{"id":1093,"date":"2015-01-27T11:20:55","date_gmt":"2015-01-27T11:20:55","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/smfa-news\/?p=1093"},"modified":"2015-01-30T09:53:32","modified_gmt":"2015-01-30T09:53:32","slug":"too-prolix-between-a-rock-and-a-hard-place","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/smfa-news\/2015\/01\/27\/too-prolix-between-a-rock-and-a-hard-place\/","title":{"rendered":"Too Prolix: Between a Rock and a Hard Place"},"content":{"rendered":"<p>Steve Klee<br \/>\nTOO PROLIX: BETWEEN A ROCK AND A HARD PLACE<\/p>\n<p style=\"text-align: left\"><a href=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-3.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-1094\" src=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-3-199x300.jpg\" alt=\"Untitled 3\" width=\"199\" height=\"300\" srcset=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-3-199x300.jpg 199w, https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-3.jpg 385w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><\/a><\/p>\n<p style=\"text-align: left\"><strong>24.01.15 &gt; 01.02.15<\/strong><br \/>\n<strong>Preview: Friday 23.01.15. 6-9pm<\/strong><br \/>\n<strong>Gallery Open: Saturday &#8211; Sunday 1-6pm<\/strong><\/p>\n<p style=\"text-align: left\">The exhibition is one manifestation of a research project that draws inspiration from contemporary philosophy and its on-going struggle to define human agency with, or against, \u2018material conditions\u2019. The show includes video documentation of a performance, realised this summer. This piece took worker-disputes in British Royal Dockyards of the Eighteenth century as indicative of the wider social upheavals within Europe of that time. Was the exorbitant rhetoric of the dockyard workers, their prolixity, evidence of \u2018Jacobean influence\u2019? I thought so, and emphasised the workers\u2019 evasion of their social destiny by having their words performed in the mannered gestural acting-style associated with the C18 elite. Every turn of the head or hand movement conveyed a meaning\u2026<\/p>\n<p style=\"text-align: left\"><a href=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-5.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-1096\" src=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-5-300x199.jpg\" alt=\"Untitled 5\" width=\"300\" height=\"199\" srcset=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-5-300x199.jpg 300w, https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-5.jpg 870w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: left\">Let\u2019s shift the frame. What if rhetoric does not only perform but can touch the real, indexing matter? A matter not life-less in comparison with the excitements of human activity and intensity but rather one that deserves to be thought on the same ontological plane. Is the historical narrative of the break-up of the ancient-regime as much of an object as the appropriated museum mannequin I intend to exhibit?<\/p>\n<p style=\"text-align: left\"><a href=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-4.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-1095\" src=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-4-300x200.jpg\" alt=\"Untitled 4\" width=\"300\" height=\"200\" srcset=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-4-300x200.jpg 300w, https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-4.jpg 872w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: left\">It would seem that rhetoric (representation), either as performance, or index is the key term; perhaps it is time to think through its definition once more\u2026<\/p>\n<p style=\"text-align: left\"><a href=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-51.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-1097\" src=\"http:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-51-300x166.jpg\" alt=\"Untitled 5\" width=\"300\" height=\"166\" srcset=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-51-300x166.jpg 300w, https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-51-1024x567.jpg 1024w, https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-51-672x372.jpg 672w, https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-51-1038x576.jpg 1038w, https:\/\/blogs.kent.ac.uk\/smfa-news\/files\/2015\/01\/Untitled-51.jpg 1048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: left\">\n<p style=\"text-align: left\">\n<p style=\"text-align: left\"><strong>FIVE YEARS<\/strong><br \/>\n66 Regent Studios, 8 Andrews Road London E8 4QN<br \/>\n<em>info@fiveyears.org.uk <\/em><br \/>\n<em>www.fiveyears.org.uk<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Steve Klee TOO PROLIX: BETWEEN A ROCK AND A HARD PLACE 24.01.15 &gt; 01.02.15 Preview: Friday 23.01.15. 6-9pm Gallery Open: Saturday &#8211; Sunday 1-6pm The exhibition is one manifestation of a research project that draws inspiration from contemporary philosophy and its on-going struggle to define human agency with, or against, \u2018material conditions\u2019. The show includes &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/smfa-news\/2015\/01\/27\/too-prolix-between-a-rock-and-a-hard-place\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Too Prolix: Between a Rock and a Hard Place<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":22922,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[24626,124],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/1093"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/users\/22922"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/comments?post=1093"}],"version-history":[{"count":23,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/1093\/revisions"}],"predecessor-version":[{"id":1121,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/posts\/1093\/revisions\/1121"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/media?parent=1093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/categories?post=1093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/smfa-news\/wp-json\/wp\/v2\/tags?post=1093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}