{"id":9188,"date":"2019-01-31T15:08:01","date_gmt":"2019-01-31T15:08:01","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=9188"},"modified":"2019-01-31T15:08:01","modified_gmt":"2019-01-31T15:08:01","slug":"remember-me","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2019\/01\/31\/remember-me\/","title":{"rendered":"&#8216;Remember me&#8230;&#8217;"},"content":{"rendered":"<p>Rehearsals are well underway for the performance of Purcell&#8217;s\u00a0<em>Dido and Aeneas\u00a0<\/em>by the University Cecilian Choir, String Sinfonia and soloists in two weeks&#8217; time; here are some shots from recent rehearsals, including Music Scholar, soprano <strong>Helen Sotillo<\/strong>, rehearsing Dido&#8217;s heart-breaking lament, the Cecilian Choir as palace courtiers in Act I, and some of the String Sinfonia rehearsing Act II.<img loading=\"lazy\" class=\"aligncenter size-large wp-image-9189\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/01\/20190131_112709-576x1024.jpg\" alt=\"\" width=\"474\" height=\"843\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/01\/20190131_112709-576x1024.jpg 576w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/01\/20190131_112709-84x150.jpg 84w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/01\/20190131_112709-169x300.jpg 169w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><\/p>\n<p><img loading=\"lazy\" class=\"aligncenter size-large wp-image-9190\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/01\/20190130_140428-1024x658.jpg\" alt=\"\" width=\"474\" height=\"305\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/01\/20190130_140428-1024x658.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/01\/20190130_140428-150x96.jpg 150w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/01\/20190130_140428-300x193.jpg 300w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><\/p>\n<p><img loading=\"lazy\" class=\"aligncenter size-large wp-image-9192\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/01\/sinfonia-1024x768.jpg\" alt=\"\" width=\"474\" height=\"356\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/01\/sinfonia-1024x768.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/01\/sinfonia-150x113.jpg 150w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2019\/01\/sinfonia-300x225.jpg 300w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/><\/p>\n<p>The tragic story of the doomed love of the Queen of Carthage for the Trojan prince unfurls in Colyer-Fergusson Hall on Friday 1 February at 7pm; more details online <a href=\"https:\/\/www.kent.ac.uk\/music\/whatson.html?tab=february\"><strong>here<\/strong><\/a>.<\/p>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2019\/01\/31\/remember-me\/&amp;t='Remember me...'' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status='Remember me...'%20https:\/\/blogs.kent.ac.uk\/music-matters\/2019\/01\/31\/remember-me\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2019\/01\/31\/remember-me\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2019\/01\/31\/remember-me\/&amp;title='Remember me...'' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2019\/01\/31\/remember-me\/&amp;title='Remember me...'' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Rehearsals are well underway for the performance of Purcell&#8217;s\u00a0Dido and Aeneas\u00a0by the University Cecilian Choir, String Sinfonia and soloists in two weeks&#8217; time; here are some shots from recent rehearsals, including Music Scholar, soprano Helen Sotillo, rehearsing Dido&#8217;s heart-breaking lament, the Cecilian Choir as palace courtiers in Act I, and some of the String Sinfonia &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/music-matters\/2019\/01\/31\/remember-me\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">&#8216;Remember me&#8230;&#8217;<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1110],"tags":[949,201502,927,12267,15495,14606],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/9188"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=9188"}],"version-history":[{"count":2,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/9188\/revisions"}],"predecessor-version":[{"id":9193,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/9188\/revisions\/9193"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=9188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=9188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=9188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}