{"id":7528,"date":"2016-05-20T09:10:40","date_gmt":"2016-05-20T08:10:40","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=7528"},"modified":"2018-05-11T10:18:57","modified_gmt":"2018-05-11T09:18:57","slug":"jumping-pilgrims-flautist-anne-engels-plays-in-an-annual-procession-with-a-difference","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2016\/05\/20\/jumping-pilgrims-flautist-anne-engels-plays-in-an-annual-procession-with-a-difference\/","title":{"rendered":"Jumping pilgrims: flautist Anne Engels plays in an annual procession with a difference"},"content":{"rendered":"<p>Third-year flautist and Music Scholar Anne Engels recently took part in an annual procession back home in Luxembourg with a difference; I asked her to explain what it was all about&#8230;<\/p>\n<p><strong><a href=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/05\/Anne_Engles_procession.jpg\" rel=\"attachment wp-att-7529\"><img loading=\"lazy\" class=\"aligncenter wp-image-7529\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/05\/Anne_Engles_procession-1024x576.jpg\" alt=\"Anne_Engles_procession\" width=\"650\" height=\"366\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/05\/Anne_Engles_procession-1024x576.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/05\/Anne_Engles_procession-150x84.jpg 150w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/05\/Anne_Engles_procession-300x169.jpg 300w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/05\/Anne_Engles_procession.jpg 1334w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><\/a>Anne<\/strong>: &#8220;This photo\u00a0was taken at the <em>Sprangpressessioun<\/em> (dancing procession) in Echternach, in Luxembourg. There&#8217;s an entire history behind the procession. Basically, around\u00a0ten thousand\u00a0pilgrims come to Echternach every year on the Tuesday after Whitmonday to visit the grave of St Willibrord, a monk who originally came from Ireland and set up a monastery in Echternach.\u00a0The monastery now\u00a0functions as a secondary school and college.<\/p>\n<p>&#8220;The procession starts in the schoolyard and goes around the entire city of Echternach. The pilgrims jump or dance to the tune of the dancing procession (a polka), which is being played by a number of different music societies from Luxembourg, Germany and the Netherlands. The procession ends in the crypt of the Basilika, where St Willibrord is buried.<\/p>\n<p>&#8220;As far as I know the jumping is originally believed to be healing or protecting the pilgrims from a specific disease (but I&#8217;m not quite sure about that!). The dancing procession itself was also recognized as Intangible Heritage by\u00a0UNESCO in 2010.&#8221;<\/p>\n<p>You can hear Anne performing (without the dancing, unless you feel so moved) in the Music Scholars&#8217; Lunchtime Recital on Tuesday 7 June, when she will be playing Poulenc and Messiaen; details <strong><a href=\"https:\/\/www.kent.ac.uk\/music\/whatson.html?tab=june\" target=\"_blank\">here<\/a><\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"kent-video-wrapper\"><span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text\/html' width='474' height='297' src='https:\/\/www.youtube.com\/embed\/2Pvm2TFq1O8?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;start=205&#038;wmode=transparent' frameborder='0' allowfullscreen='true'><\/iframe><\/span><\/div>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2016\/05\/20\/jumping-pilgrims-flautist-anne-engels-plays-in-an-annual-procession-with-a-difference\/&amp;t=Jumping pilgrims: flautist Anne Engels plays in an annual procession with a difference' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=Jumping pilgrims: flautist Anne Engels plays in an annual procession with a difference%20https:\/\/blogs.kent.ac.uk\/music-matters\/2016\/05\/20\/jumping-pilgrims-flautist-anne-engels-plays-in-an-annual-procession-with-a-difference\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2016\/05\/20\/jumping-pilgrims-flautist-anne-engels-plays-in-an-annual-procession-with-a-difference\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2016\/05\/20\/jumping-pilgrims-flautist-anne-engels-plays-in-an-annual-procession-with-a-difference\/&amp;title=Jumping pilgrims: flautist Anne Engels plays in an annual procession with a difference' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2016\/05\/20\/jumping-pilgrims-flautist-anne-engels-plays-in-an-annual-procession-with-a-difference\/&amp;title=Jumping pilgrims: flautist Anne Engels plays in an annual procession with a difference' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Third-year flautist and Music Scholar Anne Engels recently took part in an annual procession back home in Luxembourg with a difference; I asked her to explain what it was all about&#8230; Anne: &#8220;This photo\u00a0was taken at the Sprangpressessioun (dancing procession) in Echternach, in Luxembourg. There&#8217;s an entire history behind the procession. Basically, around\u00a0ten thousand\u00a0pilgrims come &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/music-matters\/2016\/05\/20\/jumping-pilgrims-flautist-anne-engels-plays-in-an-annual-procession-with-a-difference\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Jumping pilgrims: flautist Anne Engels plays in an annual procession with a difference<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":7529,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[201464,1110],"tags":[151782,151784,151783,151785],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/7528"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=7528"}],"version-history":[{"count":4,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/7528\/revisions"}],"predecessor-version":[{"id":7549,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/7528\/revisions\/7549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media\/7529"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=7528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=7528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=7528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}