{"id":2430,"date":"2017-02-27T17:23:18","date_gmt":"2017-02-27T17:23:18","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/smfa-news\/?p=2430"},"modified":"2017-02-27T17:27:59","modified_gmt":"2017-02-27T17:27:59","slug":"soundimagesound-international-festival-of-new-music-at-smfa","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/smfa-news\/2017\/02\/27\/soundimagesound-international-festival-of-new-music-at-smfa\/","title":{"rendered":"SoundImageSound International Festival of New Music at SMFA"},"content":{"rendered":"<p><a href=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2017\/02\/Music2011soundwaves.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2431 size-medium\" src=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2017\/02\/Music2011soundwaves-300x225.jpg\" width=\"300\" height=\"225\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>On Tuesday 7<sup>th<\/sup>\u00a0March at 5pm in the Clock Tower Lecture Theatre, School of Music and Fine Art, there will be a screening of pieces from the SoundImageSound International Festival of New Music. Robert Coburn, Conservatory of Music, University of the Pacific, will present the works and give a short pre-concert talk. \u00a0<strong>This event is FREE to attend!<\/strong><\/p>\n<p>From 2003 to 2014, the SoundImageSound International Festival of New Music and Visual Image\u00a0presented annual performances of new works by composers and visual artists who merged sound and image in a form of inter\/multi-media.\u00a0Curated from an open call for works, SIS featured a widely diverse collection of styles and media from artists across all continents.<strong>\u00a0<\/strong><\/p>\n<p><strong>Robert Coburn\u00a0<\/strong><br \/>\nInfluenced by minimal visual art and traditional Japanese music and theatre, composer, performer, and sound artist\u00a0<em>Robert Coburn<\/em>\u00a0merges minimal sound and silence in a perceptual experience of time and personal memory.\u00a0 His compositions often integrate field recordings with live performance and video. He was a founding member of the World Forum for Acoustic Ecology and has created gallery installations and permanent soundworks as public art throughout the US.<\/p>\n<p><strong>Works to be presented: <\/strong><br \/>\n<em>Polis<\/em>\u00a0(2003 &#8211; 04), \u00a0Joseph Harchanko\/John Fillwalk, \u00a09&#8242;<br \/>\n<em>Lines<\/em>\u00a0(2006), \u00a0Stephanie Loveless, \u00a09&#8242; 30&#8243;<br \/>\n<em>Boreales<\/em>\u00a0(2008-09), \u00a0Jean Piche, \u00a010&#8242; 30&#8243;<br \/>\n<em>Juicy\u00a0<\/em>(2009), \u00a0Jaroslaw Kapuscinski, \u00a010&#8242; 44&#8243;<br \/>\n<em>The Mechanism of Spring<\/em>\u00a0(2010), \u00a0Atsushi Wada, \u00a04&#8242; 20&#8243;<br \/>\n<em>Kaze no Yume Part 1<\/em>\u00a0(2012), \u00a0Robert Coburn, \u00a010&#8242;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; On Tuesday 7th\u00a0March at 5pm in the Clock Tower Lecture Theatre, School of Music and Fine Art, there will be a screening of pieces from the SoundImageSound International Festival of New Music. Robert Coburn, Conservatory of Music, University of the Pacific, will present the works and give a short pre-concert talk. \u00a0This event is &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/2017\/02\/27\/soundimagesound-international-festival-of-new-music-at-smfa\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">SoundImageSound International Festival of New Music at SMFA<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":22922,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1252,124,70],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2430"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/users\/22922"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/comments?post=2430"}],"version-history":[{"count":2,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2430\/revisions"}],"predecessor-version":[{"id":2433,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/2430\/revisions\/2433"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/media?parent=2430"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/categories?post=2430"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/tags?post=2430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}