{"id":2878,"date":"2018-06-25T15:01:40","date_gmt":"2018-06-25T15:01:40","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/smfa-news\/?p=2878"},"modified":"2018-06-25T15:07:07","modified_gmt":"2018-06-25T15:07:07","slug":"smfa-professor-of-contemporary-music-tim-howle-has-new-work-premiered-at-the-art-science-days-festival-in-france","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/smfa-news\/2018\/06\/25\/smfa-professor-of-contemporary-music-tim-howle-has-new-work-premiered-at-the-art-science-days-festival-in-france\/","title":{"rendered":"SMFA Professor of Contemporary Music Tim Howle has new work premiered at the Art &amp; Science Days Festival in France"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>Professor Tim Howle, SMFA Professor of Contemporary Music has a new acousmatic piece premiered on 27th June in Bourges, France at the <strong>Art &amp; Science Days Festival. <\/strong><em>False Memory of Normandy<\/em> (2018) was composed in collaboration with the poet J M Fox. Link here: <a href=\"https:\/\/soundcloud.com\/tim-howle\/d-day\">https:\/\/soundcloud.com\/tim-howle\/d-day<\/a><\/p>\n<p>Professor Howle\u2019s interests include developing composition, primarily sonic art, acoustic music and music for experimental video.\u00a0 More here:\u00a0<a href=\"https:\/\/www.kent.ac.uk\/smfa\/staff\/staff-profiles\/musicandaudio\/3Howle2.html\">https:\/\/www.kent.ac.uk\/smfa\/staff\/staff-profiles\/musicandaudio\/3Howle2.html<\/a><\/p>\n<p>Additionally, <em>Sarva<u> Mangalam<\/u><\/em> (2017), which was premiered at Electric Spring, at the University of Huddersfield earlier this year, is performed at the New York City Electroacoustic Music Festival on July 17<sup>th<\/sup>. It is also being shown at the International Computer Music Conference (ICMC), South Korea, 5-10<sup>th<\/sup> August. It is an audio-visual piece in collaboration with video maker Dr Nick Cope (<a href=\"https:\/\/nickcopefilm.com\/\">https:\/\/nickcopefilm.com\/<\/a>) who currently holds an honorary position at Xi\u2019an Jiaotong-Liverpool University, China. \u00a0At its premiere, the performance was supported with a paper: <u>Avoidance Strategies<\/u> relating the ideas in the piece to those of Brian Eno and Cornelius Cardew at Ambient@40 held at the same time.<\/p>\n<p>Link to <em><u>Sarva Mangalam<\/u><\/em><u>:\u00a0<\/u><a href=\"https:\/\/vimeo.com\/255044916\">https:\/\/vimeo.com\/255044916<\/a><\/p>\n<p>Further, Professor Howle\u2019s piece <em>Phantom Ride<\/em> (2014) composed with Dr Paul Dibley from Oxford Brookes University, will be performed at ICMC and at WOW- soundMIGRATION, Madrid in September. Link to <em>Phantom Ride:\u00a0<\/em><a href=\"https:\/\/soundcloud.com\/tim-howle\/phantom-ride\">https:\/\/soundcloud.com\/tim-howle\/phantom-ride<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Professor Tim Howle, SMFA Professor of Contemporary Music has a new acousmatic piece premiered on 27th June in Bourges, France at the Art &amp; Science Days Festival. False Memory of Normandy (2018) was composed in collaboration with the poet J M Fox. Link here: https:\/\/soundcloud.com\/tim-howle\/d-day Professor Howle\u2019s interests include developing composition, primarily sonic art, &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/2018\/06\/25\/smfa-professor-of-contemporary-music-tim-howle-has-new-work-premiered-at-the-art-science-days-festival-in-france\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">SMFA Professor of Contemporary Music Tim Howle has new work premiered at the Art &amp; Science Days Festival in France<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":22922,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1252,124,70],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2878"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/users\/22922"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/comments?post=2878"}],"version-history":[{"count":3,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2878\/revisions"}],"predecessor-version":[{"id":2893,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2878\/revisions\/2893"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/media?parent=2878"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/categories?post=2878"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/tags?post=2878"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}