{"id":2307,"date":"2010-11-15T09:00:25","date_gmt":"2010-11-15T08:00:25","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=2307"},"modified":"2010-11-15T12:32:39","modified_gmt":"2010-11-15T11:32:39","slug":"all-aboard-for-the-huddersfield-contemporary-music-festival","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2010\/11\/15\/all-aboard-for-the-huddersfield-contemporary-music-festival\/","title":{"rendered":"All aboard for the Huddersfield Contemporary Music Festival"},"content":{"rendered":"<p>The train of thought now departing is\u00a0reflecting with great excitement\u00a0on the <a href=\"http:\/\/hcmf.co.uk\/\" target=\"_blank\">details for the forthcoming Huddersfield Contemporary Music Festival<\/a>, which starts on Friday.<\/p>\n<p>Themes this year include John Cage, music by Composer in Residence Rebecca Saunders, and a masterclass with, and a <a href=\"http:\/\/hcmf.co.uk\/event\/show\/160\" target=\"_blank\">premiere by, Howard Skempton<\/a>!<\/p>\n<p>You can see the<a href=\"http:\/\/hcmf.co.uk\/calendar\/year\/2010\/4\" target=\"_blank\"> full programme on-line here<\/a>.<\/p>\n<p>Radio 3 usually broadcast from the festival: I&#8217;m lining up iPlayer for it.<\/p>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2010\/11\/15\/all-aboard-for-the-huddersfield-contemporary-music-festival\/&amp;t=All aboard for the Huddersfield Contemporary Music Festival' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=All aboard for the Huddersfield Contemporary Music Festival%20https:\/\/blogs.kent.ac.uk\/music-matters\/2010\/11\/15\/all-aboard-for-the-huddersfield-contemporary-music-festival\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2010\/11\/15\/all-aboard-for-the-huddersfield-contemporary-music-festival\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2010\/11\/15\/all-aboard-for-the-huddersfield-contemporary-music-festival\/&amp;title=All aboard for the Huddersfield Contemporary Music Festival' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2010\/11\/15\/all-aboard-for-the-huddersfield-contemporary-music-festival\/&amp;title=All aboard for the Huddersfield Contemporary Music Festival' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>The train of thought now departing is\u00a0reflecting with great excitement\u00a0on the details for the forthcoming Huddersfield Contemporary Music Festival, which starts on Friday. Themes this year include John Cage, music by Composer in Residence Rebecca Saunders, and a masterclass with, and a premiere by, Howard Skempton! You can see the full programme on-line here. Radio &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/music-matters\/2010\/11\/15\/all-aboard-for-the-huddersfield-contemporary-music-festival\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">All aboard for the Huddersfield Contemporary Music Festival<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1110],"tags":[1467],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/2307"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=2307"}],"version-history":[{"count":8,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/2307\/revisions"}],"predecessor-version":[{"id":2332,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/2307\/revisions\/2332"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=2307"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=2307"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=2307"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}