{"id":9479,"date":"2019-06-07T12:21:55","date_gmt":"2019-06-07T11:21:55","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=9479"},"modified":"2019-06-10T14:56:17","modified_gmt":"2019-06-10T13:56:17","slug":"summer-music-week-days-five-and-six","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2019\/06\/07\/summer-music-week-days-five-and-six\/","title":{"rendered":"Summer Music Week: Days Five and Six"},"content":{"rendered":"<p>The relentless pace of Summer Music Week continues; Wednesday saw a roof-raising gala concert from the University Concert Band and Big Band under the baton of Ian Swatman entertaining a packed house. Prior to the concert, the sax quartet played on the foyer-stage, led by Peter Cook.<\/p>\n<figure id=\"attachment_9480\" aria-describedby=\"caption-attachment-9480\" style=\"width: 474px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" class=\"wp-image-9480 size-large\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/IMG_0794-1024x768.jpg\" alt=\"\" width=\"474\" height=\"356\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/IMG_0794-1024x768.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/IMG_0794-150x113.jpg 150w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/IMG_0794-300x225.jpg 300w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><figcaption id=\"caption-attachment-9480\" class=\"wp-caption-text\">Sax appeal: Peter Cook, Megan Daniel, Owen Kerry, David Curtiss<\/figcaption><\/figure>\n<p>And yesterday saw a celebration of chamber music in A Musical Miscellany, ranging from a fiercely-modern duet for two violins by Prokofiev to the first movement of Borodin&#8217;s String Quartet no.2, lively woodwind music by Seiber, a fragile aria by Copland and the String Sinfonia in not-quite-Mozart&#8230;<\/p>\n<figure id=\"attachment_9483\" aria-describedby=\"caption-attachment-9483\" style=\"width: 474px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" class=\"wp-image-9483 size-large\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_171828-1024x576.jpg\" alt=\"\" width=\"474\" height=\"267\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_171828-1024x576.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_171828-150x84.jpg 150w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_171828-300x169.jpg 300w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><figcaption id=\"caption-attachment-9483\" class=\"wp-caption-text\">l-r: Owen Kerry, Charlotte Read, Helen Sotillo, Leon Schoonderwoerd<\/figcaption><\/figure>\n<figure id=\"attachment_9481\" aria-describedby=\"caption-attachment-9481\" style=\"width: 474px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" class=\"wp-image-9481 size-large\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_164352-1024x576.jpg\" alt=\"\" width=\"474\" height=\"267\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_164352-1024x576.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_164352-150x84.jpg 150w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_164352-300x169.jpg 300w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><figcaption id=\"caption-attachment-9481\" class=\"wp-caption-text\">Pianists Will Morgan and Kiyan Agadjani, with diligent page-turning from Jenny Pang<\/figcaption><\/figure>\n<figure id=\"attachment_9484\" aria-describedby=\"caption-attachment-9484\" style=\"width: 474px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" class=\"wp-image-9484 size-large\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_173731-1024x576.jpg\" alt=\"\" width=\"474\" height=\"267\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_173731-1024x576.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_173731-150x84.jpg 150w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_173731-300x169.jpg 300w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><figcaption id=\"caption-attachment-9484\" class=\"wp-caption-text\">l-r: Florence Nightingale Obote, Zaneta Balesevic, Molly Richetta, Ken Macdonald<\/figcaption><\/figure>\n<figure id=\"attachment_9482\" aria-describedby=\"caption-attachment-9482\" style=\"width: 474px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" class=\"wp-image-9482 size-large\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_170747-576x1024.jpg\" alt=\"\" width=\"474\" height=\"843\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_170747-576x1024.jpg 576w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_170747-84x150.jpg 84w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_170747-169x300.jpg 169w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><figcaption id=\"caption-attachment-9482\" class=\"wp-caption-text\">Soprano Alice Shires<\/figcaption><\/figure>\n<figure id=\"attachment_9486\" aria-describedby=\"caption-attachment-9486\" style=\"width: 474px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" class=\"wp-image-9486 size-large\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_180132-1024x576.jpg\" alt=\"\" width=\"474\" height=\"267\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_180132-1024x576.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_180132-150x84.jpg 150w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_180132-300x169.jpg 300w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><figcaption id=\"caption-attachment-9486\" class=\"wp-caption-text\">The String Sinfonia, directed by Flo Peycelon<\/figcaption><\/figure>\n<p>Plus post-performance selfies, of course&#8230;<\/p>\n<p><img loading=\"lazy\" class=\"aligncenter size-large wp-image-9487\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/01-1024x768.jpg\" alt=\"\" width=\"474\" height=\"356\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/01-1024x768.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/01-150x113.jpg 150w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/01-300x225.jpg 300w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/> <img loading=\"lazy\" class=\"aligncenter size-large wp-image-9488\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_181338-576x1024.jpg\" alt=\"\" width=\"474\" height=\"843\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_181338-576x1024.jpg 576w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_181338-84x150.jpg 84w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_181338-169x300.jpg 169w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/> <img loading=\"lazy\" class=\"aligncenter size-large wp-image-9489\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_181537-576x1024.jpg\" alt=\"\" width=\"474\" height=\"843\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_181537-576x1024.jpg 576w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_181537-84x150.jpg 84w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/06\/20190606_181537-169x300.jpg 169w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><\/p>\n<p>Summer Music Week continues tonight with the premiere of <strong><em>Between Worlds<\/em> <\/strong>by composer\/violinist Anna Phoebe by the Chamber Choir and String Sinfonia, plus string music by Britten and P\u00e4rt.<\/p>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2019\/06\/07\/summer-music-week-days-five-and-six\/&amp;t=Summer Music Week: Days Five and Six' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=Summer Music Week: Days Five and Six%20https:\/\/blogs.kent.ac.uk\/music-matters\/2019\/06\/07\/summer-music-week-days-five-and-six\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2019\/06\/07\/summer-music-week-days-five-and-six\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2019\/06\/07\/summer-music-week-days-five-and-six\/&amp;title=Summer Music Week: Days Five and Six' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2019\/06\/07\/summer-music-week-days-five-and-six\/&amp;title=Summer Music Week: Days Five and Six' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>The relentless pace of Summer Music Week continues; Wednesday saw a roof-raising gala concert from the University Concert Band and Big Band under the baton of Ian Swatman entertaining a packed house. Prior to the concert, the sax quartet played on the foyer-stage, led by Peter Cook. And yesterday saw a celebration of chamber music &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/music-matters\/2019\/06\/07\/summer-music-week-days-five-and-six\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Summer Music Week: Days Five and Six<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1110,14561],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/9479"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=9479"}],"version-history":[{"count":1,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/9479\/revisions"}],"predecessor-version":[{"id":9490,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/9479\/revisions\/9490"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=9479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=9479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=9479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}