{"id":8168,"date":"2017-04-25T11:52:04","date_gmt":"2017-04-25T10:52:04","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=8168"},"modified":"2018-05-11T10:17:01","modified_gmt":"2018-05-11T09:17:01","slug":"a-letter-from-vienna-ben-weiland","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2017\/04\/25\/a-letter-from-vienna-ben-weiland\/","title":{"rendered":"A letter from Vienna: Ben Weiland"},"content":{"rendered":"

Currently studying abroad for a year as part of his European Legal Studies with Kent Law School, and a member of the University Chorus and Cecilian Choir, singer Ben Weiland<\/strong> writes from Vienna…<\/p>\n

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Ben (centre, back) with the Cecilian Choir singing at Heart Kent Radio in 2016<\/figcaption><\/figure>\n

Hello from Vienna! I just wanted to share what I’ve been up to and ask how everything is going with Kent music – I’m missing the Cecilian Choir! I saw that you did the Faur\u00e9\u00a0Requiem<\/em> recently – very jealous. What an absolutely marvellous work! I remember seeing the programme for the Colyer-Fergusson\u00a0Cathedral as well which also looked marvellous – Tchaikovsky Symphony 6<\/em>! I very much look forward to returning to it all in September!<\/p>\n

Spending this year in Vienna has been (and will continue to be) an utter delight. It is a thriving city, full of life and excitement. The greatest beauty Vienna has to offer for me is its musical culture, which is unique and unparalleled. I didn\u2019t fully comprehend until I arrived just how central Vienna has been to the history of music. It\u2019s obviously famous for Mozart and Schubert, but Beethoven, Brahms and many other towering figures had lived and composed here. As a result, the current musical tradition is still very strong; you can\u2019t walk around a corner without seeing the famous golden Musikverein<\/em> poster advertising a concert, or a similar advertisement for an opera at the Staatsoper<\/em>. Concert-going, I realised early on, is very much both a cultural and societal affair. It\u2019s almost a customary tradition for the Viennese aristocracy to suit up and attend operas and concerts, as if it\u2019s simply a matter of course. This isn\u2019t to say it\u2019s taken for granted, but this is just how life is \u2013 the people are surrounded by this supreme musical wealth. However, for someone outside of this aristocracy, the concerts are still very accessible. Ticket prices can be very reasonable depending on certain factors \u2013 very often I have decided to go to a concert on the day, which is made possible due to standing tickets (3-4 Euros for the opera; 5-6 Euros for the Musikverein<\/em>). It cannot be stressed enough, the joy of knowing that every day there is a world-class concert that I could go to if I felt like it.<\/p>\n

From a personal standpoint, I was very keen to go to the Musikverein<\/em>, as this was the home of my father when he studied and played the violin here (before becoming a composer) in his early 20s. He had a month playing in the Vienna Philharmonic, so it was a must for me to attend a concert as soon as possible. I also had to refresh my memory of the great building, as I came here when I was little to attend the concert of my father\u2019s piano trio, performed by the Altenberg Trio. I am reminded of a photo of me standing on the Brahmsaal<\/em> stage, with the performers at the end of the concert, and naturally it was a very surreal experience for me to be there once again, around 14-15 years later. I have managed to go and hear the superb Altenberg Trio perform twice since being here and it is quite something, hearing wonderful pieces being performed with such a pure beauty. I still get a fuzzy feeling whenever I walk into the Grossersaal<\/em> (or \u2018Golden Hall\u2019), even though by now I must have gone in over twenty times! Its nickname of the \u2018Golden Hall\u2019 is very apt, the clue is in the name \u2013 there is gold everywhere<\/em>.<\/p>\n

Alongside concert life, I have also been taking part in a lot of singing. Initially, it was just with the University Choir. We had a wonderful first semester, singing Frank Martin\u2019s Mass<\/em> with the Symphony Choir, and a range of baroque pieces (Palestrina, Byrd) with the Chamber Choir. The highlight, however, has to be the Beethoven’s\u00a0Ninth\u00a0Symphony<\/em> that we performed with the University Orchestra at the Musikverein<\/em> in September. This was an extraordinary experience! As if I hadn\u2019t been reminded enough, standing on the stage of the Golden Hall it hit me that this is the home of the ground-breaking, incredible piece of music. It was first performed in 1824 here in Vienna, along with so many of Beethoven\u2019s other works. Like with any really great music, regardless of other factors such as the history, it\u2019s very hard to put into words the feelings, emotions and significance of experiencing it \u2013 all I can say is that it was a very special evening for everyone involved, something I will remember forever.<\/p>\n

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Ben (right) with the Cecilian Choir in 2016<\/figcaption><\/figure>\n

Singing in the Symphony choir continues this semester, but the most exciting development since being in Vienna was being invited to sing in a professional choir \u2013 the Philharmonia Chor Wien \u2013 in productions of Verdi\u2019s opera Rigoletto<\/em>\u00a0in an Austrian festival in the summer. Needless to say I was absolutely thrilled by the opportunity, and after already having a week\u2019s rehearsals I am in awe of what the summer promises. The Philharmonia Chor Wien perform regularly at the Salzburg festival and the Baden-Baden festival, and receive engagements from major institutions and orchestras, such as the Berlin Philharmonic and Vienna Philharmonic. I was aware of this before attending my first rehearsal, and indeed I was expecting a high standard, but was still nonetheless taken-aback by the quality of the choir\u2019s sound. As the choir specialises more in operatic music, the sound is different to what I\u2019m used to with more traditional, church choral music. It is different but in a very positive sense; in many ways richer and grander. The eminent chorus master and founder of the choir has very kindly been giving me some lessons, teaching me a real grounding in what is required of an operatic voice. Certainly, my voice has come on a lot in such a short space of time.<\/p>\n

This exploration into operatic music has opened my eyes to an area I never had much experience with previously. My musical upbringing has always been with choral, chamber and orchestral music \u2013 a wide spectrum but one that can only offer insight to a certain extent into opera. My initial impressions are there is definitely a specific charm to opera that isn\u2019t found in, for example, orchestral music. I am still trying to decide whether I am left overall satisfied to the same degree as with orchestral and choral music, but certainly in the Rigoletto<\/em> there is a type of excitement and drama to the music that I haven\u2019t come across before. This is ignoring the fact that acting is required in opera as well (something I\u2019m looking forward to engaging in, albeit slightly nervously). Definitely this is one of the many aspects of life here that I wish to try and understand far more by time I leave in the summer, and what better place to learn than to be able to go to one of (if not the) greatest opera institutions in the world \u2013 the Wiener Staatsoper<\/em> \u2013 every day if I wanted to!<\/p>\n

I could write a small book on the musical life of Vienna, and undoubtedly there is much that I have left out of this short piece. There is so much more to be learnt and experienced throughout this semester, and to enjoy in the summer the numerous Musical festivals Austria puts on show. After my stay here I will have to sit down and try to write out everything that I have seen and experienced \u2013 a difficult task! The irony is that I\u2019m actually here to be studying Law, which has been also very stimulating and of course I have been immersing myself in my studies, but music is my love and passion. When an opportunity to be in a place like this comes around, it has to be grabbed with both hands!<\/p>\n

I just really wanted to share the experiences I have been having, say hello, and express my looking forward to returning to the University\u00a0next year. I trust everyone is well at Kent and wish everyone the best for the rest of the year!<\/p>\n