{"id":2703,"date":"2018-02-19T17:07:37","date_gmt":"2018-02-19T17:07:37","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/smfa-news\/?p=2703"},"modified":"2018-02-19T17:17:45","modified_gmt":"2018-02-19T17:17:45","slug":"smfa-lecturer-in-music-performance-dr-ruth-herbert-features-in-the-routledge-companion-to-sounding-art","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/smfa-news\/2018\/02\/19\/smfa-lecturer-in-music-performance-dr-ruth-herbert-features-in-the-routledge-companion-to-sounding-art\/","title":{"rendered":"SMFA Lecturer in Music Performance, Dr Ruth Herbert features in the Routledge Companion to Sounding Art"},"content":{"rendered":"<p><a href=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2018\/02\/booksnewsletterpic.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-2704\" src=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2018\/02\/booksnewsletterpic.jpg\" alt=\"\" width=\"296\" height=\"425\" srcset=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2018\/02\/booksnewsletterpic.jpg 296w, https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2018\/02\/booksnewsletterpic-209x300.jpg 209w\" sizes=\"(max-width: 296px) 100vw, 296px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>SMFA Lecturer in Music Performance, Dr Ruth Herbert features in the Routledge Companion to Sounding Art (2017) which contains 36 essays that cover a variety of interdisciplinary approaches to studying sounding art from the fields of musicology, cultural studies, sound design, auditory culture, art history, and philosophy.<\/p>\n<p>Her chapter, <em>Sonic Subjectivities<\/em>, compares subjective experiences of sounding art with informal everyday multimodal experiences of music &#8211; the way individuals customise mundane experience with music. It goes on to consider Experience Design and examine the faculty of imagination as a psychological given and evolutionary adaptation.<\/p>\n<p>For more details go to <a href=\"https:\/\/www.routledge.com\/The-Routledge-Companion-to-Sounding-Art\/Cobussen-Meelberg-Truax\/p\/book\/9781138780613\">https:\/\/www.routledge.com\/The-Routledge-Companion-to-Sounding-Art\/Cobussen-Meelberg-Truax\/p\/book\/9781138780613<\/a>\u200b<\/p>\n<p>A music psychologist and performer, Ruth has diverse research interests in the fields of music in everyday life, music, health and wellbeing, music and consciousness, sonic studies and music education.<\/p>\n<p>She is currently co-editing a volume for Oxford University Press on Music and Consciousness, together with Professor Eric Clarke (Oxford) and Professor David Clarke (Newcastle).\u00a0 For more info on Ruth go to <a href=\"https:\/\/www.kent.ac.uk\/smfa\/staff\/staff-profiles\/musicandaudio\/Herbert.html\">https:\/\/www.kent.ac.uk\/smfa\/staff\/staff-profiles\/musicandaudio\/Herbert.html<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; SMFA Lecturer in Music Performance, Dr Ruth Herbert features in the Routledge Companion to Sounding Art (2017) which contains 36 essays that cover a variety of interdisciplinary approaches to studying sounding art from the fields of musicology, cultural studies, sound design, auditory culture, art history, and philosophy. Her chapter, Sonic Subjectivities, compares subjective experiences &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/2018\/02\/19\/smfa-lecturer-in-music-performance-dr-ruth-herbert-features-in-the-routledge-companion-to-sounding-art\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">SMFA Lecturer in Music Performance, Dr Ruth Herbert features in the Routledge Companion to Sounding Art<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":22922,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1252,124,70],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2703"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/users\/22922"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/comments?post=2703"}],"version-history":[{"count":2,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2703\/revisions"}],"predecessor-version":[{"id":2712,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2703\/revisions\/2712"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/media?parent=2703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/categories?post=2703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/tags?post=2703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}