Professor Tim Howle, SMFA Professor of Contemporary Music has a new acousmatic piece premiered on 27th June in Bourges, France at the Art & Science Days Festival. False Memory of Normandy (2018) was composed in collaboration with the poet J M Fox. Link here: https://soundcloud.com/tim-howle/d-day
Professor Howle’s interests include developing composition, primarily sonic art, acoustic music and music for experimental video. More here: https://www.kent.ac.uk/smfa/staff/staff-profiles/musicandaudio/3Howle2.html
Additionally, Sarva Mangalam (2017), which was premiered at Electric Spring, at the University of Huddersfield earlier this year, is performed at the New York City Electroacoustic Music Festival on July 17th. It is also being shown at the International Computer Music Conference (ICMC), South Korea, 5-10th August. It is an audio-visual piece in collaboration with video maker Dr Nick Cope (https://nickcopefilm.com/ ) who currently holds an honorary position at Xi’an Jiaotong-Liverpool University, China. At its premiere, the performance was supported with a paper: Avoidance Strategies relating the ideas in the piece to those of Brian Eno and Cornelius Cardew at Ambient@40 held at the same time.
Link to Sarva Mangalam: https://vimeo.com/255044916
Further, Professor Howle’s piece Phantom Ride (2014) composed with Dr Paul Dibley from Oxford Brookes University, will be performed at ICMC and at WOW- soundMIGRATION, Madrid in September. Link to Phantom Ride: https://soundcloud.com/tim-howle/phantom-ride