{"id":3450,"date":"2011-12-09T14:03:06","date_gmt":"2011-12-09T13:03:06","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=3450"},"modified":"2011-12-09T14:03:06","modified_gmt":"2011-12-09T13:03:06","slug":"music-from-england-and-russia-chorus-and-orchestra-concert","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2011\/12\/09\/music-from-england-and-russia-chorus-and-orchestra-concert\/","title":{"rendered":"Music from England and Russia: Chorus and Orchestra concert"},"content":{"rendered":"<p>Tomorrow&#8217;s concert sees the Symphony Orchestra and Chorus showcasing twentieth-century music from England and Russia: Parry&#8217;s enduringly-popular <em>I Was Glad<\/em>, a rare chance to hear Finzi&#8217;s <em>For St Cecilia<\/em>, Lyadov&#8217;s <em>The Enchanted Lake<\/em>, and the programme comes to a triumphant conclusion with Mussorgsky&#8217;s mighty <em>Pictures at an Exhibition<\/em>.<\/p>\n<p><img loading=\"lazy\" class=\"alignright\" src=\"http:\/\/www.kent.ac.uk\/music\/images\/whats_on\/Autumn%202011\/kiev_web.jpg\" alt=\"Poster image\" width=\"135\" height=\"160\" \/>The concert begins at 7.30pm in Eliot Hall: further details and ticket-bookings<a title=\"Visit weblink\" href=\"http:\/\/www.kent.ac.uk\/music\/whatson.html?tab=december\" target=\"_blank\"><strong> on-line here<\/strong><\/a>.<\/p>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2011\/12\/09\/music-from-england-and-russia-chorus-and-orchestra-concert\/&amp;t=Music from England and Russia: Chorus and Orchestra concert' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=Music from England and Russia: Chorus and Orchestra concert%20https:\/\/blogs.kent.ac.uk\/music-matters\/2011\/12\/09\/music-from-england-and-russia-chorus-and-orchestra-concert\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2011\/12\/09\/music-from-england-and-russia-chorus-and-orchestra-concert\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2011\/12\/09\/music-from-england-and-russia-chorus-and-orchestra-concert\/&amp;title=Music from England and Russia: Chorus and Orchestra concert' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2011\/12\/09\/music-from-england-and-russia-chorus-and-orchestra-concert\/&amp;title=Music from England and Russia: Chorus and Orchestra concert' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Tomorrow&#8217;s concert sees the Symphony Orchestra and Chorus showcasing twentieth-century music from England and Russia: Parry&#8217;s enduringly-popular I Was Glad, a rare chance to hear Finzi&#8217;s For St Cecilia, Lyadov&#8217;s The Enchanted Lake, and the programme comes to a triumphant conclusion with Mussorgsky&#8217;s mighty Pictures at an Exhibition. The concert begins at 7.30pm in Eliot &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/music-matters\/2011\/12\/09\/music-from-england-and-russia-chorus-and-orchestra-concert\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Music from England and Russia: Chorus and Orchestra concert<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[909],"tags":[913,5378,14503,12261,914,14502],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/3450"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=3450"}],"version-history":[{"count":3,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/3450\/revisions"}],"predecessor-version":[{"id":3453,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/3450\/revisions\/3453"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=3450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=3450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=3450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}