{"id":315,"date":"2013-11-20T16:49:13","date_gmt":"2013-11-20T16:49:13","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/smfa-news\/?p=315"},"modified":"2013-12-12T13:59:31","modified_gmt":"2013-12-12T13:59:31","slug":"vice-chancellor-2013-prize-recreation-of-working-practice-installation","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/smfa-news\/2013\/11\/20\/vice-chancellor-2013-prize-recreation-of-working-practice-installation\/","title":{"rendered":"Vice Chancellor 2013 Prize recreation of working practice installation"},"content":{"rendered":"<figure id=\"attachment_316\" aria-describedby=\"caption-attachment-316\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2013\/11\/10942786883_1c5f7d3224_o.jpg\"><img loading=\"lazy\" class=\"size-medium wp-image-316\" alt=\"Natasha Pocock, Vice Chancellor Prize Winner\" src=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2013\/11\/10942786883_1c5f7d3224_o-300x199.jpg\" width=\"300\" height=\"199\" srcset=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2013\/11\/10942786883_1c5f7d3224_o-300x199.jpg 300w, https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2013\/11\/10942786883_1c5f7d3224_o-1024x682.jpg 1024w, https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2013\/11\/10942786883_1c5f7d3224_o.jpg 1280w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-316\" class=\"wp-caption-text\">Natasha Pocock, Vice Chancellor Prize Winner<\/figcaption><\/figure>\n<p>\u00a0<br \/>\nNatasha Pocock,\u00a0winner of the University of Kent\u2019s Vice Chancellor 2013 Prize has completed\u00a0her working practice installation at the University\u2019s Rutherford Dining Hall, Canterbury campus.<\/p>\n<p>The installation by the School of Music and Fine Art postgraduate student, Natasha Pocock recreated her piece in front of staff, students and visitors at the Canterbury campus from 11-15 November.\u00a0 \u2018I have been seduced by the Chatham Dockyard&#8217;s historical content, feeling compelled to respond to Kent&#8217;s archives concerning the haunting aspects of the female worker&#8217;s lives on site. Specifically for this piece I have responded to an article found in the &#8216;Black &amp; White Magazine&#8217; calling for Victorian women to apply their skills to the Sail and Colour Loft based at the Dockyard. The work is described to be <em>delicate, clean and light work, ideally suited to women<\/em>\u2019 Natasha said about her inspirational work.<\/p>\n<p>The installation is based on garment construction and crochet to recreate the passage of time through textiles. It follows the same ethos of Natasha\u2019s work which featured in the Fine Art Degree show, \u2018Joining the Docks\u2019, which took place at the Chatham Historic Dockyard earlier this year. Her work explores issues of identity and time through textiles, sculpture and performance with a focus on Dockyard-specific history.<\/p>\n<p>Since graduating, Natasha&#8217;s work has been on display at the Galvanize exhibition at the London Barbican. She is also exhibiting at the Horsebridge Gallery in Whitstable throughout November and December, with the sculptural work on display for this exhibition developed from her London Barbican experience.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 Natasha Pocock,\u00a0winner of the University of Kent\u2019s Vice Chancellor 2013 Prize has completed\u00a0her working practice installation at the University\u2019s Rutherford Dining Hall, Canterbury campus. The installation by the School of Music and Fine Art postgraduate student, Natasha Pocock recreated her piece in front of staff, students and visitors at the Canterbury campus from 11-15 &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/2013\/11\/20\/vice-chancellor-2013-prize-recreation-of-working-practice-installation\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Vice Chancellor 2013 Prize recreation of working practice installation<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":33718,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[81427,24626,124,70],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/315"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/users\/33718"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/comments?post=315"}],"version-history":[{"count":2,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/315\/revisions"}],"predecessor-version":[{"id":318,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/315\/revisions\/318"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/media?parent=315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/categories?post=315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/tags?post=315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}