{"id":2695,"date":"2018-02-19T14:02:04","date_gmt":"2018-02-19T14:02:04","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/smfa-news\/?p=2695"},"modified":"2018-02-19T14:17:19","modified_gmt":"2018-02-19T14:17:19","slug":"smfa-fine-art-phd-student-moyra-derby-features-in-collaborative-exhibition-at-tintype-in-march","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/smfa-news\/2018\/02\/19\/smfa-fine-art-phd-student-moyra-derby-features-in-collaborative-exhibition-at-tintype-in-march\/","title":{"rendered":"SMFA Fine Art PhD student Moyra Derby features in collaborative exhibition at Tintype in March"},"content":{"rendered":"
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Installation view, Interval [ ], Whitstable Biennale, 2016<\/figcaption><\/figure>\n

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Currently undertaking a practice based PhD in Fine Art at SMFA on the cognitive conditions of pictorial attention (with the support of a University of Kent Vice Chancellors Scholarship), artist Moyra Derby is featured in a new exhibition which opens on Thursday 1st<\/sup> March at 6.30pm, \u00a0running until 31 March. \u00a0\u00a0Interval [ ] still : now<\/em> is a collaboration between five artists \u2013 \u00a0Moyra Derby, Nicky Hamlyn, Conor Kelly, Joan Key, and Jost M\u00fcnster –\u00a0 which reflects on the momentary encounter, caught within or cut by the limit of rectangular support, viewfinder, picture space, window space or film reel.<\/p>\n

Their approach is unified by framing as a shared convention between film and painting. The interruptions that occur through cross cuts, edits, overlays and spacings between works becomes\u00a0a\u00a0defining consideration. The architectural and durational containment of work through exhibition is a further form of framing that the Interval project foregrounds.<\/p>\n

Tintype opened in 2010 and currently represents twelve artists from the UK, Germany, Romania, Hong Kong and Canada. At Tintype, a large window frames the space from the street and provides a dual aspect for work \u2013 pictorialized from outside, offering an overview and invitation \u2013 fragmented and spatially shifting inside. The cut in time and structured spacing implied by the term\u00a0interval\u00a0highlights this change of view and perspective between the street and the gallery. Within\u00a0Tintype, there is a third aspect \u2013 because the window is so large and the street outside so busy \u00ad\u2013 it is hard not to be aware of the constantly changing streetscape.<\/p>\n

Working collaboratively since 2016, the five artists developed\u00a0Interval [ ] Stop Gap<\/em> in 2017 at the Herbert Read Gallery, UCA Canterbury, and\u00a0Interval [ ]<\/em> in 2016 as part of the Whitstable Biennale.<\/p>\n

A publication accompanies the exhibition.<\/p>\n

A Fellow of the Higher Education Academy and a Founding Trustee of Crate Studio & Project Space in Margate, Moyra studied at University of Ulster at Belfast and Cheltenham School of Art. She received an MA Painting from the Royal College of Art. 1996, where she received the Basil H Alkazzi Travel Scholarship to New York, La Cit\u00e9 Internationale des Arts Paris Studio Award and The British Institution Fund Painting Award. \u00a0She is Senior Lecturer in Painting on the BA Fine Art course at UCA Canterbury.\u00a0 More here https:\/\/www.kent.ac.uk\/smfa\/staff\/staff-profiles\/phdstudents\/Derby1.html<\/a><\/p>\n

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Venue details: Tintype, 107 Essex Road,\u00a0London, N1 2SL,\u00a0 Tel 0207 354 4360<\/p>\n

Wed \u2013 Saturday: 12 \u2013 6pm\u00a0 www.tintypegallery.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

    Currently undertaking a practice based PhD in Fine Art at SMFA on the cognitive conditions of pictorial attention (with the support of a University of Kent Vice Chancellors Scholarship), artist Moyra Derby is featured in a new exhibition which opens on Thursday 1st March at 6.30pm, \u00a0running until 31 March. \u00a0\u00a0Interval [ ] … Continue reading SMFA Fine Art PhD student Moyra Derby features in collaborative exhibition at Tintype in March<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":22922,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[807,24626,124],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2695"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/users\/22922"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/comments?post=2695"}],"version-history":[{"count":2,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2695\/revisions"}],"predecessor-version":[{"id":2698,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2695\/revisions\/2698"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/media?parent=2695"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/categories?post=2695"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/tags?post=2695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}