{"id":128,"date":"2010-05-20T12:49:35","date_gmt":"2010-05-20T12:49:35","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/pandora\/?p=128"},"modified":"2010-05-20T12:49:35","modified_gmt":"2010-05-20T12:49:35","slug":"nostalgia-for-an-age-yet-to-come","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/pandora\/2010\/05\/20\/nostalgia-for-an-age-yet-to-come\/","title":{"rendered":"Nostalgia for an age yet to come"},"content":{"rendered":"<p>While enjoying the whizzy new Matt Smith led series of <em>Dr Who<\/em> with the kids, I\u2019ve also been watching some very old William Hartnell episodes that I got in a box set for my birthday.\u00a0 The footage, dating back to 1963, looks as alien to me in 2010 as the Daleks must have looked to the Doctor\u2019s earthly companions.\u00a0 It\u2019s black and white of course (colour not being adopted until the Jon Pertwee era), and with the kind of graininess that makes you think they must have carved every frame out of wood.<\/p>\n<p>I\u2019ve heard it said that early <em>Dr Who<\/em> footage looks as old as a Chaplin film. With magnificent pretentiousness, I\u2019m going to admit that it reminds me of footage of the theatre of Jerzy Grotowski, films of which I saw as an undergraduate. Scoff if you will \u2013 I would, if someone else said the same \u2013 but they\u2019re both grainy, black and white, and teetering between being spooky and plain ridiculous. And if that isn\u2019t enough, Carole Ann Ford (who plays the Doctor\u2019s granddaughter, Susan) bears a striking resemblance to Grotowski\u2019s lead actress, Rena Mirecka. Check out the photos below.<\/p>\n<p style=\"text-align: center\">\u00a0<a href=\"http:\/\/blogs.kent.ac.uk\/pandora\/files\/2010\/05\/Carole-Ann-Ford1.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-130\" title=\"Carole Ann Ford\" src=\"http:\/\/blogs.kent.ac.uk\/pandora\/files\/2010\/05\/Carole-Ann-Ford1-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" srcset=\"https:\/\/blogs.kent.ac.uk\/pandora\/files\/2010\/05\/Carole-Ann-Ford1-217x300.jpg 217w, https:\/\/blogs.kent.ac.uk\/pandora\/files\/2010\/05\/Carole-Ann-Ford1.jpg 342w\" sizes=\"(max-width: 217px) 85vw, 217px\" \/><\/a>\u00a0\u00a0 <a href=\"http:\/\/blogs.kent.ac.uk\/pandora\/files\/2010\/05\/Rena-Mirecka.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-131\" title=\"Rena Mirecka\" src=\"http:\/\/blogs.kent.ac.uk\/pandora\/files\/2010\/05\/Rena-Mirecka-300x222.jpg\" alt=\"\" width=\"300\" height=\"222\" srcset=\"https:\/\/blogs.kent.ac.uk\/pandora\/files\/2010\/05\/Rena-Mirecka-300x222.jpg 300w, https:\/\/blogs.kent.ac.uk\/pandora\/files\/2010\/05\/Rena-Mirecka.jpg 381w\" sizes=\"(max-width: 300px) 85vw, 300px\" \/><\/a><a href=\"http:\/\/blogs.kent.ac.uk\/pandora\/files\/2010\/05\/Carole-Ann-Ford.jpg\"><\/a><\/p>\n<p>The pace of Harnell-era <em>Who<\/em> is positively leisurely. Episodes dawdle along like a tortoise laden down with heavy luggage. The Matt Smith <em>Who <\/em>would fit the events of a William Hartnell episode into the pre-title sequence. Nonetheless, there\u2019s still plenty to like.<\/p>\n<p>For one thing, Hartnell\u2019s Doctor is a really interesting character. The modern Doc strives with every fibre of his being to protect not just the whole of humanity but also all those who are inhuman. Hartnell\u2019s Doc gambles (for the Tardis in a game of backgammon) and smokes a pipe (thus being enlisted by cavemen to show them the secret of fire). He\u2019s even a tiny bit evil. At one point, he contemplates sticking a sharp flint into a caveman\u2019s skull. On another occasion, he endangers his companions\u2019 lives by pretending he needs some mercury for a broken fluid link, and later plans on leaving them behind to die of radiation sickness. What an excellent role model for the kids of the early 1960s!<\/p>\n<p>Something else I like about Harnell-era <em>Who<\/em> is that it\u2019s beautifully composed. The stark contrasts in the black and white tones are bold and exciting \u2013 far less bland than the dull washes of the early colour years. The designs of the costumes and sets feel utterly classic. I challenge you to look at shots of the original Tardis interior and not to want to go in and have a nose around. There\u2019s a stylishness about British television set design in the black and white era that\u2019s rarely achieved today.<\/p>\n<p>In the early 1960s, British TV drama was produced more like theatre than film, but the composition of shots and edits is simple and elegant. The episode title is often overlaid on a still image, perhaps a character staring at something, but it\u2019s not a still as such \u2013 the actor is actively staring, and you can see them breathing. There\u2019s something oddly enjoyable about that.<\/p>\n<p>Then there\u2019s the music. The sounds produced by the BBC Radiophonic Workshop are extraordinary, and really manage to put the appropriate eeriness in there. It\u2019s extraordinary to think that people like Delia Derbyshire were making sounds which two decades later would send bands like the Human League into the charts, given that she was doing this before the synthesizer was commercially available \u2013 and certainly unavailable to her. The original version of the Dr Who theme was made with improbably-named gadgets like wave modulators and far from being played on a keyboard, it was assembled, note by note, on reel-to-reel tape.<\/p>\n<p>To sum it up, there\u2019s something tremendously appealing about seeing what the future looked like to those who lived in the past.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>While enjoying the whizzy new Matt Smith led series of Dr Who with the kids, I\u2019ve also been watching some very old William Hartnell episodes that I got in a box set for my birthday.\u00a0 The footage, dating back to 1963, looks as alien to me in 2010 as the Daleks must have looked to &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/pandora\/2010\/05\/20\/nostalgia-for-an-age-yet-to-come\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Nostalgia for an age yet to come&#8221;<\/span><\/a><\/p>\n","protected":false},"author":263,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1138],"tags":[1213,509,1211,1212],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/pandora\/wp-json\/wp\/v2\/posts\/128"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/pandora\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/pandora\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/pandora\/wp-json\/wp\/v2\/users\/263"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/pandora\/wp-json\/wp\/v2\/comments?post=128"}],"version-history":[{"count":2,"href":"https:\/\/blogs.kent.ac.uk\/pandora\/wp-json\/wp\/v2\/posts\/128\/revisions"}],"predecessor-version":[{"id":133,"href":"https:\/\/blogs.kent.ac.uk\/pandora\/wp-json\/wp\/v2\/posts\/128\/revisions\/133"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/pandora\/wp-json\/wp\/v2\/media?parent=128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/pandora\/wp-json\/wp\/v2\/categories?post=128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/pandora\/wp-json\/wp\/v2\/tags?post=128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}