{"id":7451,"date":"2016-04-01T11:38:42","date_gmt":"2016-04-01T10:38:42","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=7451"},"modified":"2016-04-01T12:24:15","modified_gmt":"2016-04-01T11:24:15","slug":"cecilian-choir-and-sinfonia-bring-alive-the-drama-of-vivaldi-and-mozart","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2016\/04\/01\/cecilian-choir-and-sinfonia-bring-alive-the-drama-of-vivaldi-and-mozart\/","title":{"rendered":"Cecilian Choir and Sinfonia bring alive the drama of Vivaldi and Mozart"},"content":{"rendered":"<p>Congratulations to the combined forces of the <strong>University Cecilian Choir and Sinfonia<\/strong>, who yesterday came together in the bright and airy interior of St Peter&#8217;s Methodist Church for an Easter programme of Vivaldi and Mozart.<\/p>\n<p><img loading=\"lazy\" class=\"aligncenter wp-image-7456\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/WP_20160331_003-web-1024x575.jpg\" alt=\"WP_20160331_003 web\" width=\"450\" height=\"253\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/WP_20160331_003-web.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/WP_20160331_003-web-300x168.jpg 300w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/WP_20160331_003-web-768x431.jpg 768w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/p>\n<p>Conducted by Your Loyal Correspondent, the drama of Vivaldi&#8217;s <em>Credo <\/em>and <em>Magnificat<\/em> were matched by the contemplative <em>Ave Verum <\/em>by Mozart, and a deft Vivaldi trio sonata performed by oboists Jonny Butten and Dan Lloyd, with cellist Faith Chan.<\/p>\n<p>An enthusiastic audience greeted the performance with rapturous applause; our thanks to the team at St Peter&#8217;s Methodist for making us welcome, and for the post-concert refreshments which went down a storm with many of the performers afterwards, including our technician, Mike&#8230;<\/p>\n<p><img loading=\"lazy\" class=\"aligncenter wp-image-7452\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0429-web.jpg\" alt=\"IMAG0429 web\" width=\"450\" height=\"253\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0429-web.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0429-web-300x169.jpg 300w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0429-web-768x432.jpg 768w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/> <img loading=\"lazy\" class=\"aligncenter wp-image-7453\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0430-web.jpg\" alt=\"IMAG0430 web\" width=\"450\" height=\"253\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0430-web.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0430-web-300x169.jpg 300w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0430-web-768x432.jpg 768w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/> <img loading=\"lazy\" class=\"aligncenter wp-image-7454\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0431-web-1024x576.jpg\" alt=\"IMAG0431 web\" width=\"450\" height=\"253\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0431-web-1024x576.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0431-web-300x169.jpg 300w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0431-web-768x432.jpg 768w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/> <img loading=\"lazy\" class=\"aligncenter wp-image-7455 size-full\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0433-web.jpg\" alt=\"IMAG0433 web\" width=\"576\" height=\"1024\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0433-web.jpg 576w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/IMAG0433-web-169x300.jpg 169w\" sizes=\"(max-width: 576px) 100vw, 576px\" \/><\/p>\n<p><img loading=\"lazy\" class=\"aligncenter wp-image-7461\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/WP_20160331_011-1024x539.jpg\" alt=\"WP_20160331_011\" width=\"450\" height=\"237\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/WP_20160331_011.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/WP_20160331_011-300x158.jpg 300w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2016\/04\/WP_20160331_011-768x404.jpg 768w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/p>\n<p>The final concert of the term takes place this Sunday, an all-American programme with the <strong>University Chorus and Orchestra<\/strong> and pianist <strong>Helen Crayford<\/strong>, which includes <em>Rhapsody in Blue<\/em>; more details <a href=\"http:\/\/www.kent.ac.uk\/music\/whatson.html?tab=april\" target=\"_blank\">here<\/a>.<\/p>\n<p><strong>Photos: Mike Knott<\/strong><\/p>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2016\/04\/01\/cecilian-choir-and-sinfonia-bring-alive-the-drama-of-vivaldi-and-mozart\/&amp;t=Cecilian Choir and Sinfonia bring alive the drama of Vivaldi and Mozart' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=Cecilian Choir and Sinfonia bring alive the drama of Vivaldi and Mozart%20https:\/\/blogs.kent.ac.uk\/music-matters\/2016\/04\/01\/cecilian-choir-and-sinfonia-bring-alive-the-drama-of-vivaldi-and-mozart\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2016\/04\/01\/cecilian-choir-and-sinfonia-bring-alive-the-drama-of-vivaldi-and-mozart\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2016\/04\/01\/cecilian-choir-and-sinfonia-bring-alive-the-drama-of-vivaldi-and-mozart\/&amp;title=Cecilian Choir and Sinfonia bring alive the drama of Vivaldi and Mozart' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2016\/04\/01\/cecilian-choir-and-sinfonia-bring-alive-the-drama-of-vivaldi-and-mozart\/&amp;title=Cecilian Choir and Sinfonia bring alive the drama of Vivaldi and Mozart' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Congratulations to the combined forces of the University Cecilian Choir and Sinfonia, who yesterday came together in the bright and airy interior of St Peter&#8217;s Methodist Church for an Easter programme of Vivaldi and Mozart. Conducted by Your Loyal Correspondent, the drama of Vivaldi&#8217;s Credo and Magnificat were matched by the contemplative Ave Verum by &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/music-matters\/2016\/04\/01\/cecilian-choir-and-sinfonia-bring-alive-the-drama-of-vivaldi-and-mozart\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Cecilian Choir and Sinfonia bring alive the drama of Vivaldi and Mozart<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":7454,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1111],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/7451"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=7451"}],"version-history":[{"count":7,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/7451\/revisions"}],"predecessor-version":[{"id":7464,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/7451\/revisions\/7464"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media\/7454"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=7451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=7451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=7451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}