<\/a>\n\t\t\t<\/div><\/figure><\/a>\n\t\t\t<\/div><\/figure><\/a>\n\t\t\t<\/div><\/figure><\/a>\n\t\t\t<\/div><\/figure><\/a>\n\t\t\t<\/div><\/figure><\/a>\n\t\t\t<\/div><\/figure><\/a>\n\t\t\t<\/div><\/figure><\/a>\n\t\t\t<\/div><\/figure><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\nElsewhere, Gluck’s Orpheus lamented the passing of Euridice in the rich, warm voice of first-year Ruth Webster<\/strong>; Handel’s Bel Piacere<\/em> had a joyous conviviality in the hands of third-year Philippa Hardimann<\/strong>; final-year Kathryn Cox<\/strong> soared to the heights with Rusalka’s Song to the Moon<\/em>; there was a lyrical reading of Mozart’s Deh vieni<\/em> by third-year Rowena Murrell;\u00a0<\/strong>and second-year Charley Tench<\/strong> gave an affecting, intimate performance of Dido’s Lament<\/em>.<\/p>\nOur thanks to Katie McGown and the team at Studio 3 for the invitation to continue the #EarBox series of collaborative events, of which there will be more. Meanwhile, the singers are back on Monday 8 June<\/strong>, the second day of our Summer Music Week<\/strong>, in Colyer-Fergusson Hall; find out more here<\/strong><\/a>.<\/p>\n
![\u00a0<\/a><\/p>\n<\/i><\/a><\/li><\/i><\/a><\/li><\/i><\/a><\/li><\/i><\/a><\/li><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"Jarman’s Studio 3 Gallery rang to the tempestuous world of love and loss at the opera at lunchtime today, as several of the Music Scholars presented a selection of operatic arias to an enthralled audience. Against the backdrop of the current exhibition, Beautifully Obscene: a history of the Erotic Print, several of the singing Scholars … Continue reading Love at Studio 3: Music Scholars arias recital<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":6686,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1111],"tags":[139414,139476,927,84081],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/6682"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=6682"}],"version-history":[{"count":7,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/6682\/revisions"}],"predecessor-version":[{"id":6718,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/6682\/revisions\/6718"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media\/6686"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=6682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=6682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=6682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2015\/01\/Studio3.jpg\"){kind=link}