{"id":1991,"date":"2016-03-08T09:46:24","date_gmt":"2016-03-08T09:46:24","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/smfa-news\/?p=1991"},"modified":"2016-03-11T11:56:44","modified_gmt":"2016-03-11T11:56:44","slug":"smfa-research-seminar-spatial-syntax-in-binaural-composition","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/smfa-news\/2016\/03\/08\/smfa-research-seminar-spatial-syntax-in-binaural-composition\/","title":{"rendered":"SMFA Research Seminar: Spatial Syntax in Binaural Composition"},"content":{"rendered":"<p><a href=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2016\/03\/Picture2.jpg\" rel=\"attachment wp-att-1992\"><img loading=\"lazy\" class=\"alignnone wp-image-1992 size-full\" src=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2016\/03\/Picture2.jpg\" alt=\"Picture2\" width=\"181\" height=\"120\" \/><\/a><a href=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2016\/03\/Picture1.jpg\" rel=\"attachment wp-att-1993\"><img loading=\"lazy\" class=\"alignnone wp-image-1993 size-full\" src=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2016\/03\/Picture1-e1457429693521.jpg\" alt=\"Picture1\" width=\"186\" height=\"120\" \/><\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<em>Photos by Mike Park.<\/em><\/p>\n<p><em><strong>Tuesday <strong>22nd\u00a0March at 5pm\u00a0<\/strong><br \/>\nClocktower Building &#8211; Lecture Theatre,<\/strong><\/em><br \/>\n<em style=\"font-weight: bold\">University of Kent<\/em>,\u00a0<strong><em>Historic Dockyard Chatham<\/em><\/strong><br \/>\n<em><strong>Keynote Speaker: Dr Matt Barnard (University of Hull)<\/strong><\/em><\/p>\n<p>The binaural method of hearing represents our natural spatial register and employing binaural recording and\/or synthesis methods in composition reveals peculiar characteristics of the method. Discussing a compositional practice that is now exploring a syntax of space as primary, the binaural method is explored in its creative manifestations. Can we compose music for human hearing?<\/p>\n<p>Matthew Barnard is a composer and researcher primarily focused upon electronic music, including electronica, acousmatic and soundscape idioms. The field of spatial representation in sound, particularly ambisonics and the binaural method, are of interest.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Photos by Mike Park. Tuesday 22nd\u00a0March at 5pm\u00a0 Clocktower Building &#8211; Lecture Theatre, University of Kent,\u00a0Historic Dockyard Chatham Keynote Speaker: Dr Matt Barnard (University of Hull) The binaural method of hearing represents our natural spatial register and employing &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/2016\/03\/08\/smfa-research-seminar-spatial-syntax-in-binaural-composition\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">SMFA Research Seminar: Spatial Syntax in Binaural Composition<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":22922,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1252,124,70],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/1991"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/users\/22922"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/comments?post=1991"}],"version-history":[{"count":11,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/1991\/revisions"}],"predecessor-version":[{"id":2005,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/1991\/revisions\/2005"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/media?parent=1991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/categories?post=1991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/tags?post=1991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}