{"id":2573,"date":"2022-04-07T10:14:11","date_gmt":"2022-04-07T10:14:11","guid":{"rendered":"https:\/\/blogs.kent.ac.uk\/paris-news\/?p=2573"},"modified":"2023-11-28T10:56:30","modified_gmt":"2023-11-28T10:56:30","slug":"nouvelle-vague-movie-locations-in-paris","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/paris-news\/2022\/04\/07\/nouvelle-vague-movie-locations-in-paris\/","title":{"rendered":"Nouvelle Vague Movie Locations in Paris"},"content":{"rendered":"<p><span style=\"font-weight: 400\"><em>La Nouvelle Vague<\/em>, the French New Wave movement of the late 1950s to 1960s, left an undelible mark on cinema history not just in France, but around the world.\u00a0<\/span><span style=\"font-weight: 400\">Directors most associated with the art film movement lived in Paris, and the city featured heavily in their work. Innovative use of portable camera equipement also made it easier for these filmmakers to use the city itself rather than a film set. <\/span><span style=\"font-weight: 400\">You can delve into the world of the Nouvelle Vague by visiting the sites and districts we have compiled here.\u00a0<\/span><\/p>\n<div id=\"attachment_2575\" style=\"width: 615px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-2575\" loading=\"lazy\" class=\" wp-image-2575\" src=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2022\/04\/Daguerotypes.jpg\" alt=\"Daguerr\u00e9otypes - Agnes Varda\" width=\"605\" height=\"463\" \/><p id=\"caption-attachment-2575\" class=\"wp-caption-text\">Daguerr\u00e9otypes &#8211; Agn\u00e8s Varda<\/p><\/div>\n<h3><span style=\"font-weight: 400\">Montparnasse<\/span><\/h3>\n<p><span style=\"font-weight: 400\">The area around our Paris School was a prime location for Nouvelle Vague directors. The greatest of these was Agn\u00e8s Varda, who lived on la Rue Daguerre,\u00a0 which she immortalised in <\/span><i><span style=\"font-weight: 400\">Daguerr\u00e9otypes<\/span><\/i><span style=\"font-weight: 400\">, a 1976 documentary illustrating life on this vibrant market street (predominantly shot between numbers 70-90). Montparnasse also appeared in her film <\/span><i><span style=\"font-weight: 400\">Cl\u00e9o de 5 \u00e0 7 <\/span><\/i><span style=\"font-weight: 400\">(<\/span><i><span style=\"font-weight: 400\">Cl\u00e9o from 5 to 7<\/span><\/i><span style=\"font-weight: 400\">), in particular the Caf\u00e9 Le D\u00f4me and the Parc Montsouris. Jean-Luc Godard selected the classic Montparnasse caf\u00e9 La Rotonde for a scene in his cult classic <\/span><i><span style=\"font-weight: 400\">A Bout de Souffle <\/span><\/i><span style=\"font-weight: 400\">(<\/span><i><span style=\"font-weight: 400\">Breathless<\/span><\/i><span style=\"font-weight: 400\">). Right around the corner from the school and south of the Luxembourg Gardens, rue Michelet also appeared in Rohmer\u2019s <\/span><i><span style=\"font-weight: 400\">Le Beau Mariage<\/span><\/i><span style=\"font-weight: 400\"> (<\/span><i><span style=\"font-weight: 400\">A Good Marriage<\/span><\/i><span style=\"font-weight: 400\">).<\/span><\/p>\n<div id=\"attachment_2578\" style=\"width: 615px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-2578\" loading=\"lazy\" class=\" wp-image-2578\" src=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2022\/04\/auboutdusouffle.jpeg\" alt=\"Study Film in Paris\" width=\"605\" height=\"341\" \/><p id=\"caption-attachment-2578\" class=\"wp-caption-text\"><i><span style=\"font-weight: 400\">A Bout de Souffle &#8211; Jean-Luc Godard<\/span><\/i><\/p><\/div>\n<h3><span style=\"font-weight: 400\">L&#8217;Avenue des Champs Elys\u00e9es<\/span><\/h3>\n<p><span style=\"font-weight: 400\">Although there is less interest in strolling Paris\u2019s most famous avenue today, now mostly lined with chain shops, Les Champs Elys\u00e9es was the backdrop of several New Wave films. The most iconic of these is Jean-Luc Godard\u2019s <\/span><i><span style=\"font-weight: 400\">A Bout de Souffle<\/span><\/i><span style=\"font-weight: 400\"> (<\/span><i><span style=\"font-weight: 400\">Breathless<\/span><\/i><span style=\"font-weight: 400\">), whose main characters Michel (Jean-Paul Belmondo) and Patricia (Jean Seberg) meet on the street where she\u2019s selling newspapers. Eric Rohmer\u2019s first full-length feature, <\/span><i><span style=\"font-weight: 400\">Le Signe du Lion<\/span><\/i><span style=\"font-weight: 400\"> (<\/span><i><span style=\"font-weight: 400\">The Sign of Leo<\/span><\/i><span style=\"font-weight: 400\">), was shot on the avenue and around Place de l\u2019Etoile, which was also captured in Jacques Rivette\u2019s <\/span><i><span style=\"font-weight: 400\">Paris nous appartient <\/span><\/i><span style=\"font-weight: 400\">(<\/span><i><span style=\"font-weight: 400\">Paris Belongs to Us<\/span><\/i><span style=\"font-weight: 400\">).<\/span><\/p>\n<div id=\"attachment_2580\" style=\"width: 617px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-2580\" loading=\"lazy\" class=\" wp-image-2580\" src=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2022\/04\/sign-of-the-lion-1962-001-pont-des-arts-bridge.jpg\" alt=\"Film Studies in PAris\" width=\"607\" height=\"363\" \/><p id=\"caption-attachment-2580\" class=\"wp-caption-text\">Le Signe du Lion &#8211; Eric Rohmer<\/p><\/div>\n<h3><span style=\"font-weight: 400\">The Seine\u00a0<\/span><\/h3>\n<p><span style=\"font-weight: 400\">The banks of the Seine River starred in a range of Nouvelle Vague films. Rohmer\u2019s <\/span><i><span style=\"font-weight: 400\">Le Signe du Lion<\/span><\/i><span style=\"font-weight: 400\"> showcased the walkway along the river as well as one of the city\u2019s loveliest bridges, Le Pont des Arts. The bridge also appears in Rivette\u2019s <\/span><i><span style=\"font-weight: 400\">Paris nous appartient<\/span><\/i><span style=\"font-weight: 400\"> and Charbrol\u2019s films <\/span><i><span style=\"font-weight: 400\">Les Godelureaux (Wise Guys) <\/span><\/i><span style=\"font-weight: 400\">and <\/span><i><span style=\"font-weight: 400\">Les Biches<\/span><\/i> <i><span style=\"font-weight: 400\">(The Does<\/span><\/i><span style=\"font-weight: 400\">).<\/span><\/p>\n<div id=\"attachment_2581\" style=\"width: 614px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-2581\" loading=\"lazy\" class=\" wp-image-2581\" src=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2022\/04\/que-reste-t-il-du-paris-des-quatre-cents-coupsM172675.jpg\" alt=\"French Film studies in Paris\" width=\"604\" height=\"429\" \/><p id=\"caption-attachment-2581\" class=\"wp-caption-text\"><i><span style=\"font-weight: 400\">Les 400 Coups<\/span><\/i> &#8211; <span style=\"font-weight: 400\"> Fran\u00e7ois Truffaut, no. 16 <\/span>rue Fontaine<\/p><\/div>\n<h3><span style=\"font-weight: 400\">Pigalle<\/span><\/h3>\n<p><span style=\"font-weight: 400\">Having grown up in the then middle class 9th district, south of Pigalle, many of Fran\u00e7ois Truffaut\u2019s films revisit his childhood haunts. <\/span><i><span style=\"font-weight: 400\">Les 400 Coups<\/span><\/i><span style=\"font-weight: 400\"> (<\/span><i><span style=\"font-weight: 400\">The 400 Blows) <\/span><\/i><span style=\"font-weight: 400\">had a number of scenes shot in the area, especially in and around rue des Martyrs, Avenue Frochot and rue Fontaine (at number 16 where the boys are looking out of the rooftop skylight). Main character Antoine Doinel ambles the busy Boulevard de Clichy, which runs from near Place Pigalle to Place de Clichy, and also goes to the movies at le Wepler, a movie theatre still standing, albeit in a modern incarnation, on Place de Clichy. Sadly le Gaumont Palace, once the largest movie theatre in Europe, has now been replaced by DIY store Castorama.<\/span><\/p>\n<div id=\"attachment_2582\" style=\"width: 615px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-2582\" loading=\"lazy\" class=\" wp-image-2582\" src=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2022\/04\/ob_cd63d7_navarin-baisers-voles-sacre-coeurok.jpeg\" alt=\"\" width=\"605\" height=\"508\" \/><p id=\"caption-attachment-2582\" class=\"wp-caption-text\">Baiser Vol\u00e9s &#8211; <span style=\"font-weight: 400\">Fran\u00e7ois Truffaut,<\/span> <span style=\"font-weight: 400\">rue Navarin<\/span><\/p><\/div>\n<h3><span style=\"font-weight: 400\">Montmartre<\/span><\/h3>\n<p><span style=\"font-weight: 400\">Truffaut was also fond of nearby Montmartre, whose back streets feature in L<\/span><i><span style=\"font-weight: 400\">es Quatre Cents Coups<\/span><\/i><span style=\"font-weight: 400\"> as well as in his 1968 film<\/span><i><span style=\"font-weight: 400\"> Baisers Vol\u00e9s<\/span><\/i><span style=\"font-weight: 400\"> (<\/span><i><span style=\"font-weight: 400\">Stolen Kisses<\/span><\/i><span style=\"font-weight: 400\">), especially around l\u2019Avenue Junot, la rue de Steinkerque and la rue Caulaincourt. The above shot from the film was actually filmed on rue Navarin in the 9th, but looks up towards Sacr\u00e9-Coeur and la Butte de Montmartre. He shot a scene in<\/span><i><span style=\"font-weight: 400\"> L\u2019Amour en Fuite<\/span><\/i><span style=\"font-weight: 400\"> (<\/span><i><span style=\"font-weight: 400\">Love on the Run<\/span><\/i><span style=\"font-weight: 400\">) in the Montmartre Cemetery, which turned out to be his final resting place.<\/span><\/p>\n<div id=\"attachment_2583\" style=\"width: 615px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-2583\" loading=\"lazy\" class=\" wp-image-2583\" src=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2022\/04\/Review_79_Photo_1_-_Paris_vu_par_1965-2.jpg\" alt=\"Paris Vu Par...\" width=\"605\" height=\"443\" \/><p id=\"caption-attachment-2583\" class=\"wp-caption-text\">Paris Vu Par&#8230;<\/p><\/div>\n<h3><i>Paris vu par\u2026<\/i><span style=\"font-weight: 400\">\u00a0<\/span><\/h3>\n<p><span style=\"font-weight: 400\">Lastly, for a grand tour of the city watch<\/span><i><span style=\"font-weight: 400\"> Paris vu par<\/span><\/i><span style=\"font-weight: 400\">\u2026 (<\/span><i><span style=\"font-weight: 400\">Six in Paris<\/span><\/i><span style=\"font-weight: 400\">), a collection of vignettes by the leading directors of the movement and released in 1965. Jean Douchet focuses on the intellectual Saint-Germain-des-Pr\u00e9s area, including the Caf\u00e9 de Flore and the Institut de France and the Mus\u00e9e Delacroix. <\/span><span style=\"font-weight: 400\">\u00a0Jean Rouch<\/span><span style=\"font-weight: 400\">\u2019s short is on the working-class <\/span><span style=\"font-weight: 400\">Gare du Nord area and rue Lafayette.<\/span> <span style=\"font-weight: 400\">Claude Chabrol selected the bourgeois 16th district around La Muette in contrast to\u00a0 Jean-Daniel Pollet\u2019s seedy Rue Saint-Denis. Rohmer revisited Place de l\u2019Etoile and Godard travelled from a sculptor\u2019s workshop in Montparnasse to the suburb of Levallois.<\/span><\/p>\n<p>Passionate about film and its history? Study Film in Paris by pursuing our <a href=\"https:\/\/www.kent.ac.uk\/courses\/postgraduate\/763\/film-in-paris\"><strong>Master&#8217;s in Film Programme<\/strong><\/a>. Learn more about it, and our other MA Programmes in the Humanities, <a href=\"https:\/\/www.kent.ac.uk\/paris\/programmes\"><strong>at this link<\/strong><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Nouvelle Vague, the French New Wave movement of the late 1950s to 1960s, left an undelible mark on cinema history not just in France, but around the world.\u00a0Directors most associated with the art film movement lived in Paris, and the city featured heavily in their work. Innovative use of portable camera equipement also made [&hellip;]<\/p>\n","protected":false},"author":74581,"featured_media":2574,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[227397,172971],"tags":[1123,252410,252409],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/posts\/2573"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/users\/74581"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/comments?post=2573"}],"version-history":[{"count":8,"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/posts\/2573\/revisions"}],"predecessor-version":[{"id":3277,"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/posts\/2573\/revisions\/3277"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/media\/2574"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/media?parent=2573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/categories?post=2573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/tags?post=2573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}