{"id":3696,"date":"2012-02-28T11:04:08","date_gmt":"2012-02-28T10:04:08","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=3696"},"modified":"2012-02-28T11:04:08","modified_gmt":"2012-02-28T10:04:08","slug":"on-a-haydn-to-nothing-with-the-cellos","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2012\/02\/28\/on-a-haydn-to-nothing-with-the-cellos\/","title":{"rendered":"On a Haydn to nothing with the cellos ?"},"content":{"rendered":"<p>As the cellists know, it&#8217;s green-light for this weekend&#8217;s all-day rehearsal on Haydn&#8217;s <em>The Creation<\/em>\u00a0 with the Choir and Orchestra ahead of the Cathedral Concert a week on Saturday.<\/p>\n<figure id=\"attachment_3697\" aria-describedby=\"caption-attachment-3697\" style=\"width: 141px\" class=\"wp-caption alignright\"><img loading=\"lazy\" class=\" wp-image-3697\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2012\/02\/cello_traffic.jpg\" alt=\"\" width=\"141\" height=\"230\" srcset=\"https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2012\/02\/cello_traffic.jpg 391w, https:\/\/blogs.kent.ac.uk\/music-matters\/files\/2012\/02\/cello_traffic-183x300.jpg 183w\" sizes=\"(max-width: 141px) 100vw, 141px\" \/><figcaption id=\"caption-attachment-3697\" class=\"wp-caption-text\">No strings attached<\/figcaption><\/figure>\n<p>Sunday will see the combined forces gather in Eliot Hall to rehearse together for the first time, in preparation for the concert; next week sees a particularly busy time for the University&#8217;s musicians, with rehearsals on Monday, Thursday and Friday; not to mention the rehearsal in the Cathedral itself on the morning of the day.<\/p>\n<p>Details of the concert on our online diary <a title=\"View event details\" href=\"http:\/\/www.kent.ac.uk\/music\/whatson.html?tab=march\" target=\"_blank\">here<\/a>. It should prove to be a memorable occasion&#8230;<\/p>\n<p>&nbsp;<\/p>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2012\/02\/28\/on-a-haydn-to-nothing-with-the-cellos\/&amp;t=On a Haydn to nothing with the cellos ?' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=On a Haydn to nothing with the cellos ?%20https:\/\/blogs.kent.ac.uk\/music-matters\/2012\/02\/28\/on-a-haydn-to-nothing-with-the-cellos\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2012\/02\/28\/on-a-haydn-to-nothing-with-the-cellos\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2012\/02\/28\/on-a-haydn-to-nothing-with-the-cellos\/&amp;title=On a Haydn to nothing with the cellos ?' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2012\/02\/28\/on-a-haydn-to-nothing-with-the-cellos\/&amp;title=On a Haydn to nothing with the cellos ?' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>As the cellists know, it&#8217;s green-light for this weekend&#8217;s all-day rehearsal on Haydn&#8217;s The Creation\u00a0 with the Choir and Orchestra ahead of the Cathedral Concert a week on Saturday. Sunday will see the combined forces gather in Eliot Hall to rehearse together for the first time, in preparation for the concert; next week sees a &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/music-matters\/2012\/02\/28\/on-a-haydn-to-nothing-with-the-cellos\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">On a Haydn to nothing with the cellos ?<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":3697,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1110],"tags":[950,913,14532,914],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/3696"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=3696"}],"version-history":[{"count":6,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/3696\/revisions"}],"predecessor-version":[{"id":3703,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/3696\/revisions\/3703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media\/3697"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=3696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=3696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=3696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}