Come and see our new exhibition in the Templeman Gallery about the history and development of zines, and featuring zines from the Queer Zine Library – which will be up throughout September 2023.

What are zines?

Zines are do-it-yourself publications – often in the form of photocopied booklets. They are either unique items or have a limited number of copies in circulation. They are cheap to make, require no particular skills to create, and have hugely varied content including art, poetry, cartoons, collage, interviews and commentary. The history of zines is rooted in radical political self-publishing and provide an opportunity for expression of views and perspectives outside of the mainstream press.

What is in the exhibition?

Display of zines and small press publications from Special Collections and Archives that highlight the history of zine making and self publishing.

The exhibition features examples of zines and small press printing selected from across our collections in Special Collections and Archives – including from the British Stand-Up Comedy Archive, the Modern Firsts poetry collection, examples from our artists’ books collection, and our new zine archive donated and collated by Dan Thompson.

These zines provide examples from across the history of zine making from early 18th century pamphlets (such as ‘Common Sense’ by Thomas Paine) to Beat Poetry in the mid 20th century to zines created by comedian Josie Long in her Kindness and Exuberance tour in the 2000s.

We are also delighted to host a selection of zines from the Queer Zine Library – a mobile DIY library celebrating radical LGBTQIA+ zines and self–publishing. With huge thanks to Holly Callaghan, one of our amazing Divisional Liaison Librarians, who organised the loan of the material from the Queer Zine Library and provided the captions about each item on display.

And finally, we are also delighted to feature some beautiful and moving examples of artists’ books created by participants in the Open Book project, a book-making project organised by the Canterbury Festival offered to those living with dementia to express their experiences both visually and through text. With thanks to Amanda Sefton Hogg at the Canterbury Festival for providing these examples from the project to include in the exhibition.

Get a Free Zine and Make Your Own!

You can pick up a free info-zine about the exhibition, and even have a go at making a zine yourself at the making station. We can’t wait to see your creations! You can share a picture with us by emailing specialcollections@kent.ac.uk.

The making station in the Templeman Gallery exhibition space where you can make your own zine

Free info-zine about the exhibition. Come along and take one.

T.S. Eliot’s The Waste Land is one of the world’s most popular and most studied poems, published 100 years ago in October 1922 in the first issue of the literary magazine, The Criterion.

The 100 Years: TS Eliot’s The Waste Land exhibition celebrated the centenary of the publication of this remarkable poem with a display of archives and rare books from Special Collections and Archives. The exhibition was on display from December 2022 to July 2023.

T.S. Eliot, The Waste Land, Hogarth Press: 1923.

The exhibition featured a rare first edition of The Waste Land printed by the Hogarth Press, alongside the extraordinary portrait of T.S. Eliot by Patrick Heron, and the bust of T.S. Eliot by Jacob Epstein.

The exhibition explored the history of the poem, what inspired The Waste Land, and how it was critically received. We also consider the role of the editor and contributions of Bonamy Dobrée and Ezra Pound to the manuscript of the poem;  the role of Eliot as an editor himself; and the experimental poetry of T.S Eliot, Gertrude Stein and John Ashbery.

View of part of the exhibition with a letter from Ezra Pound to Dean Hewlett Johnson, the facsimile of the The Waste Land, and other works in the foreground, and a film screen showing the ‘Canterbury 1935’ film by Sydney Bligh in the background.

Examples from the works of T.S. Eliot were highlighted including unique material about his play “Murder in the Cathedral” with correspondence showing how the play was commissioned for the Canterbury Festival in 1935.

We were also delighted to be able to show a silent film of one of the first performances of the play, filmed by Sydney Bligh on Saturday 22nd June 1935. The film shows TS Eliot attending the performance, as well as the producer Mr E Martin Browne dressed as a monk as he also played the Fourth Tempter. (We are extremely grateful to Screen Archive South East for giving us permission to screen this film within our exhibition)

Front cover of the poem Romney Marsh by Peter Riley and Andrew Crozier

A selection of the T.S Eliot works were displayed alongside notable examples from the incredible Modern First Editions Poetry collection held in Special Collections and Archives. The items on display were selected to highlight the significance of the collection and showcase some of the rare and fascinating small press poetry that forms the nucleus of the collection. For example, the poem Romney Marsh by Peter Riley and Andrew Crozier.

The University of Kent has a close link with T.S Eliot, having named our first College – Eliot College – in 1965, the year that T.S Eliot died. We are displaying some unique items from the Eliot College Archives that reveal the history behind the T.S. Eliot Memorial Lectures and the University’s T.S Eliot Poetry Prize.

Photograph of students on the causeway to the entrance of Eliot College, c1965. (University of Kent Archive, Official Photographs – UKA/PHO/2/11)

The exhibition has been co-curated with the Department of English at the University of Kent, and we are grateful to all our contributors for their help and support.

With thanks to Dr Ben Hickman, Professor David Herd, Dr Paul March-Russell, Miguel Santos, Beth Astridge, Christine Davies, Clair Waller, Karen Brayshaw, Matt Wilson and Fran Williams.

The caricature of T.S. Eliot that features in the logo for the exhibition is by John Jensen, and was donated to the University in 1973 as part of a series of four representing the names of the four Colleges – Eliot, Rutherford, Darwin and Keynes.