{"id":6953,"date":"2015-09-17T14:59:59","date_gmt":"2015-09-17T13:59:59","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=6953"},"modified":"2015-09-17T15:23:37","modified_gmt":"2015-09-17T14:23:37","slug":"hail-and-farewell-sir-david-willcocks","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/09\/17\/hail-and-farewell-sir-david-willcocks\/","title":{"rendered":"Hail and farewell, Sir David Willcocks"},"content":{"rendered":"<p>Sad to note today the passing of Sir David Willcocks, former Director of Music at King&#8217;s College, Cambridge and the Royal College of Music, conductor of the Bach Choir, organist, conductor, composer and best-known as editor, along with John Rutter,\u00a0of the popular anthology, <em>Carols for Choirs<\/em>.<\/p>\n<p><img loading=\"lazy\" class=\"alignright wp-image-6954\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2015\/09\/Carols_for_Choirs-203x300.jpg\" alt=\"Carols_for_Choirs\" width=\"130\" height=\"192\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2015\/09\/Carols_for_Choirs-203x300.jpg 203w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2015\/09\/Carols_for_Choirs.jpg 337w\" sizes=\"(max-width: 130px) 100vw, 130px\" \/>It&#8217;s no understatement to say that <em>Carols for Choirs<\/em>\u00a0has become\u00a0as much a part of tradition at Christmas as\u00a0the decorated tree\u00a0and tinsel; for many, Christmas simply isn&#8217;t Christmas without that\u00a0opening solo\u00a0verse of <em>Once in Royal David&#8217;s City<\/em> lifting clear into the vaulted roof, the wonderful intimacy of\u00a0his arrangements of\u00a0<em>Away in a Manger<\/em>\u00a0and<em>\u00a0Silent Night,<\/em>\u00a0or robust settings of <em>The Twelve Days of Christmas<\/em> or <em>I Saw Three Ships<\/em>. The first volume in the series was published in the 1960s, and the <em>100 Carols for Choirs<\/em>\u00a0 published in 1987 is the go-to carol collection for most choirs. A chorister&#8217;s Christmas begins around mid-autumn with that first cracking open of the anthology; the collection ranges from arrangements of popular carols together with lesser-known pieces, and has become the staple of choirs the world over, both amateur and professional. And if you&#8217;ve learned a carol descant, chances are it&#8217;s one from the book. Arguments about whether, between them, Willcocks and Rutter combined to save the tradition of choral Christmas carol-singing will no doubt continue, but it&#8217;s certainly fair to say that they provided an accessible, richly-rewarding and enduringly popular collection that has contributed much to keeping carol-singing alive and in rude health well into the twenty-first century.<\/p>\n<p><img loading=\"lazy\" class=\"alignright wp-image-6955\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2015\/09\/Willcocks.jpg\" alt=\"Willcocks\" width=\"120\" height=\"168\" \/>Hail and farewell, Sir David, who leaves behind an enduring legacy at the heart of music-making at Christmas.<\/p>\n<div class=\"kent-video-wrapper\"><span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text\/html' width='474' height='297' src='https:\/\/www.youtube.com\/embed\/fbCApoUREZw?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0' allowfullscreen='true'><\/iframe><\/span><\/div>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/09\/17\/hail-and-farewell-sir-david-willcocks\/&amp;t=Hail and farewell, Sir David Willcocks' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=Hail and farewell, Sir David Willcocks%20https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/09\/17\/hail-and-farewell-sir-david-willcocks\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/09\/17\/hail-and-farewell-sir-david-willcocks\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/09\/17\/hail-and-farewell-sir-david-willcocks\/&amp;title=Hail and farewell, Sir David Willcocks' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/09\/17\/hail-and-farewell-sir-david-willcocks\/&amp;title=Hail and farewell, Sir David Willcocks' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Sad to note today the passing of Sir David Willcocks, former Director of Music at King&#8217;s College, Cambridge and the Royal College of Music, conductor of the Bach Choir, organist, conductor, composer and best-known as editor, along with John Rutter,\u00a0of the popular anthology, Carols for Choirs. It&#8217;s no understatement to say that Carols for Choirs\u00a0has &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/09\/17\/hail-and-farewell-sir-david-willcocks\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Hail and farewell, Sir David Willcocks<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[908],"tags":[1451,15506,15508,139514],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/6953"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=6953"}],"version-history":[{"count":9,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/6953\/revisions"}],"predecessor-version":[{"id":6964,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/6953\/revisions\/6964"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=6953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=6953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=6953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}