{"id":26,"date":"2022-05-12T18:28:11","date_gmt":"2022-05-12T17:28:11","guid":{"rendered":"https:\/\/blogs.kent.ac.uk\/tvaesthetics\/?page_id=26"},"modified":"2022-07-07T08:50:18","modified_gmt":"2022-07-07T07:50:18","slug":"programme","status":"publish","type":"page","link":"https:\/\/blogs.kent.ac.uk\/tvaesthetics\/programme\/","title":{"rendered":"Programme"},"content":{"rendered":"<p><strong><a href=\"http:\/\/blogs.kent.ac.uk\/tvaesthetics\/files\/2022\/07\/Television-Aesthetics-Now-What-Conference-Programme-v3.pdf\">Click here<\/a> for a downloadable PDF of the programme.<\/strong><\/p>\n<p><strong>KEYNOTES<\/strong><\/p>\n<p><a href=\"http:\/\/middlebury.edu\/academics\/fmmc\/faculty\/node\/2031\"><strong>Jason Mittell<\/strong><\/a> (Middlebury College)<\/p>\n<p><a href=\"https:\/\/cji.uniri.hr\/en\/members\/iris-vidmar\/\"><strong>Iris Vidmar Jovanovi\u0107<\/strong><\/a> (University of Rijeka)<\/p>\n<h1><strong>DAY 1 \u2013 Thursday 7 July<\/strong><\/h1>\n<h3><strong>09:30-09:50\u00a0\u00a0\u00a0\u00a0\u00a0 Coffee\/Registration (Aphra Foyer)<\/strong><\/h3>\n<h3><strong>09:50-10:00\u00a0 \u00a0 \u00a0 Conference Welcome with Dr David Brown (Aphra)<\/strong><\/h3>\n<h3><span style=\"color: #3366ff\"><strong>Parallel Session 1 (10:00-11:00)<\/strong><\/span><\/h3>\n<p><strong>Session 1a (Aphra)<\/strong><\/p>\n<p style=\"padding-left: 40px\"><strong>10:00-10:30<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>Caitlin Shaw<\/strong>, University of Bristol<br \/>\n&#8216;History lives in us, whether we learn it or not\u2019: Eclectic aesthetic pastness in <em>Severance<\/em><\/p>\n<p style=\"padding-left: 40px\"><strong>10:30-11:00<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>Alex Clayton<\/strong>, University of Bristol<br \/>\nSerial Performance and the Severed Self<\/p>\n<p><strong>Session 1b (Lumley)<\/strong><\/p>\n<p style=\"padding-left: 40px\"><strong>10:00-10:30<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>Afroditi Nikolaidou,<\/strong> National and Kapodistrian University of Athens<br \/>\nNostalgia Aesthetics and contemporary Greek TV fiction<\/p>\n<p style=\"padding-left: 40px\"><strong>10:30-11:00<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>Deniz \u00d6zalpman,<\/strong> University of Vienna<br \/>\nA Focus on the Aesthetic Qualities of Turkish TV drama series: Identity-Related TV Drama Series Consumption<\/p>\n<h3><span style=\"color: #339966\"><strong>11:00-11:15 BREAK<\/strong><\/span><\/h3>\n<h3><span style=\"color: #3366ff\"><strong>Parallel Session 2 (11:15-12:15)<\/strong><\/span><\/h3>\n<p><strong>Session 2a (Aphra)<\/strong><\/p>\n<p style=\"padding-left: 40px\"><strong>11:15-11:45<\/strong><\/p>\n<p style=\"padding-left: 80px\"><b>Michael Clark,<\/b> University of Kent<br \/>\nAlternative Television?<\/p>\n<p style=\"padding-left: 40px\"><strong>11:45-12:15<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>Colette Olive<\/strong>, King&#8217;s College London<br \/>\nIllumination and the Small Screen: Ways of Understanding in Television<\/p>\n<p><strong>Session 2b (Lumley)<\/strong><\/p>\n<p style=\"padding-left: 40px\"><strong>11:15-11:45<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>Daniel Brookes,<\/strong> University of Bristol and University of Worcester<br \/>\nCrimes we can aspire to: an aesthetic of neoliberal hybridity in contemporary longform true crime streaming documentaries<\/p>\n<p style=\"padding-left: 40px\"><strong>11:45-12:15<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>Ruth Adams,<\/strong> King&#8217;s College London<br \/>\n<em>Abigail\u2019s Party<\/em> \u2013 Class, consumption, and critiques of mass culture<\/p>\n<p>&nbsp;<\/p>\n<h3><span style=\"color: #339966\"><strong>12:15-13:30 LUNCH in The Gulbenkian<\/strong><\/span><\/h3>\n<h3><span style=\"color: #3366ff\"><strong>Parallel Session 3 (13:30-14:30)<\/strong><\/span><\/h3>\n<p><strong>Session 3a (Aphra)<\/strong><\/p>\n<p style=\"padding-left: 40px\"><strong>13:30-14:00<\/strong><\/p>\n<p style=\"padding-left: 80px\"><b>Enrico Terrone and Luca Bandirali,<\/b> Universit\u00e0 di Genova and University of Salento<br \/>\nThe Conceptual Approach to Television Series<\/p>\n<p style=\"padding-left: 40px\"><strong>14:00-14:30<\/strong><\/p>\n<p style=\"padding-left: 80px\"><del><strong>Sven Grampp, <\/strong>Friedrich-Alexander-Universit\u00e4t Erlangen-N\u00fcrnberg<\/del><br \/>\n<del>Watching television with Nelson Goodman<\/del><\/p>\n<p><strong>Session 3b (Lumley)<\/strong><\/p>\n<p style=\"padding-left: 40px\"><strong>13:30-14:00<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>Kl\u00e1ra Feikusov\u00e1,<\/strong> Palack\u00fd University<br \/>\nThe Negotiation of Film and Television Style in Cinematic TV Shows with the Case Study of <em>The Crown<\/em><\/p>\n<p style=\"padding-left: 40px\"><strong>14:00-14:30<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>Josie Torres Barth,<\/strong> North Carolina State University<br \/>\nTowards a Historical Poetics of Television<\/p>\n<h3><span style=\"color: #339966\"><strong>14:30-14:45 BREAK<\/strong><\/span><\/h3>\n<h3><span style=\"color: #3366ff\"><strong>Parallel Session 4 (14:45-15:45)<\/strong><\/span><\/h3>\n<p><strong>Session 4a (Aphra)<\/strong><\/p>\n<p style=\"padding-left: 40px\"><strong>14:45-15:15<\/strong><\/p>\n<p style=\"padding-left: 80px\"><b>Kristyn Gorton and Sarah Lahm,<\/b> University of Leeds<br \/>\nAesthetics, form and complexity in the contemporary half-hour drama<\/p>\n<p style=\"padding-left: 40px\"><strong>15:15-15:45<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>Theresa Trimmel, <\/strong>University of Bristol<br \/>\nRedefining the Traditional American Family Sitcom: The Intersections between Television Aesthetics and Gender Politics in AMC\u2019s <em>Kevin Can F**k Himself<\/em><\/p>\n<p><strong>Session 4b (Lumley)<\/strong><\/p>\n<p style=\"padding-left: 40px\"><strong>14:45-15:15<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>Ben Tyrer,<\/strong> Middlesex University<br \/>\nThe Shudder of the Image: Televisual Philosophy and the Aesthetics of <em>Hannibal<\/em><\/p>\n<p style=\"padding-left: 40px\"><strong>15:15-15:45<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>Caroline Eastwood,<\/strong> University of Kent<br \/>\nListen to the Sounds: Sound and the multisensory in David Lynch&#8217;s <em>Twin Peaks: The Return<\/em><\/p>\n<h3><span style=\"color: #339966\"><strong>15:45-16:00 BREAK<\/strong><\/span><\/h3>\n<h3><span style=\"color: #3366ff\"><strong>Keynote 1 (16:00-17:30) &#8211; Aphra\u00a0<\/strong><\/span><\/h3>\n<p style=\"padding-left: 40px\"><strong>Jason Mittell,\u00a0<\/strong>Middlebury College<br \/>\nTelevision Aesthetics, Videographic Criticism, and the Case of <em>Breaking Bad<\/em><\/p>\n<h3><span style=\"color: #339966\"><strong>18:30 CONFERENCE DINNER at The Gulbenkian<\/strong><\/span><\/h3>\n<p><strong>____<\/strong><\/p>\n<h1><strong>DAY 2 \u2013 Friday 8 July<\/strong><\/h1>\n<h3>09:30-10:00\u00a0\u00a0\u00a0\u00a0\u00a0 Coffee\/Registration (Aphra Foyer)<\/h3>\n<h3><span style=\"color: #3366ff\"><strong>Keynote 2 (10:00-11:30) &#8211; Aphra<\/strong><\/span><\/h3>\n<p style=\"padding-left: 40px\"><strong>Iris Vidmar Jovanovi\u0107,<\/strong> University of Rijeka<br \/>\nAttachment Trajectory of Viewer\u2019s Long-term Engagement with TV Series<\/p>\n<h3><span style=\"color: #339966\"><strong>11:30-12:00 BREAK<\/strong><\/span><\/h3>\n<h3><span style=\"color: #3366ff\"><strong>Parallel Session 5 (12:00-13:00)<\/strong><\/span><\/h3>\n<p><strong>Session 5a (Aphra)<\/strong><\/p>\n<p style=\"padding-left: 40px\"><strong>12:00-12:30<\/strong><\/p>\n<p style=\"padding-left: 80px\"><b>Mike Clarke,<\/b> University of Kent<br \/>\n\u201cI feel like my life is just a series of unrelated wacky adventures\u201d: <em>BoJack Horseman<\/em> and the Aesthetics of Streamed Animation<\/p>\n<p style=\"padding-left: 40px\"><strong>12:30-13:00<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>Orcun Can, <\/strong>Coventry University<br \/>\nTowards a Narrative Theory of Internet TV: A Formal Analysis Model to Identify Narrative Tropes in Netflix Originals<\/p>\n<p><strong>Session 5b (Lumley)<\/strong><\/p>\n<p style=\"padding-left: 40px\"><strong>12:00-12:30<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>Jana Z\u00fcndel,<\/strong> Goethe University Frankfurt<br \/>\nThe ever-changing aesthetics of the serial intro<\/p>\n<p style=\"padding-left: 40px\"><strong>12:30-13:00<\/strong><\/p>\n<p style=\"padding-left: 80px\"><strong>\u00a0Javier Jurado,<\/strong> Universit\u00e9 de Lille<br \/>\nThe punk, the postmodern and anthology series in 1980\u2019s TV shows<\/p>\n<h3><span style=\"color: #339966\"><strong>13:00-14:30 LUNCH at The Gulbenkian<\/strong><\/span><\/h3>\n<h3><span style=\"color: #3366ff\"><strong>Session 6 (14:30-15:30) &#8211; Aphra<\/strong><\/span><\/h3>\n<p style=\"padding-left: 40px\"><strong>John Ellis<\/strong>, Royal Holloway<br \/>\n<em>Visible Fictions<\/em> 40 Years On<\/p>\n<h3><span style=\"color: #339966\"><strong>15:30-16:00 BREAK<\/strong><\/span><\/h3>\n<h3><span style=\"color: #3366ff\"><strong>Roundtable Discussion\u00a0<\/strong><\/span><span style=\"color: #3366ff\"><strong>(16:00-17:00) &#8211; Aphra<\/strong><\/span><\/h3>\n<p style=\"padding-left: 40px\"><strong>Jason Mittell, Margrethe Bruun Vaage, John Ellis &amp; Iris Vidmar Jovanovi\u0107<br \/>\n<\/strong>Now What for Television Aesthetics?<strong><br \/>\n<\/strong><\/p>\n<h3><span style=\"color: #ff0000\"><strong>Conference Finishes 17:00<\/strong><\/span><\/h3>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here for a downloadable PDF of the programme. KEYNOTES Jason Mittell (Middlebury College) Iris Vidmar Jovanovi\u0107 (University of Rijeka) DAY 1 \u2013 Thursday 7 July 09:30-09:50\u00a0\u00a0\u00a0\u00a0\u00a0 Coffee\/Registration (Aphra Foyer) 09:50-10:00\u00a0 \u00a0 \u00a0 Conference Welcome with Dr David Brown (Aphra) Parallel Session 1 (10:00-11:00) Session 1a (Aphra) 10:00-10:30 Caitlin Shaw, University of Bristol &#8216;History lives [&hellip;]<\/p>\n","protected":false},"author":78228,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/tvaesthetics\/wp-json\/wp\/v2\/pages\/26"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/tvaesthetics\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/tvaesthetics\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/tvaesthetics\/wp-json\/wp\/v2\/users\/78228"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/tvaesthetics\/wp-json\/wp\/v2\/comments?post=26"}],"version-history":[{"count":24,"href":"https:\/\/blogs.kent.ac.uk\/tvaesthetics\/wp-json\/wp\/v2\/pages\/26\/revisions"}],"predecessor-version":[{"id":95,"href":"https:\/\/blogs.kent.ac.uk\/tvaesthetics\/wp-json\/wp\/v2\/pages\/26\/revisions\/95"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/tvaesthetics\/wp-json\/wp\/v2\/media?parent=26"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}