{"id":5488,"date":"2016-02-02T12:49:37","date_gmt":"2016-02-02T12:49:37","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/secl-news-events\/?p=5488"},"modified":"2016-02-04T13:01:49","modified_gmt":"2016-02-04T13:01:49","slug":"call-for-papers-on-samuel-beckett-and-world-literature","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/secl-news-events\/2016\/02\/02\/call-for-papers-on-samuel-beckett-and-world-literature\/","title":{"rendered":"Call for papers on Samuel Beckett and World Literature"},"content":{"rendered":"

The Centre for Modern European Literature<\/a> and the Humanities Faculty Research Fund are supporting a conference entitled \u2018Samuel Beckett and World Literature\u2019 at the University of Kent from 4-5 May 2016.<\/p>\n

Almost unknown before the premi\u00e8re of En attendant Godot <\/em>in 1953, the immediate success of the play led to Samuel Beckett very quickly acquiring an international reputation. Since then, his works have been translated into numerous languages, and have exerted a considerable influence upon art and literature across the world. The award of the Nobel Prize in Literature in 1969 confirmed Beckett\u2019s status as a major figure in world literature.<\/p>\n

However, while there is no doubt that his oeuvre lends itself to translation and adaptation, Beckett\u2019s concern with directorial and verbal precision cautions against misappropriation, notwithstanding the seemingly decontextualised nature of his post-war writings. Moreover, in light of his global dissemination, Beckett\u2019s commitment to \u2018impotence\u2019, \u2018ignorance\u2019, and \u2018impoverishment\u2019 takes on a new meaning. Despite the prevailing tendency to consider Beckett as an absurdist, his works resist being circumscribed by any literary and aesthetic category, and perhaps for this very reason have flourished in cultures very different from the one in which they originated.<\/p>\n

So what is it in his writings that enable this global circulation? In what ways is Beckett culturally reciprocated and refracted? How do nation and nationality figure in his writings? These are some of the many questions that arise when considering Beckett as amongst the foremost figures of world literature today.<\/p>\n

This international conference is designed to address the questions of Beckett as a figure of world literature and world literature as figured in Beckett. We would like to invite papers, presentations, and performances from students, academics, artists and fellow enthusiasts on the following topics, although participants should not consider themselves restricted by these:<\/p>\n