ICA
Jerwood Space
Tate Britain
Beaconsfield Gallery
Artprojx Space
Wellcome Collection and the Tate Tanks (London).

During 2009-2010 she was artist-in-residence at the Ear Institute, UCL, and in 2012 she was shortlisted for the Samsung Art+ award, and the Jarman artist’s moving image award.

Exhibitions in 2013 include a solo show at the Hayward project Space (London),
Paradise Row Gallery (London),
Mini-retrospective screenings at the 51st New York film Festival
‘Curiosity: Art and the Pleasures of Knowing’, as part of Hayward Touring exhibition at Turner Contemporary (Margate)
Norwich Castle Museum and Art Gallery, de Appel arts centre (Amsterdam), curated by Brian Dillon in association with Cabinet magazine.

The Research Seminar event is open to all students and staff.
View the Events Calendar

Visiting Artist Talk – Fran Cottell

Visiting Artist Talk Today – Thursday 14th November, 2013.
BridgeWardens College- Lecture Theatre,
6-8pm
Fran Cottell-Visiting Artist TalkBack2Front1
Artist Fran Cottell will be visiting the School of Music and Fine Art to give a talk, on Thursday 14th November.

Fran works at creating visual presentations which harness the performative qualities of the ordinary and the mundane. Her structures are developed out of collisions and conversations. 

 “My work questions how to show the ephemeral, live experiences that make up the quotidian within the fixed frame of the art institution. Further: how to preserve life, or rather the breath of ‘aliveness’ ” says Cottell.

“The ‘House Projects’ (since 2001) initially focused on the honesty and truthfulness of mess over domestic order; the focus then shifted to the visitors who with the occupants discussed their relative status, bringing into play conflicting and contradictory power relations. I engaged in dialogue with museums and galleries about the static nature of collections and their inability to collect life, live art and time and created, through a hole in the ceiling, in a form of reverse collecting, a photographic collection of visiting curators’ heads. Building on a history of feminist artists, who initially addressed their own invisibility as house workers, the project was extended to include service work.

In the spirit of an active and lively conversation, rather than a social levelling, the work aims to challenge fixed hierarchies, to produce a dynamic democracy with different points of view coming into focus”

Fran’s recent and current projects include: an Ebook, House: from Display to BACK to FRONT 2012 (a series of live installations in her house as offsite projects for CGPLondon 2001-2012) available from www.ktpress.co.uk.

The installation for Concrete Geometries: the Relational in Architecture at the Architectural Association, London 2011. She continues to work with Concrete Geometries, recently co-presenting the project at Rethinking the Social in Architecture 2013, Umea School of Architecture.

Award-winning art installation to be recreated at Canterbury campus

 

AH4A8429

 

Fine Art graduate and winner of the University of Kent’s Vice Chancellor 2013 Prize, Natasha Pocock, will have her award-winning work recreated the University of Kent’s Rutherford Dining Hall on the Canterbury campus from 11-15 November, 2013. Visitors are welcome and encouraged to come along and view Natasha’s progress throughout the week.

Natasha was a Fine Art postgraduate student at the School of Music and Fine Art and her performance installation follows the same ethos of her work which featured in the Fine Art Degree show exhibition ‘Joining the Docks’, which took place at the Chatham Historic Dockyard earlier this year. Her previous piece explored issues of identity and passage of time through textiles, sculpture and performance with a focus on Dockyard-specific history. It will be based on garment construction and crochet to recreate the passage of time through textiles.

Natasha said: ‘I have been seduced by the Chatham Dockyards historical content, feeling compelled to respond to Kent’s archives concerning the haunting aspects of the female workers lives on site. Specifically [for this piece] I have responded to an article found in the ‘Black & White Magazine’ calling for Victorian women to apply their skills to the Sail and Colour Loft based at the Historical Chatham Dockyard. The work described to be ‘delicate, clean and light work, ideally suited to women.

As well as visiting the installation, visitors are encouraged to submit questions to Natasha, via Tasha.Pocock@live.co.uk. Questions will be answered each day during a 1-2pm interlude.

‘I am looking forward to creating a new piece for visitors at the Canterbury campus I will be in performance installation should anyone like to attend from 10am until 5pm and on the Thursday until 9pm. It is an extension of ‘Master in Command’ developed at Chatham” says Natasha.

Since graduating, Natasha work has been on display at the Galvanize exhibition at the London Barbican. She is also exhibiting at the Horsebridge Gallery in Whitstable throughout November and December, with the sculptural work on display for this exhibition developed from her London Barbican experience.