{"id":6930,"date":"2015-09-08T15:08:14","date_gmt":"2015-09-08T14:08:14","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=6930"},"modified":"2015-09-08T15:13:18","modified_gmt":"2015-09-08T14:13:18","slug":"bach-solo-partita-in-d-minor-alina-ibragimova-at-the-2015-proms","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/09\/08\/bach-solo-partita-in-d-minor-alina-ibragimova-at-the-2015-proms\/","title":{"rendered":"Bach solo Partita in D minor: Alina Ibragimova at the 2015 Proms"},"content":{"rendered":"<p>This was quite extraordinary; transcending time and space, intimate music speaking on a global scale, part of a complete survey of the Bach solo Partitas over the course of two concerts at this year&#8217;s BBC Proms.\u00a0Lithe, effortless music, played with breath-taking skill, total commitment and a profound\u00a0connection to the piece by Alina Ibragimova, Bach draws the outline of humanity in filigree violin arabesques; reaching beyond the intimate nature of the solo instrument to touch every listener.<\/p>\n<div class=\"kent-video-wrapper\"><span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text\/html' width='474' height='297' src='https:\/\/www.youtube.com\/embed\/88sE-f-2BE0?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0' allowfullscreen='true'><\/iframe><\/span><\/div>\n<p>I shamelessly admit to weeping openly during the performance of the D minor Partita\u00a0when it was broadcast on BBC4 recently; be careful, you might too&#8230;<\/p>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/09\/08\/bach-solo-partita-in-d-minor-alina-ibragimova-at-the-2015-proms\/&amp;t=Bach solo Partita in D minor: Alina Ibragimova at the 2015 Proms' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=Bach solo Partita in D minor: Alina Ibragimova at the 2015 Proms%20https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/09\/08\/bach-solo-partita-in-d-minor-alina-ibragimova-at-the-2015-proms\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/09\/08\/bach-solo-partita-in-d-minor-alina-ibragimova-at-the-2015-proms\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/09\/08\/bach-solo-partita-in-d-minor-alina-ibragimova-at-the-2015-proms\/&amp;title=Bach solo Partita in D minor: Alina Ibragimova at the 2015 Proms' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/09\/08\/bach-solo-partita-in-d-minor-alina-ibragimova-at-the-2015-proms\/&amp;title=Bach solo Partita in D minor: Alina Ibragimova at the 2015 Proms' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>This was quite extraordinary; transcending time and space, intimate music speaking on a global scale, part of a complete survey of the Bach solo Partitas over the course of two concerts at this year&#8217;s BBC Proms.\u00a0Lithe, effortless music, played with breath-taking skill, total commitment and a profound\u00a0connection to the piece by Alina Ibragimova, Bach draws &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/09\/08\/bach-solo-partita-in-d-minor-alina-ibragimova-at-the-2015-proms\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Bach solo Partita in D minor: Alina Ibragimova at the 2015 Proms<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[909],"tags":[139508,1354,1094,139506,139507],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/6930"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=6930"}],"version-history":[{"count":7,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/6930\/revisions"}],"predecessor-version":[{"id":6937,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/6930\/revisions\/6937"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=6930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=6930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=6930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}