{"id":1344,"date":"2015-06-19T11:25:32","date_gmt":"2015-06-19T11:25:32","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/smfa-news\/?p=1344"},"modified":"2015-06-19T11:33:40","modified_gmt":"2015-06-19T11:33:40","slug":"london-st-pancras-to-margate-train-journey-inspires-art-work","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/smfa-news\/2015\/06\/19\/london-st-pancras-to-margate-train-journey-inspires-art-work\/","title":{"rendered":"London St Pancras to Margate Train Journey Inspires Art Work"},"content":{"rendered":"<p><strong>Downloadable as an App, the work by composer\/artist Claudia Molitor from the School of Music and Fine Art will also go on display at the Turner Contemporary 20 June &#8211; 13 September<\/strong><\/p>\n<p><em><a href=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/06\/The-Sketch-of-the-Score-for-Sonorama-credit-Lucy-Dawkins-e1434554034928-1024x683.jpg\"><img loading=\"lazy\" class=\"alignnone  wp-image-1345\" src=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/06\/The-Sketch-of-the-Score-for-Sonorama-credit-Lucy-Dawkins-e1434554034928-1024x683-300x200.jpg\" alt=\"The-Sketch-of-the-Score-for-Sonorama-credit-Lucy-Dawkins-e1434554034928-1024x683\" width=\"426\" height=\"284\" srcset=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/06\/The-Sketch-of-the-Score-for-Sonorama-credit-Lucy-Dawkins-e1434554034928-1024x683-300x200.jpg 300w, https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/06\/The-Sketch-of-the-Score-for-Sonorama-credit-Lucy-Dawkins-e1434554034928-1024x683.jpg 1024w\" sizes=\"(max-width: 426px) 100vw, 426px\" \/><\/a><\/em><\/p>\n<p><em>The Sketch of the Score for Sonorama \u00a0 \u00a0\u00a0Picture by Lucy Dawkins.<\/em><\/p>\n<p>Informed by trains, journeying and the disconnect between looking at the passing landscape and hearing only the interior sounds of the carriage, the piece \u2013 titled\u00a0<a href=\"https:\/\/www.turnercontemporary.org\/exhibitions\/claudia-molitor-sonorama\">Sonorama\u00a0<\/a>\u00a0\u2013 is described as \u2018filling the gap between the visual and sonic realities of train travel\u2019.<\/p>\n<p>Imagining the journey as the \u2018score\u2019, Claudia Molitor\u2019s \u00a0cycle of works, collected interviews, readings and British Library archive material respond to the social history of the route. The tracks cover topics as diverse as visio-centricity, Roman history and hop-picking \u2013 all relating to a different point or area between London St Pancras and Margate.<\/p>\n<p>The App, which features contributions from\u00a0flautist Jan Hendrickse, poet Lemn Sissay, saxophonist Evan Parker and writer Charlotte Higgins, will be\u00a0free to download at the App store from 19 June \u2013\u00a030 September 2015.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Downloadable as an App, the work by composer\/artist Claudia Molitor from the School of Music and Fine Art will also go on display at the Turner Contemporary 20 June &#8211; 13 September The Sketch of the Score for Sonorama \u00a0 \u00a0\u00a0Picture by Lucy Dawkins. Informed by trains, journeying and the disconnect between looking at the &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/2015\/06\/19\/london-st-pancras-to-margate-train-journey-inspires-art-work\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">London St Pancras to Margate Train Journey Inspires Art Work<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":22922,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[81427,24626,1252,124],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/1344"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/users\/22922"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/comments?post=1344"}],"version-history":[{"count":6,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/1344\/revisions"}],"predecessor-version":[{"id":1353,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/1344\/revisions\/1353"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/media?parent=1344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/categories?post=1344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/tags?post=1344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}