{"id":4726,"date":"2013-01-17T15:19:15","date_gmt":"2013-01-17T14:19:15","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=4726"},"modified":"2013-01-18T12:14:01","modified_gmt":"2013-01-18T11:14:01","slug":"singing-masterclass-antonio-pappano","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2013\/01\/17\/singing-masterclass-antonio-pappano\/","title":{"rendered":"Singing masterclass: Antonio Pappano"},"content":{"rendered":"<p>Via <a title=\"View link\" href=\"http:\/\/www.guardian.co.uk\/music\/video\/2013\/jan\/11\/royal-opera-live-pappano-masterclass-video\" target=\"_blank\"><em>The Guardian<\/em>, <strong>here&#8217;s<\/strong><\/a> conductor Antonio Pappano giving a masterclass on a Verdi aria: a short lesson in the importance of singing consonants in Italian, the continuity of line, and pacing dynamic change; filmed as part of a behind-the-scenes day in the life of Covent Garden.<\/p>\n<p>Fascinating for singers and conductors alike.<\/p>\n<div class=\"kent-video-wrapper\"><span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text\/html' width='474' height='297' src='https:\/\/www.youtube.com\/embed\/Sir90_LMSgk?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0' allowfullscreen='true'><\/iframe><\/span><\/div>\n<p>&nbsp;<\/p>\n<p><!-- End of guardian embedded video --><\/p>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2013\/01\/17\/singing-masterclass-antonio-pappano\/&amp;t=Singing masterclass: Antonio Pappano' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=Singing masterclass: Antonio Pappano%20https:\/\/blogs.kent.ac.uk\/music-matters\/2013\/01\/17\/singing-masterclass-antonio-pappano\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2013\/01\/17\/singing-masterclass-antonio-pappano\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2013\/01\/17\/singing-masterclass-antonio-pappano\/&amp;title=Singing masterclass: Antonio Pappano' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2013\/01\/17\/singing-masterclass-antonio-pappano\/&amp;title=Singing masterclass: Antonio Pappano' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Via The Guardian, here&#8217;s conductor Antonio Pappano giving a masterclass on a Verdi aria: a short lesson in the importance of singing consonants in Italian, the continuity of line, and pacing dynamic change; filmed as part of a behind-the-scenes day in the life of Covent Garden. Fascinating for singers and conductors alike. &nbsp;<\/p>\n","protected":false},"author":620,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1111,1110,909],"tags":[26810,26809],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/4726"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=4726"}],"version-history":[{"count":13,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/4726\/revisions"}],"predecessor-version":[{"id":4752,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/4726\/revisions\/4752"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=4726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=4726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=4726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}