Monthly Archives: December 2014

The BBKLR welcomes submissions from legal practitioners, policy makers, students and academics. Papers should be approximately 5,000 words and conform to the OSCOLA citation method (note, papers that do not follow the OSCOLA method will be returned to the authors … Continue reading →

Conference of the Munich Doctoral Program for Literature and the Arts MIMESIS Centre for Advanced Studies, LMU Munich 29-31 October 2015 Fakes, forgeries and counterfeits are omnipresent as works of art,branded products, biographies, satellite pictures, documents, news,research results, testimonies. They … Continue reading →

    Cicero demands of historians, first, that we tell true stories. Paul David (1985)

          The 2015 conference of the Poetics and Linguistics Association (PALA) will take place at the University of Kent, Canterbury, England from 15th-18th July 2015. The theme of this year’s conference will be Creative Style, and the … Continue reading →

The second International Workshop on Law & Ideology will be devoted to “Memories of Struggles, Struggles of Memories” and will be hosted by the University of Sarajevo in Bosnia and Herzegovina. The Workshop will take place on May 28-29, 2015 in the city of Sarajevo. The … Continue reading →

    more info: http://www.bbklr.org/

Call For Papers  Australian Animal Studies Group (AASG) Conference 2015 Animal Publics: Emotions, Empathy, Activism  Convened by the Australian Centre and the Human Rights and Animal Ethics Research Network (HRAE)   The University of Melbourne, July 12-15, 2015   The … Continue reading →

Dear All, Thanks for your enthusiasm to date in response to the 2015 Law, Literature & the Humanities conference, to be hosted by University of Technology, Sydney on the 9-12 December 2015. Interdisciplinary work in law, literature and the humanities is … Continue reading →

          “The addict understands law as an abstraction” Nathan Moore “Image and Affect: Between Neo-Baroque Sadism and Masochism” (2012)

“All cost and no benefit. All image and no law. And that is the point. The rub. The law depends upon, is supported by, exists through an array of background techniques, apparatuses of appearance, a theatrical machinery of solemnization and … Continue reading →