{"id":12,"date":"2009-12-10T15:24:10","date_gmt":"2009-12-10T15:24:10","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/skepsi\/?page_id=12"},"modified":"2010-04-22T10:18:08","modified_gmt":"2010-04-22T09:18:08","slug":"pleasure2010","status":"publish","type":"page","link":"https:\/\/blogs.kent.ac.uk\/skepsi\/events\/pleasure2010\/","title":{"rendered":"Pleasure In the Text &#8211; Pleasure Of The Text"},"content":{"rendered":"<p style=\"text-align: center\">Skepsi\u2019s Third International and Interdisciplinary Postgraduate Conference<\/p>\n<p style=\"text-align: center\">University of Kent in Paris<\/p>\n<p style=\"text-align: center\"><strong>17 April 2010, Paris, Reid Hall &#8211; Salle de conf\u00e9rence<\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><a title=\"Pleasure in the text. Pleasure of the text. by XeXe, on Flickr\" href=\"http:\/\/www.flickr.com\/photos\/xexe\/4190052651\/\"><img loading=\"lazy\" src=\"http:\/\/farm5.static.flickr.com\/4047\/4190052651_d27f0daf80.jpg\" alt=\"Pleasure in the text. Pleasure of the text.\" width=\"500\" height=\"333\" \/><\/a><\/p>\n<p style=\"text-align: center\">Sponsored by the <em>School of European Culture and Languages<\/em> and the <em>Faculty of Humanities<\/em> of the <em>University of Kent<\/em><\/p>\n<p style=\"text-align: center\">\n<p style=\"text-align: center\"><a href=\"http:\/\/gallery.me.com\/alvise.sforza#100040\">GO TO THE PHOTO GALLERY OF THE EVENT<\/a><\/p>\n<p style=\"text-align: center\">(you can also upload your own photos)<\/p>\n<p style=\"text-align: center\">\n<p style=\"text-align: center\">\n<p style=\"text-align: center\"><strong>Conference Programme<\/strong><\/p>\n<p style=\"text-align: left\">9.00 Welcome<\/p>\n<p style=\"text-align: left\">9.20 Conference Introduction (Professor Peter Read, Director of the University of Kent in Paris)<\/p>\n<p style=\"text-align: left\">9.30 &#8211; 10.30 <strong><span style=\"text-decoration: underline\">On Tragedy: Pleasure as an Aesthetic Emotion<\/span><\/strong><\/p>\n<p style=\"text-align: left;padding-left: 30px\">Chair: Harriet Clements<\/p>\n<p style=\"text-align: left;padding-left: 30px\">*Chiara Chinello (University of Rome, \u2018La Sapienza\u2019), <em>Pleasure in Oedipus Rex<\/em><\/p>\n<p style=\"text-align: left;padding-left: 30px\">*Krista Bonello Rutter Giappone\u00a0(University of Kent),\u00a0<em>The Tragicomic: Marston&#8217;s Antonio Plays<\/em><\/p>\n<p style=\"text-align: left\">10.30 \u2013 10.50 Coffee break<\/p>\n<p style=\"text-align: left\">10.50 \u2013 11.50 <strong><span style=\"text-decoration: underline\">Pleasure and Pain in\/of the Text<\/span><\/strong><\/p>\n<p style=\"text-align: left;padding-left: 30px\">Chair: Fabien Arribert-Narce<\/p>\n<p style=\"text-align: left;padding-left: 30px\">*Ingrid Vendrell\u00a0(CISA, Universit\u00e9 de Gen\u00e8ve),\u00a0<em>An Intriguing Paradox of the Heart: Literary Pleasure in Negative Emotions<\/em><\/p>\n<p style=\"text-align: left;padding-left: 30px\">*Christian Moretti\u00a0(University of Kent),\u00a0<em>Can Pleasure Be an Effective Therapy for Suffering? <\/em><em>The Cases of<\/em> <em>Morante\u2019s<\/em> L\u2019Isola di Arturo\u00a0<em>and<\/em> <em>Tusquets\u2019<\/em> Con la miel en los labios<\/p>\n<p style=\"text-align: left\"><em> <\/em><\/p>\n<p style=\"text-align: left\">12.00 &#8211; 13.00 <strong><span style=\"text-decoration: underline\">The Revelatory Nature of Readerly Pleasure<\/span><\/strong><\/p>\n<p style=\"text-align: left;padding-left: 30px\">Chair: Kamilla Pawlikowska<\/p>\n<p style=\"text-align: left;padding-left: 30px\">*Julia Andres (Bielefeld University, Germany),\u00a0<em>Food for Thought:\u00a0The Pleasures of Reading Laura Esquivel\u2019s <\/em>Like Water for Chocolate<\/p>\n<p style=\"text-align: left;padding-left: 30px\">*Wissia Fiorucci (University of Kent),\u00a0<em>&#8216;Always Skulking behind the Written Work&#8217;: Reading Readerly Pleasure in Maraini&#8217;s<\/em> The Silent Duchess<\/p>\n<p style=\"text-align: left\">13.00 &#8211; 14.15 Lunch (buffet at Reid Hall)<\/p>\n<p style=\"text-align: left\"><em> <\/em><\/p>\n<p style=\"text-align: left\">14.15 &#8211; 15.45 <strong><span style=\"text-decoration: underline\">Intellectual Pleasure in Textual Resistance<\/span><\/strong><\/p>\n<p style=\"text-align: left;padding-left: 30px\">Chair: M\u00e9lanie Foehn<\/p>\n<p style=\"text-align: left;padding-left: 30px\">*Dana Mills (University of Oxford),\u00a0<em>Reading against the Grain<\/em><\/p>\n<p style=\"text-align: left;padding-left: 30px\">*Marco Bernini (University of Parma), <em>Narrative Ridges. Beckett&#8217;s <\/em>Company<em> and the Cognitive Dialogism<\/em><\/p>\n<p style=\"text-align: left;padding-left: 30px\">*Anna Borisenkova\u00a0(State University, Moscow), <em>Reading a Scientific Text: Could it be pleasant at all?<\/em><\/p>\n<p style=\"text-align: left\">15.45 \u2013 16.00 Coffee break<\/p>\n<p style=\"text-align: left\">16.00 &#8211; 17.30 <strong><span style=\"text-decoration: underline\">Reading as an Orgy of the Senses<\/span><\/strong><\/p>\n<p style=\"text-align: left;padding-left: 30px\">Chair: Alvise Sforza Tarabochia<\/p>\n<p style=\"text-align: left;padding-left: 30px\">*Mattia Marino\u00a0(University of Salford, Greater Manchester), <em>Intertextual Delights in <\/em>Perfume, Silk, <em>and<\/em> Antichrist<\/p>\n<p style=\"text-align: left;padding-left: 30px\">*Nausicaa Dewez\u00a0(Universit\u00e9 Rennes 2, Haute Bretagne),\u00a0<em>Reading with one Hand only or Dropping the Book<\/em><br \/>\n*Sarah Katrib\u00a0(University of Strasbourg),\u00a0<em>The Poetic and Symbolic Representation of Eroticism in <\/em>The Man Who Died<em> by D.H. Lawrence<\/em><\/p>\n<p style=\"text-align: left\">17.30 \u2013 18.00 Concluding remarks and wine reception<\/p>\n<p style=\"text-align: center\">-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7-\u00b7<\/p>\n<p style=\"text-align: center\">\n<p style=\"text-align: left\">More information on Reid Hall: <a href=\"http:\/\/www.kent.ac.uk\/studying\/where\/paris\/campus.html\" target=\"_blank\">CLICK HERE<\/a><\/p>\n<p>Where is Reid Hall? <a href=\"http:\/\/maps.google.co.uk\/maps?client=safari&amp;oe=UTF-8&amp;ie=UTF8&amp;q=paris+reid+hall&amp;fb=1&amp;gl=uk&amp;hq=reid+hall&amp;hnear=paris&amp;cid=0,0,1818654514586650238&amp;ei=7MuXS6PZPJj60wTb3-CeAw&amp;ved=0CAcQnwIwAA&amp;z=16&amp;iwloc=A\">GOOGLE MAPS<\/a><\/p>\n<p><a href=\"http:\/\/blogs.kent.ac.uk\/skepsi\/files\/2010\/04\/brochure-web.pdf\">DOWNLOAD A4 BROCHURE (.pdf)<\/a><\/p>\n<p><a href=\"http:\/\/blogs.kent.ac.uk\/skepsi\/files\/2010\/04\/A3-poster-web.pdf\">DOWNLOAD A3 POSTER (With Programme) (.pdf)<\/a><\/p>\n<p><a href=\"http:\/\/files.me.com\/alvise.sforza\/ 5fnnt5\" target=\"_blank\">DOWNLOAD A4 (without Programme) POSTER (.pdf)<\/a><\/p>\n<p><a href=\"http:\/\/blogs.kent.ac.uk\/skepsi\/events\/pleasure2010\/pleasure-2010-call-for-papers\/\" target=\"_self\">CALL FOR PAPERS <\/a> (Please note that submissions are closed)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Skepsi\u2019s Third International and Interdisciplinary Postgraduate Conference University of Kent in Paris 17 April 2010, Paris, Reid Hall &#8211; Salle de conf\u00e9rence Sponsored by the School of European Culture and Languages and the Faculty of Humanities of the University of Kent GO TO THE PHOTO GALLERY OF THE EVENT (you can also upload your own &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/blogs.kent.ac.uk\/skepsi\/events\/pleasure2010\/\">Continue reading<\/a><\/p>\n","protected":false},"author":386,"featured_media":0,"parent":22,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/skepsi\/wp-json\/wp\/v2\/pages\/12"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/skepsi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/skepsi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/skepsi\/wp-json\/wp\/v2\/users\/386"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/skepsi\/wp-json\/wp\/v2\/comments?post=12"}],"version-history":[{"count":16,"href":"https:\/\/blogs.kent.ac.uk\/skepsi\/wp-json\/wp\/v2\/pages\/12\/revisions"}],"predecessor-version":[{"id":16,"href":"https:\/\/blogs.kent.ac.uk\/skepsi\/wp-json\/wp\/v2\/pages\/12\/revisions\/16"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/skepsi\/wp-json\/wp\/v2\/pages\/22"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/skepsi\/wp-json\/wp\/v2\/media?parent=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}