SMFA’s Dr Ruth Herbert performing with her trio Table Music Friday 2nd March in London

Table Music – left to right: Ruth Herbert (piano), Natalie Rozario (cello), Mandhira de Saram (violin)

 

Dr Ruth Herbert, Lecturer in Music Performance, will perform with her trio Table Music at Schott Music, London on Friday 2 March 7.30pm – 9.30pm. They are joined by renowned jazz pianist Tim Richards and Ruth’s daughter Asha Parkinson (BBC Young Jazz Musician Award semi-finalist 2016) on soprano sax for an evening of music featuring contemporary, jazz and world influences, including commissioned works from Tim and Asha, plus music by Piazzolla and Zimmerli.

Formed early in 2017, and at core a piano trio, Table Music break new ground with a focus on new, recent and 20th century music displaying a rich mix of influences: contemporary classical, jazz and world, sometimes incorporating improvisation and other instruments. An album is planned for 2019.  More info https://www.tablemusic.co.uk/

 

As a professional pianist, Ruth has performed with various ensembles, notably recording soundtracks for silent films commissioned by the British Film Institute (BFI) with the piano trio Triptych, subsequently touring these works at major venues in the UK and USA (e.g. Barbican and Lincoln Centres).

Academic positions held include Head of Performance Studies at Dartington College of Arts and Lecturer in Music for the Open University. Prior to her appointment at Kent, Ruth held a British Academy Postdoctoral Fellowship at the Faculty of Music, University of Oxford and a Junior Research Fellowship at Jesus College, Oxford.

 

For concert reservations, ring Schott Music: 0207 534 0710. Tick­ets: £10 (full-time stu­dents £5) https://schottmusiclondon.com/

SMFA Fine Art PhD student Stephen Connolly shortlisted for a 2018 BAFTSS Award

Stephen Connolly

 

Stephen Connolly, an artist filmmaker, Lecturer in Film Production, University for the Creative Arts, Farnham and Fine Art PhD student and Graduate Teaching Assistant in the School of Music and Fine Art (also a Kent 50 Scholar), has been shortlisted for a British Association of Film, Television and Screen Studies (BAFTSS) Award for 2018, in the Moving Image category under Best Practice Research Portfolio for Machine Space.  The results will be announced in April.

BAFTSS encourage best teaching and research practice, promoting the training of postgraduate students in research and giving researchers and practitioners the opportunity to attend and present a paper at the annual BAFTSS conference.

Connolly’s Machine Space is an essay film exploring a city as a machine; a place of movement and circulation. Using a kinetic approach, issues of space, race and finance frame the city of Machine Space. Residents in voiceover testify how the city as a spatial and financial machine shapes their experience. The city is Detroit, a place that has changed from producing the means of movement to producing space itself.  The film uses formal representational devices to explore this content, and addresses issues of complicity of audiences in the state of affairs in the city. It is a visualization of the ideas of Henri Lefebvre, philosopher of space and urban life.

The film was shown at London Film Festival and Wexner Center for the Arts at the Ohio State University.  https://wexarts.org/film-video/stephen-connolly-machine-space

You can read the LFF Review (in which it is described as “brilliant”) on MUBI https://mubi.com/notebook/posts/spatial-stories

Stephen Connolly’s work investigates cinema and representation through place, politics and history. His award winning single screen work which explores the interface between spectatorship, material culture and subjectivity, has been widely shown internationally since 2002. A FLAMIN award recipient, he has had solo screenings at the ICA and BFI Southbank in London, and was a juror at the Ann Arbor Film Festival (Michigan, USA) in 2011.

 

More info about the BAFTSS Awards here:  http://baftss.org/awards-2018/ and http://baftss.org/special-interest-groups/practice-research/

Machine Space newsprint giveaway http://bubblefilm.net/texts/pdf_texts/Machine_Space_Newsprint.pdf

Sarah Turner, SMFA’s Reader in Fine Art & Deputy Director of Research is published in The New Soundtrack journal

Sarah Turner

 

Sarah Turner, SMFA’s Reader in Fine Art & Deputy Director of Research is published in The New Soundtrack journal, with The Sound of Memory in Public House appearing in Volume 7 Issue 2. Click here: http://www.euppublishing.com/doi/abs/10.3366/sound.2017.0103 and https://www.schoolofsound.co.uk/sos/blog/

The New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images, providing a new platform for discourse on how aural elements combine with moving images, and encourages writing on more current developments, such as sound installations, computer-based delivery, and the psychology of the interaction of image and sound.

Sarah Turner is an artist who writes and makes films. Her work spans single screen gallery pieces (rooted in the formal preoccupations of the avant-garde from which she emerged) to feature length projects that explore the interplay between abstraction and narration.

SMFA Lecturer in Music Performance, Dr Ruth Herbert features in the Routledge Companion to Sounding Art

 

SMFA Lecturer in Music Performance, Dr Ruth Herbert features in the Routledge Companion to Sounding Art (2017) which contains 36 essays that cover a variety of interdisciplinary approaches to studying sounding art from the fields of musicology, cultural studies, sound design, auditory culture, art history, and philosophy.

Her chapter, Sonic Subjectivities, compares subjective experiences of sounding art with informal everyday multimodal experiences of music – the way individuals customise mundane experience with music. It goes on to consider Experience Design and examine the faculty of imagination as a psychological given and evolutionary adaptation.

For more details go to https://www.routledge.com/The-Routledge-Companion-to-Sounding-Art/Cobussen-Meelberg-Truax/p/book/9781138780613

A music psychologist and performer, Ruth has diverse research interests in the fields of music in everyday life, music, health and wellbeing, music and consciousness, sonic studies and music education.

She is currently co-editing a volume for Oxford University Press on Music and Consciousness, together with Professor Eric Clarke (Oxford) and Professor David Clarke (Newcastle).  For more info on Ruth go to https://www.kent.ac.uk/smfa/staff/staff-profiles/musicandaudio/Herbert.html

SMFA Fine Art student Carol Rosalind Smith is contributor to new poetry anthology for MIND

 

Second year BA (Hons) Fine Art student Carol Rosalind Smith is a contributor to a recently published new poetry anthology Please Hear What I’m Not Saying. All proceeds from the anthology sales go to MIND. Carol’s work was selected from over 600 international poetry submissions, whittled down to 115, with all poets enthused by a common goal to raise funds for the mental health charity MIND. With poetry focusing on a wide range of experiences, the book aims to continue the worldwide conversation about mental health. Released on 8 February, the anthology is available from Amazon in both paperback and Kindle formats. To buy the book go to  http://amzn.to/2nTGmbO

A regularly published fiction writer, Carol had her first short story published in an anthology in April 2017, followed in December 2017 by inclusion in a flash fiction anthology entitled Flash, I Love You. (Paper Swans Press) https://paperswans.co.uk/product/flash-i-love/

She has recently signed contracts for a further two anthologies, one in America, due for publication in 2018. For more writing and artwork go to  https://crsmith2016.wordpress.com/

SMFA Fine Art PhD student Moyra Derby features in collaborative exhibition at Tintype in March

Installation view, Interval [ ], Whitstable Biennale, 2016

 

Currently undertaking a practice based PhD in Fine Art at SMFA on the cognitive conditions of pictorial attention (with the support of a University of Kent Vice Chancellors Scholarship), artist Moyra Derby is featured in a new exhibition which opens on Thursday 1st March at 6.30pm,  running until 31 March.   Interval [ ] still : now is a collaboration between five artists –  Moyra Derby, Nicky Hamlyn, Conor Kelly, Joan Key, and Jost Münster –  which reflects on the momentary encounter, caught within or cut by the limit of rectangular support, viewfinder, picture space, window space or film reel.

Their approach is unified by framing as a shared convention between film and painting. The interruptions that occur through cross cuts, edits, overlays and spacings between works becomes a defining consideration. The architectural and durational containment of work through exhibition is a further form of framing that the Interval project foregrounds.

Tintype opened in 2010 and currently represents twelve artists from the UK, Germany, Romania, Hong Kong and Canada. At Tintype, a large window frames the space from the street and provides a dual aspect for work – pictorialized from outside, offering an overview and invitation – fragmented and spatially shifting inside. The cut in time and structured spacing implied by the term interval highlights this change of view and perspective between the street and the gallery. Within Tintype, there is a third aspect – because the window is so large and the street outside so busy ­– it is hard not to be aware of the constantly changing streetscape.

Working collaboratively since 2016, the five artists developed Interval [ ] Stop Gap in 2017 at the Herbert Read Gallery, UCA Canterbury, and Interval [ ] in 2016 as part of the Whitstable Biennale.

A publication accompanies the exhibition.

A Fellow of the Higher Education Academy and a Founding Trustee of Crate Studio & Project Space in Margate, Moyra studied at University of Ulster at Belfast and Cheltenham School of Art. She received an MA Painting from the Royal College of Art. 1996, where she received the Basil H Alkazzi Travel Scholarship to New York, La Cité Internationale des Arts Paris Studio Award and The British Institution Fund Painting Award.  She is Senior Lecturer in Painting on the BA Fine Art course at UCA Canterbury.  More here https://www.kent.ac.uk/smfa/staff/staff-profiles/phdstudents/Derby1.html

 

Venue details: Tintype, 107 Essex Road, London, N1 2SL,  Tel 0207 354 4360

Wed – Saturday: 12 – 6pm  www.tintypegallery.com

SMFA and Archaeology project produces 3D printed replicas of ancient musical instruments

Replica of Ancient Roman and Egyptian artefacts. Photo by George Morris

 

A 2 year AHRC-funded project to study Roman and Late Antique Artefacts from Egypt – a collaborative effort between the University of Kent, Manchester Metropolitan University, and the UCL Petrie Museum, Bloomsbury, London – has resulted in the production of replica ancient musical instruments using 3D print technology. Using laser scanning data and further research to enable the identical reconstruction, School of Music and Fine Art technicians, Georgia Wright and George Morris made a set of reed panpipes, 3 different ceramic rattles, a pair of wooden clappers and two sets of double-flutes.

Lloyd Bosworth, archaeology technician in SECL, 3-D had scanned the objects at the museum and then created virtual 3-D models from the scans (Lloyd has just won a University research prize for his research support). The virtual 3-D models were sent to Georgia Wright, who printed them out to use as a basis for the replica objects in the original materials, and with George Morris then produced the instruments.

Replica of Egyptian Reed Panpipes. Photo by George Morris

 

On the Project Team, Dr Ellen Swift, Reader in Archaeology at the University of Kent, commented: “It was very exciting going over to Chatham to pick up the instruments and I was really pleased with how Fine Art Technicians, Georgia and George, were able to achieve a close match with the size and appearance of the original artefacts thanks to new 3-D scanning technology. On my first visit, I picked up the 3D print-out of the panpipes and it was a real eureka moment to find out that they played a musical scale known from written documents to have existed in the Roman period. Making the instruments did pose a challenge as in some cases there were parts missing and some additional research and creativity was needed to fill in the gaps.”

The replica artefacts are a key part of the project and will be used for research and also for an exhibition at the UCL Petrie Museum at the end of the project in 2019. When all the instruments are ready, sound recordings will be made at SMFA to be used at the subsequent exhibition.

This research project – the first in-depth study of Roman and Late Antique Egypt that uses everyday artefacts as its principal source of evidence – aims to transform our understanding of social experience, social relations, and cultural interactions, among the populations of Egypt in this period.

 

For more info go to http://blogs.kent.ac.uk/egypt-artefacts/2018/02/02/3d-printed-panpipes/

SMFA music Lecturer Dr. Sean Williams on Radio 3

Dr. Sean Williams, 2018.

 

School of Music and Fine Art Audio Electronics Lecturer, Dr. Sean Williams, was featured on a programme called Radio Controlled on BBC Radio 3 on Sunday February 11th at 6:45pm with several other academics, talking about early experimental electronic music on West German radio in the 1950s.

Presented by Robert Worby, the programme tells the fascinating story of how post-war West German radio, and modern music, was conscripted to win the cultural cold war, often juggling political, economic and cultural forces outside of their control.

To listen to the programme go to: http://www.bbc.co.uk/programmes/b09r3qjb

 

Dr. Sean Williams is a researcher with a strong background in music practice. He has released a number of records on various labels in the UK, Europe and the USA, and performs solo and with groups including Grey Area, and the Monosynth Orchestra. For more info go to https://www.kent.ac.uk/smfa/staff/staff-profiles/musicandaudio/Williams.html

SMFA music lecturer Anna Neale-Widdison releases new single

Anna Neale-Widdison, 2018.

 

SMFA music lecturer Anna Neale-Widdison has released a new single Evolution which is available on all the usual music platforms such as Spotify and  iTunes. The video was filmed at the Historic Dockyard Chatham and Royal Dockyard Church, and featured University of Kent (Medway) students. It can be viewed here: https://youtu.be/GrWcMpNOMko

Evolution  is taken from Anna’s forthcoming album Wide Sky, due for release on the 23rd March, featuring performances from Syrian musicians and the members of the English National Opera (ENO) chorus. Fusing together Middle Eastern music with Western pop, and continuing the world music theme featured in her previous album River Man.

Anna is a multi-talented singer/songwriter, composer, session vocalist, and voice over artist, and has performed at most of the major music conferences, released two albums and two EP’s to critical acclaim, written songs for other artists, radio and TV advertising, and provided vocals for many TV animations, songs and adverts. As well as her composing and performing credits, Anna has lectured at the University of Cambridge, The British Museum, BIMM (Brighton & London), Canterbury Christ Church University and the University of Hertfordshire. She is also a member of the Oxford Brookes’s music industry board.  Her research interests include songwriting and the music of Ancient Greece.  More info here:  http://www.annaneale.net