{"id":6300,"date":"2015-02-18T15:53:22","date_gmt":"2015-02-18T14:53:22","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=6300"},"modified":"2015-02-18T15:53:22","modified_gmt":"2015-02-18T14:53:22","slug":"glassworks-earbox-returns-to-studio-3-gallery","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/02\/18\/glassworks-earbox-returns-to-studio-3-gallery\/","title":{"rendered":"GlassWorks: #EarBox returns to Studio 3 Gallery"},"content":{"rendered":"<p>The second event in the new <a title=\"#EarBox: new collaborative project launching with Studio 3 Gallery\" href=\"http:\/\/blogs.kent.ac.uk\/music-matters\/2015\/01\/22\/earbox-new-collaborative-project-launching-with-studio-3-gallery\/\">#EarBox series<\/a> takes place next week, on\u00a0<strong>Thursday 26 February\u00a0<\/strong>at<strong> 4pm;\u00a0<\/strong><em>GlassWorks<\/em> is an exploration of piano music by Philip Glass amidst the current Studio 3 exhibition, <em>Palindrome, <\/em>performed by Daniel Harding.<\/p>\n<p>As usual, visitors can travel around the gallery exploring the artwork, or simply sit and listen to the performance &#8211; or do both. The recital programme will include two of Glass&#8217; <em>Etudes,<\/em> and sections from his soundtracks to <em>The Truman Show<\/em> and\u00a0the BAFTA award-wining film, <em>The Hours. <\/em><\/p>\n<p><em><a href=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2015\/02\/WP_20150210_12_50_38_Pro.jpg\"><img loading=\"lazy\" class=\"aligncenter wp-image-6319\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2015\/02\/WP_20150210_12_50_38_Pro-1024x575.jpg\" alt=\"WP_20150210_12_50_38_Pro\" width=\"401\" height=\"225\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2015\/02\/WP_20150210_12_50_38_Pro-1024x575.jpg 1024w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2015\/02\/WP_20150210_12_50_38_Pro-300x168.jpg 300w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2015\/02\/WP_20150210_12_50_38_Pro-900x505.jpg 900w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2015\/02\/WP_20150210_12_50_38_Pro.jpg 1632w\" sizes=\"(max-width: 401px) 100vw, 401px\" \/><\/a>GlassWorks<\/em>\u00a0opens an evening in which\u00a0artists Brian Rice and Richard Rome (featured in the exhibition)\u00a0will be in conversation with\u00a0curator,\u00a0writer and expert on British art, Ian Massey: details <a href=\"https:\/\/www.eventbrite.co.uk\/e\/palindrome-qa-with-ian-massey-brian-rice-and-richard-rome-tickets-15651255326\" target=\"_blank\">here<\/a>.<\/p>\n<p>Admission is free.<\/p>\n<div class=\"kent-video-wrapper\"><span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text\/html' width='474' height='297' src='https:\/\/www.youtube.com\/embed\/yH7_-N6y9CU?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0' allowfullscreen='true'><\/iframe><\/span><\/div>\n<p><img loading=\"lazy\" class=\" size-full wp-image-6256 aligncenter\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2015\/01\/Studio3.jpg\" alt=\"Studio3\" width=\"296\" height=\"147\" \/><\/p>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/02\/18\/glassworks-earbox-returns-to-studio-3-gallery\/&amp;t=GlassWorks: #EarBox returns to Studio 3 Gallery' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=GlassWorks: #EarBox returns to Studio 3 Gallery%20https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/02\/18\/glassworks-earbox-returns-to-studio-3-gallery\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/02\/18\/glassworks-earbox-returns-to-studio-3-gallery\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/02\/18\/glassworks-earbox-returns-to-studio-3-gallery\/&amp;title=GlassWorks: #EarBox returns to Studio 3 Gallery' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/02\/18\/glassworks-earbox-returns-to-studio-3-gallery\/&amp;title=GlassWorks: #EarBox returns to Studio 3 Gallery' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>The second event in the new #EarBox series takes place next week, on\u00a0Thursday 26 February\u00a0at 4pm;\u00a0GlassWorks is an exploration of piano music by Philip Glass amidst the current Studio 3 exhibition, Palindrome, performed by Daniel Harding. As usual, visitors can travel around the gallery exploring the artwork, or simply sit and listen to the performance &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/music-matters\/2015\/02\/18\/glassworks-earbox-returns-to-studio-3-gallery\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">GlassWorks: #EarBox returns to Studio 3 Gallery<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":6319,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1110],"tags":[139414,1371,84081],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/6300"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=6300"}],"version-history":[{"count":25,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/6300\/revisions"}],"predecessor-version":[{"id":6328,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/6300\/revisions\/6328"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media\/6319"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=6300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=6300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=6300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}