{"id":1104,"date":"2021-02-16T13:41:26","date_gmt":"2021-02-16T13:41:26","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/paris-news\/?p=1104"},"modified":"2022-03-04T13:49:09","modified_gmt":"2022-03-04T13:49:09","slug":"the-best-contemporary-architecture-in-paris","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/paris-news\/2021\/02\/16\/the-best-contemporary-architecture-in-paris\/","title":{"rendered":"The Evolving City: The Best Contemporary Architecture in Paris"},"content":{"rendered":"<p>Parisians have not always been welcoming to modern architecture. The city itself underwent massive urban restructuring in the mid-19<sup>th<\/sup> century during the rule of Napol\u00e9on III and overseen by Prefect Baron Haussmann. It wasn\u2019t until a century later that the city experienced another wave of \u2018modernism\u2019, mostly relegated outside the city centre in the La D\u00e9fense business district, although a few modern buildings popped up <em>intramuros<\/em>, such as the eclectic Centre Pompidou and the predominantly unpopular Tour Montparnasse. The 1980s and 90s saw the arrival <em>of Les Grands Projets<\/em>, a series of large scale building works instigated by President Mitterrand, including the Biblioth\u00e8que Nationale, the Opera Bastille, the Pyramid of the Louvre and the Grand Arche de la D\u00e9fense. But how has the cityscape changed since then? From designs by Jean Nouvel to the return of Renzo Piano, here are the most notable examples of contemporary architecture in Paris built since the start of the 21<sup>st<\/sup> century.<\/p>\n<div id=\"attachment_1109\" style=\"width: 610px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2021\/02\/10321629_849837665047201_6694312801745624462_o.jpg\"><img aria-describedby=\"caption-attachment-1109\" loading=\"lazy\" class=\" wp-image-1109\" src=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2021\/02\/10321629_849837665047201_6694312801745624462_o.jpg\" alt=\"\" width=\"600\" height=\"338\" \/><\/a><p id=\"caption-attachment-1109\" class=\"wp-caption-text\">Photo Credit: Fondation Louis Vuitton<\/p><\/div>\n<h3><strong>Fondation Louis Vuitton &#8211; <\/strong><strong>Frank Gehry (2014)<\/strong><\/h3>\n<p>The recent building that has received the most unanimous praise from critics and citizens alike is this gleaming art centre nestled within the Bois de Boulogne woods at the western edge of Paris. In true Gehry form, mammoth curvaceous glass panels on wooden frames, nicknamed the \u201csails\u201d, are at the forefront; these sit atop white blocks, or \u201cicebergs\u201d, which seem to float in pools of water. The sleek building hosts temporary exhibits revolving around the works of the <a href=\"https:\/\/www.fondationlouisvuitton.fr\/en\">Louis Vuitton fashion house collection<\/a>, however, the building itself is well-worth visiting in its own right.<\/p>\n<div id=\"attachment_1108\" style=\"width: 610px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2021\/02\/01_VUE-EXTERIEURE-FACADE-W-BEAUCARDET-08.jpg\"><img aria-describedby=\"caption-attachment-1108\" loading=\"lazy\" class=\" wp-image-1108\" src=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2021\/02\/01_VUE-EXTERIEURE-FACADE-W-BEAUCARDET-08.jpg\" alt=\"\" width=\"600\" height=\"400\" \/><\/a><p id=\"caption-attachment-1108\" class=\"wp-caption-text\">Photo Credit: Philharmonie de Paris<\/p><\/div>\n<h3><strong>Philharmonie\u00a0de\u00a0Paris<\/strong><strong> &#8211;\u00a0 <\/strong><strong>Jean Nouvel (2015)<\/strong><\/h3>\n<p>No other architect has left their mark on modern Paris than Jean Nouvel. His latest Parisian building, <a href=\"https:\/\/philharmoniedeparis.fr\/fr\">la Philharmonie de Paris<\/a>, located within the Parc de la Villette in northeastern Paris, certainly does not leave one indifferent. Created for the Symphony Orchestra of Paris, Nouvel paid particular attention to its 2,400 seat-auditorium, which has a central stage encircled by undulating tiers of seating to bring the audience as close to the musicians as possible. The eye-catching metallic exterior is enveloped in 265,000 aluminium birds which appear to swirl up around the building, perhaps dancing to the music performed within?<\/p>\n<div id=\"attachment_1133\" style=\"width: 610px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2021\/02\/Le-Tribunal-de-Paris-dans-le-ciel-parisien-2.jpg\"><img aria-describedby=\"caption-attachment-1133\" loading=\"lazy\" class=\" wp-image-1133\" src=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2021\/02\/Le-Tribunal-de-Paris-dans-le-ciel-parisien-2.jpg\" alt=\"\" width=\"600\" height=\"400\" \/><\/a><p id=\"caption-attachment-1133\" class=\"wp-caption-text\">Photo Credit: Tribunal de Paris<\/p><\/div>\n<h3><strong>Tribunal de Paris &#8211; Renzo Piano (2018)<\/strong><\/h3>\n<p>Forty years after designing the Centre Pompidou in tandem with Richard Rogers, Italian architect Renzo Piano\u2019s return to the Parisian architecture scene was not met with as much enthusiasm as the iconic modern art museum. The tallest building constructed in Paris since the 56-story Tour Montparnasse was completed in 1973, the new 38-floor Paris court house shimmers on the northwest fringes of the city, so much so, that the building almost goes unnoticed. The glass tower makes up for its lacklustre looks courtesy of its sustainability facilities including solar panels, enhanced thermal insulation, rainwater collection and other cutting edge eco-friendly technology.<\/p>\n<div id=\"attachment_1110\" style=\"width: 609px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2021\/02\/87855830_1324254927769313_8341950919860027392_n.jpg\"><img aria-describedby=\"caption-attachment-1110\" loading=\"lazy\" class=\" wp-image-1110\" src=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2021\/02\/87855830_1324254927769313_8341950919860027392_n.jpg\" alt=\"la Seine Musicale\" width=\"599\" height=\"502\" \/><\/a><p id=\"caption-attachment-1110\" class=\"wp-caption-text\">Photo Credit: la Seine Musicale<\/p><\/div>\n<h3><strong>La Seine Musicale &#8211; <\/strong><strong>Shigeru Ban and Jean de Gastines<\/strong><strong> (<\/strong><strong>2017)<\/strong><\/h3>\n<p>Located in a crook of the Seine off of the southwestern suburb of Boulogne-Billancourt, the former industrial island of \u00cele Seguin, was given new life thanks to this dazzling concert hall. A play on words blending its location and its purpose, <a href=\"https:\/\/www.laseinemusicale.com\/\">La Seine Musicale<\/a> was a collaboration between French architect Jean de Gastines and Japanese Shigeru Ban, winner of the prestigious Pritzker Prize. The oval-shaped structure is encased in glass sexagons and is hugged by a curved grouping of solar panels which creates a dramatic effect akin to a musical crescendo. The auditorium is equally impressive, with a ceiling of wooden honey-combs mirroring the exterior panels. Even if you don\u2019t get to see the interior during one of its concerts or dance performances, a tour of the exterior still impresses.<\/p>\n<div id=\"attachment_1107\" style=\"width: 611px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2021\/02\/181156_476699199013458_2145317397_n.jpg\"><img aria-describedby=\"caption-attachment-1107\" loading=\"lazy\" class=\" wp-image-1107\" src=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2021\/02\/181156_476699199013458_2145317397_n.jpg\" alt=\"Cit\u00e9 de la Mode et Design Paris\" width=\"601\" height=\"399\" \/><\/a><p id=\"caption-attachment-1107\" class=\"wp-caption-text\">Photo Credit: Cit\u00e9 de la Mode et Design<\/p><\/div>\n<h3><strong>La Cit\u00e9 de la Mode et du Design <\/strong><strong>\/ Les Docks de Paris &#8211;\u00a0 <\/strong><strong>Jakob + MacFarlane (2010)<\/strong><\/h3>\n<p>The arrival of the new Biblioth\u00e8que Nationale in 1990s, ushered in a new urban era for the northeast section of the 13<sup>th<\/sup> arrondissement which, especially over the last 10 years, has developed into the most exciting hub of Parisian contemporary architecture. The best known, and most recognisable example is this daring building. The French architectural firm of Dominique Jakob and Brendan MacFarlane deftly succeeded in converting an early 20<sup>th<\/sup> century concrete shipping depot into a hip centre for fashion and design. One can\u2019t miss it thanks to the swooshing wave of green passageways dissecting the river-facing fa\u00e7ade. The building houses the French Institute of Fashion, contemporary art exhibition spaces, shops and several bars on its sprawling rooftop.<\/p>\n<div id=\"attachment_1105\" style=\"width: 610px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2021\/02\/Muse\u0301e-du-Quai-Branly-.png\"><img aria-describedby=\"caption-attachment-1105\" loading=\"lazy\" class=\" wp-image-1105\" src=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2021\/02\/Muse\u0301e-du-Quai-Branly-.png\" alt=\"Muse\u0301e du Quai Branly\" width=\"600\" height=\"416\" \/><\/a><p id=\"caption-attachment-1105\" class=\"wp-caption-text\">Photo Credit: Mus\u00e9e du Quai Branly &#8211; Jacques Chirac<\/p><\/div>\n<h3><strong>Mus\u00e9e du Quai Branly &#8211; Jacques Chirac &#8211; <\/strong><strong>Jean Nouvel (2006)<\/strong><\/h3>\n<p>In the shadow of the Eiffel Tower is former President Jacques Chirac\u2019s legacy to Paris, also designed by Jean Nouvel. According to the architect, the museum was built around the collection it was due to host; the French state\u2019s 300,000 works from Africa, Asia, Oceania and the Americas. Perched on stilts and hidden within trees, the building consists of large suspended, multi-colored boxes juxtaposed by a vast vertical garden, one of the city\u2019s first, covering one entire wall. Rising in a spiral, the interiors guide visitors on an organic flow throughout the displays. It also has a rooftop restaurant with stunning views of the Tour Eiffel.<\/p>\n<div id=\"attachment_1126\" style=\"width: 610px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2021\/02\/Tour_Triangle.jpg\"><img aria-describedby=\"caption-attachment-1126\" loading=\"lazy\" class=\" wp-image-1126\" src=\"http:\/\/blogs.kent.ac.uk\/paris-news\/files\/2021\/02\/Tour_Triangle.jpg\" alt=\"Tour_Triangle_Paris\" width=\"600\" height=\"554\" \/><\/a><p id=\"caption-attachment-1126\" class=\"wp-caption-text\">Photo Credit: la Tour Triangle<\/p><\/div>\n<p>This wave of contemporary architecture is far from over. Keep your eyes on the city\u2019s horizon in the coming years for the arrival of Herzog &amp; de Meuron\u2019s <a href=\"http:\/\/tour-triangle.com\/\">Tour Triangle<\/a> and a number of new soaring towers at la D\u00e9fense, which will come dangerously close to the Eiffel Tower\u2019s height of 324 metres.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Parisians have not always been welcoming to modern architecture. The city itself underwent massive urban restructuring in the mid-19th century during the rule of Napol\u00e9on III and overseen by Prefect Baron Haussmann. It wasn\u2019t until a century later that the city experienced another wave of \u2018modernism\u2019, mostly relegated outside the city centre in the La [&hellip;]<\/p>\n","protected":false},"author":74581,"featured_media":1125,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[252353,172971],"tags":[21339,768,158365],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/posts\/1104"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/users\/74581"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/comments?post=1104"}],"version-history":[{"count":13,"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/posts\/1104\/revisions"}],"predecessor-version":[{"id":2456,"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/posts\/1104\/revisions\/2456"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/media\/1125"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/media?parent=1104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/categories?post=1104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/paris-news\/wp-json\/wp\/v2\/tags?post=1104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}