Category Archives: research

Sound-Image-Space Research Centre (SISRC) welcomes new member and a new research focus

The School of Music and Fine Art would like to welcome a new member of staff to our Sound-Image-Space Research Centre SISRC. Dr Freya Vass-Rhee.

Freya

Dr Freya Vass-Rhee, also a new member of staff, lecturing in Drama and Theatre for The School of Arts in Canterbury, joins SISRC to bring a new area of research into the Centre.

Dr Vass-Rhee’s primary focus is Visuo-Sonic analysis of dance and theatre performance from cognitive interdisciplinary perspectives and is also a member of the Centre for Cognition, Kinesthetics & Performance, based at Canterbury, where she is in the process of organising a visit in later this spring by Kate Stevens (MARCS Auditory Labs, U. Western Sydney), who is a specialist in music and cognition with an avid interest in dance and sound.

Dr Freya Vass-Rhee Profile:
Freya studied Linguistics and Cognitive Science at the University of California, Los Angeles before completing a PhD in Dance History and Theory in 2011 from the University of California, Riverside with the dissertation “Audio-Visual Stress: Cognitive Approaches to the Perceptual Performativity of William Forsythe and Ensemble.” From 2011 to 2013, Freya was an Associate Researcher with the Dance Engaging Science workgroup of the Motion Bank project (The Forsythe Company, Frankfurt). Her research has appeared in Dance Chronicle and in edited volumes on dance dramaturgy and the work of William Forsythe.

Prior to her academic career, Freya worked as a professional dancer, ballet mistress, teacher, and choreographer with companies in Europe and the U.S. Her training includes classical/neoclassical ballet, contemporary and modern dance, period styles of musical theater dance, jazz, and tap dance.

From 2006-13, Freya served as dramaturg and production assistant to choreographer William Forsythe. She has also freelanced as dramaturg for choreographers including David Dawson.

View Dr Freya Vass-Rhee profile

Research Seminar – Dr Jennifer Walshe

Tonights Research Seminar we present Dr Jennifer Walshe.
Bridge Wardens College, Lecture Theatre
6-8pm
Tuesday, 11th March, 2014

JenniferWalshe.2
Dr Jennifer Walshe will present her  recent work
.
She is a composer, performer and visual artist of whom the Irish  Times has said that “without a doubt, hers is the most original  compositional voice to emerge in Ireland in the last 20 years”.  Jennifer Walshe says of her work that “the  sounds I am interested in include those that we hear all the time but are normally  considered flawed or redundant: twigs snapping in a burning fire, paper  tearing, breathing, instrumental sounds that aren’t considered ‘beautiful’ in  standard terms.

I think these sounds have their own beauty in the way that  pebbles on a beach or graffiti can have.”

Download the Poster: Research Seminar-Jennifer Walshe

Upcoming Seminar:
Tuesday, March 25, 2014
The Rebirth of Music from the Spirit of Drama – Jean Martin

View our Research Seminar webpage
View the Events Calendar

Research Seminar – ‘The Sounding Image: Interactivity in Audio Visual Video’ by Dr Holly Rogers

– ‘The Sounding Image: Interactivity in Audio Visual Video’ by Dr Holly Rogers
– ‘The Sounding Image: Interactivity in Audio Visual Video’ by Dr Holly Rogers

Tuesday, March 4, 2014
6-8pm
Bridge Wardens College, BWC201
Dr Holly Rogers will be visiting the School of Music and Fine Art to present some of her ideas from her recent publication ‘Sound the Gallery: Video and the Rise of Art-Music’, which explores the first decade of creative video work, focussing on the ways in which video technology was used to dissolve the boundaries between art and music.

Becoming commercially available in the mid 1960’s, video became integral to the experimentalism of New York City’s music and art scenes. The medium was able to record image and sound at the same time, allowing composers to visualise their music artists to sound their images in a quick and easy manner. Video also enable the creation of interactive spaces that questioned conventional habits of music and art consumption.

The mediums audio visual synergy could be projected, manipulated and processed live and the closed circuit video feed drew audience members into the heart of the experience. Such activated spectatorship resulted in improvisatory and performative events, in which the space between artists, composers, performers and visitors collapsed into a single, yet expansive, intermedial environment. Many believed that audio visual video signalled a brand new art form that only begun in 1965.

Rogers book suggests that this is inaccurate. During the Twentieth Century, composers were experimenting with spatialising their sounds, while artists were attempting to include time as creative element in their visual work. Pioneering video work allowed these two disciplines to come together. Shifting the focus from object to spatial process, Sounding The Gallery uses theories in intermedia, fim, architecture, drama and performance practice to create an interdisciplinary history of music and art that culminates in the rise of video art-music in the late 1960s.

Download the Poster: SMFA_Research Seminar_04.03.14

Upcoming Seminar:
Tuesday, March 11, 2014
Dr Jennifer Walshe will present her recent work.

View our Research Seminar webpage

View the Events Calendar

Special Screening of Perestroika: Reconstructed by Director Sarah Turner at the ICA, March 2nd

Sarah Turner has been invited to the ICA London for a special screening to launch the LUX DVD/BluRay of both films ‘Perestroika’ and ‘Perestroika : Reconstructed’, followed by a questions and answers session.

The screening is open to all, to be held this coming Sunday, 2nd March
at the ICA, London, Cinema 1. Hosted by Helen de Witt, British Film Institute,
Head of Cinemas. The DVD will be on sale for a special discount price of £15.

Perestroika: Reconstructed is a ghost story that combines the genres of documentary, essay film and film poem.  Part psychogeography, part dream and part environmental allegory, the film explores the process of memory: both what we forget and how we remember. Sequence one constitutes the 2009 version of the film, whilst the second sequence constructs a new framing narrative that reinterprets and reconfigures both the imagery and the experience of the first.

Limited to views from the window of the Trans-Siberian train, both sequences of Perestroika: Reconstructed conclude at Lake Baikal, the world’s deepest lake, contrasting experiences of terror and apocalypse with those of beauty and tranquillity, the one contaminating the other. In this uncanny return, the instability of the environment is twinned with the instability of memory.

P123_stiched_Perestroika

 

‘A ruined hotel. A lake as big as a sea. And a death, never explained but by now as momentous to us, and as engulfing, as a black hole. What begins as a travelogue with philosophical trimmings turns into a puzzle picture worthy of Resnais or Antonioni.’
Nigel Andrews, Financial Times

‘Elegantly photographed, sound- designed to precise and goose- bumping effect, this is a rare and haunting work of memory-gleaning.’
Sukdev Sandhu, The Telegraph

‘Conceived with intelligence and arresting intensity’
Peter Bradshaw, The Guardian

LUX Special Screening:
Sunday, 2nd March
13.30
Cinema 1, ICA London
£8-£10
LUX Publication Page
LUX Facebook Page

Book to attend the screening:
ICA, London

LUX DVD/BluRay Release:
2 Disc Dual Format DVD/Blu Ray
DVD 9 PAL Region 0/ BD 50 Region 0
Perestroika, 2009, 118 mins
Perestroika: Reconstructed 2013, 178 mins
Plus new essays by Elizabeth Cowie, Sophie Mayer, and Paul Newland
Published by LUX
Price £22 individuals / £60 institutions

Purchase the DVD/BluRay:
LUX, Artist’s Moving Image
turner-PK-Front

 

MAAST plays tribute to electroacoustic composer Bernard Parmegiani

The School of Music and Fine Art’s ‘Music and Audio Arts Sound Theatre’ (MAAST) system is set to diffuse a sequence of electroacoustic works by the legendary French composer Bernard Parmegiani as an tribute to his music, during a 3-day Festival in March 2014.

Bernard Parmegiani_MAAST Tribute Event

The School’s research-focused sound diffusion system, designed to explore spatial sound, is set to relive some of the works of the late great pioneer of electroacoustic music, Bernard Parmegiani, who passed away last November. Hosted by LCMF, the event will take over a former carpet factory, a magnificent 20,000 sq ft space in Brick Lane, London.

Parmegiani’s rich body of work, spanning nearly 50 years, stands among the most important in electroacoustic music, influencing generations of artists within the academy and beyond it.

Following the success of the School’s recent Symposium on Acoustic Ecology, the School’s MAAST innovative diffusion system, comprising more than 30 loudspeakers, will once again be showcased from Friday 21st to Sunday 23rd of March.

Curriculum Lead for Music and Audio Arts and Director of MAAST, Dr Aki Pasoulas, along with Ambrose Seddon and Diana Salazar will be diffusing Parmegiani’s music from the 1970s on Saturday 22 March.. The influential electroacoustic composers and scholars Denis Smalley and Jonty Harrison, along with Peiman Khosravi will be diffusing Parmegiani’s works on the first day of the festival, Friday 21 March; while on Sunday, the director of the renowned Groupe de Recherches Musicales (GRM), Daniel Teruggi, will conclude the 3-day tribute festival.

We look forward to this event and encourage anyone interested in attending to book tickets online (http://lcmf.co.uk) as soon as possible, because they are selling fast We hope this gives our MAAST system another enthusiastic performance and platforms the developments we are making in spatial sound out to a wider audience.

Any SMFA students interested in volunteering for the event, please contact Dr Aki Pasoulas as soon as possible. This will be a work experience not to be missed, as you will be working alongside the most distinguished and influential composers and scholars of music and audio art today.

Bernard Parmegiani (1927-2013)
 Parmegiani initially trained as a mime, a practice he often drew on when describing his music. It was Pierre Schaeffer who, in 1961, convinced him to start composing. In Schaeffer’s musique concrète, the building blocks of composition were not notes and rests, but recordings. Pieces were created through collage and the transformation of acoustic sounds on tape. It was this technique that Parmegiani developed so expansively from the 1960s onwards.

While Parmegiani found himself at the centre of Schaeffer’s GRM, he also led a parallel career, composing for film, television, and even for Paris Charles de Gaulle Airport.

 

 

Research Seminar – ‘Performing Live in Second Life’

Research Seminar_Nicholas Cook and Justin Gagen
Performing live in Second Life
by Professor Nicholas Cook with Justin Gagen

Tuesday, February 18, 2014
6-8pm

Bridge Wardens College, BWC201

Professor Nicholas Cook will provide a general introduction to music in the virtual world Second Life in his paper ‘Performing live in Second Life’ (co-authored with Justin Gagen) which focuses on relationships between music making in Second Life and in the real world.

Concerts in Second Life typically aim to replicate the conditions of live music in real-world venues. There are however significant technological constraints on such replication. For one thing, the music is made in the real world and streamed into Second Life. For another, the variable lag that is a basic feature of Second Life means that accurate synchronisation of images, gestures, chat, and streamed sound is impossible. Based on a case study of the virtual band Redzone (of which Justin is a co-founder), we argue that the most effective way to create liveness in Second Life is not to replicate the conditions of real world performance, but rather to reconstruct liveness based on the technological affordances of virtual reality.’

View the Research Seminar webpage.

The Research Seminar event is open to all students and staff.
View the Events Calendar

Next Research Seminar on 4 March 2014:
The Sounding Image: Interactivity in Audio-Visual Video by Dr Holly Rogers

 

 

Still time for students to have their say…

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Complete your National Student Survey to tell us what you think!

It’s quick to complete and you’ll be helping prospective students make the right choices of where and what to study.

As a student, it is a chance to have your say about what you  like and don’t like about your  student learning  experience here at Kent at the School of Music and Fine Art.

The survey is commissioned by the Higher Education Funding  Council and fully supported by the National Union of Students.

Visit: www.kent.ac.uk/leaveyourmark

Music and Fine Art Postgraduate Open Evening

Postgraduate Open Evening (Medway)
Wednesday February 5th, 2014
Rochester Building
Medway Campus

Book your space online today

Interested in studying for a postgraduate Fine Art or Music degree?

Postgraduate students will be able to explore music or fine art postgraduate course options at the University of Kent’s Rochester Building at the Medway campus during an Open Evening to be held 5pm – 7pm.

Teaching staff, current students and the admissions team will be available to discuss all programmes offered at the School of Music and Fine Art, including taught and research postgraduate degrees.

There will be an opportunity to tour facilities, enjoy some refreshments and discuss study options, including the option of combining study and work, how to apply, fees and costs as well as scholarships.

Among the study programmes on offer are:

MA   Fine Art
PhD  Fine Art

MA  Music Composition
MA  Music Technology
MA  Sound and Image
PhD Music

Academics will be on hand throughout the evening to explain how the programmes are structured and to outline availability of funding, internship and career opportunities.

There will also be staff available who can discuss the full range of undergraduate and postgraduate opportunities at the University of Kent at all its locations in the UK and Europe.

For more information about the Open Evening, visit the Postgraduate Events webpage or contact School of Music and Fine Art Reception on MFAReception@kent.ac.uk

Fine Art graduate opportunity for Artist In Residence at DRAWInternational, France.

School graduate Daniella Turbin has just launched a new campaign to seek funding to support her first ever Artist In Residency at DRAWInternational in France during February for 3 months. She is very excited by the project and is offering a piece of her original work to her backers. But the clock is ticking…

Artist in Residence Crowd Funding Art opportunity
Daniella Turbin

The Crowd Funding campaign allows backers to pledge a small sum towards the campaign, who in return, can receive a unique piece of Daniella’s work during the residency. She is set to create over sixty drawings and an installation comprised of thousands of suspended hand-drawn marks. However, there is a limited period of time for a minimum pledge in order for her to take up this fantastic opportunity. She needs to raise £2,766 by February 6, 2014 in order to commence this project.

Daniella graduated from the School of Music and Fine Art with her Fine Art degree in 2013, continued her  practice and in November went on to be shortlisted for the Turner Contemporary Platform Graduate award as well has have her work exhibited at the Turner Contemporary.

“The residency in France is important in my journey to continue to draw and raise the profile of drawing not only as a tool for thought but as a primary discipline in its own right. France plays a significant part in the development of contemporary drawing as not only does it hold Europe’s first fair dedicated to contemporary drawing; Drawing Now Paris: Le Salon but is home to DRAWinternational, an institution completely dedicated to research into Contemporary drawing.” Says Daniella in advance of the upcoming event.  Daniella will be extremely busy in the three months. “As a site responsive artist I will create a minimum of 60 drawings which respond to this new historical and social context. In addition to the 60 drawings I will also create my most ambitious installation yet.”

Read more  about Daniella’s upcoming Artist In Residency or  pledge your backing to support her (minimum £1) for your chance to gain an original piece of art.

http://www.kickstarter.com/projects/1526502631/daniella-turbin-artist-in-residence-at-drawinterna

CHASE and 50th Anniversary University Scholarships

SMFA Logochase logoThe Faculty of Humanities at the University of Kent, as a partner within the Consortium for Humanities and Arts in the South East (CHASE), has been successful in its bid to the Arts and Humanities Research Council to establish a 5-year doctoral training partnership that will create over 230 PhD studentships across the participating institutions, the Universities of Kent, East Anglia, Sussex, Essex, the Open University, Goldsmiths and the Courtauld Institute of Art.

CHASE will provide many innovative opportunities for students wishing to develop a range of practical and intellectual skills in the Humanities during their doctorates.

We are therefore delighted to announce a range of AHRC-funded PhD opportunities across the Schools and subjects within the Faculty of Humanities at Kent, in addition to the Kent 50th Anniversary Scholarships.

We will be holding a briefing session for anyone who is thinking of applying for a scholarship to pursue a PhD in a Humanities subject. This will take place on Thursday 12th December (week 11) in DLT1 (Darwin Lecture Theatre 1) at 12 noon.
At this meeting we will explain the procedure for applying for the new CHASE scheme, and we will also provide information about the University of Kent’s 50th Anniversary Scholarships.

The application deadline for both schemes will be 31 January 2014 so it is vital that you start talking to potential supervisors as soon as you can.

Kent is offering some very exciting opportunities for research students, and we look forward to explaining the procedures, talking about what makes for a strong applications, and addressing your questions.

View School of Music and Fine Art Scholarship page for more details.

More about CHASE:
CHASE: Consortium for the Humanities and the Arts South East England

The Courtauld Institute of Art, Goldsmiths, University of London, the Open University, and the Universities of East Anglia, Essex, Kent and Sussex have formed a consortium to promote excellence in research, postgraduate research training and knowledge exchange in the Arts & Humanities. The consortium aims to:

  • Support world-class researchers in the understanding of human culture and creativity
  • Engage with employers and develop partnerships to encourage creativity and innovation and to secure funding
  • Raise the national and international profile of the Universities.