{"id":2450,"date":"2017-03-20T11:43:10","date_gmt":"2017-03-20T11:43:10","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/smfa-news\/?p=2450"},"modified":"2017-03-20T11:43:10","modified_gmt":"2017-03-20T11:43:10","slug":"shona-illingworths-work-featured-in-the-lancet-neurology","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/smfa-news\/2017\/03\/20\/shona-illingworths-work-featured-in-the-lancet-neurology\/","title":{"rendered":"Shona Illingworth\u2019s work featured in The Lancet Neurology"},"content":{"rendered":"<figure id=\"attachment_2451\" aria-describedby=\"caption-attachment-2451\" style=\"width: 474px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2017\/03\/Time-Present-Shona-Illingworth-14.jpg\"><img loading=\"lazy\" class=\"wp-image-2451 size-large\" src=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2017\/03\/Time-Present-Shona-Illingworth-14-1024x316.jpg\" width=\"474\" height=\"146\" srcset=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2017\/03\/Time-Present-Shona-Illingworth-14-1024x316.jpg 1024w, https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2017\/03\/Time-Present-Shona-Illingworth-14-300x93.jpg 300w, https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2017\/03\/Time-Present-Shona-Illingworth-14-768x237.jpg 768w, https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2017\/03\/Time-Present-Shona-Illingworth-14.jpg 1969w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><\/a><figcaption id=\"caption-attachment-2451\" class=\"wp-caption-text\">Time Present, 2016. Image by Shona Illingworth<\/figcaption><\/figure>\n<p><em>No past, no future: studies in the art and science of memory<\/em> is a fascinating article by Jules Morgan <strong>in The Lancet Neurology<\/strong> which explores artist and SMFA Fine Art Reader Shona Illingworth\u2019s interdisciplinary research. It is out shortly in print but available to view online here:\u00a0<a href=\"http:\/\/www.thelancet.com\/journals\/laneur\/article\/PIIS1474-4422(17)30054-6\/fulltext\">http:\/\/www.thelancet.com\/journals\/laneur\/article\/PIIS1474-4422(17)30054-6\/fulltext<\/a><\/p>\n<p>Director of Graduate Studies in the School of Music and Fine Art, Shona Illingworth was shortlisted for the prestigious 2016 Jarman Award, and her widely exhibited work across sound, film, video, photography, drawing and painting combines interdisciplinary research (particularly with emerging neuropsychological models of memory and critical approaches to memory studies) with publicly engaged practice.<\/p>\n<p>&nbsp;<\/p>\n<p>Related post: <a href=\"https:\/\/www.kent.ac.uk\/smfa\/news.html?view=2410\">https:\/\/www.kent.ac.uk\/smfa\/news.html?view=2410<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>No past, no future: studies in the art and science of memory is a fascinating article by Jules Morgan in The Lancet Neurology which explores artist and SMFA Fine Art Reader Shona Illingworth\u2019s interdisciplinary research. It is out shortly in print but available to view online here:\u00a0http:\/\/www.thelancet.com\/journals\/laneur\/article\/PIIS1474-4422(17)30054-6\/fulltext Director of Graduate Studies in the School of &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/2017\/03\/20\/shona-illingworths-work-featured-in-the-lancet-neurology\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Shona Illingworth\u2019s work featured in The Lancet Neurology<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":22922,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[24626,124,70],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2450"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/users\/22922"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/comments?post=2450"}],"version-history":[{"count":1,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2450\/revisions"}],"predecessor-version":[{"id":2452,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2450\/revisions\/2452"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/media?parent=2450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/categories?post=2450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/tags?post=2450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}