{"id":2002,"date":"2010-09-29T20:28:52","date_gmt":"2010-09-29T19:28:52","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=2002"},"modified":"2010-09-29T20:41:15","modified_gmt":"2010-09-29T19:41:15","slug":"neglected-masterpieces-manu-katches-neighbourhood","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2010\/09\/29\/neglected-masterpieces-manu-katches-neighbourhood\/","title":{"rendered":"Neglected Masterpieces: Manu Katche&#8217;s &#8216;Neighbourhood&#8217;"},"content":{"rendered":"<p>Very few albums, in my opinion, match <em>Kind of Blue<\/em>, Miles Davis&#8217; legendary 1959 recording. But I think I have finally found one.<\/p>\n<p><img loading=\"lazy\" class=\"alignright size-full wp-image-1984\" style=\"margin-left: 5px;margin-right: 5px;border: silver 5px solid\" title=\"katche\" src=\"http:\/\/blogs.kent.ac.uk\/music-matters\/files\/2010\/09\/katche.jpg\" alt=\"Album cover\" width=\"128\" height=\"128\" \/>Drummer-turned-leader Manu Katch\u00e9&#8217;s <em>Neighbourhood<\/em> displays a quite awe-inspiring line-up of jazz legends (a factor so significant that the album cover is simply a list of players on the recording, which shows you the stature afforded the musicians);\u00a0trumpeter Tomasz Stanko,\u00a0saxophonist Jan Garbarek, with pianist Marcin Wasilewski and\u00a0bassist Slawomir Kurkiewicz from Stanko&#8217;s own quartet,\u00a0not to mention Katch\u00e9 himself.<\/p>\n<p>Katch\u00e9 is a masterful and versatile dummer, having played alongside pop icons Peter Gabriel and Sting as well as being a colossus amonst jazz drummers &#8211; previous credits include Garbarek&#8217;s <em>I Took Up The Runes, <\/em>also for ECM. <em>Neighbourhood<\/em> is his debut recording as leader for the label, and has something of the timeless quality that made <em>Kind of Blue<\/em> so special: delicate, sparse textures that allow the music room to breathe, colourful harmonies that are leisurely in their exploration of the potential of modality and the twelve-bar blues.\u00a0 The indebtedness to Davis&#8217;s album is perhaps most obvious on\u00a0<em>Miles Away<\/em>\u00a0which employs a similar bass-line and 6\/8 rhythmic feel to <em>All Blues.<\/em><\/p>\n<p>Here&#8217;s a video for &#8216;Number One&#8217; from the album:<\/p>\n<div class=\"kent-video-wrapper\"><span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text\/html' width='474' height='297' src='https:\/\/www.youtube.com\/embed\/L-UXOkpUSqU?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0' allowfullscreen='true'><\/iframe><\/span><\/div>\n<p>There&#8217;s a simplicity about the music on the album that speaks of great profundity; as the leader and the drummer, Katch\u00e9 is completely alive to every nuance offered\u00a0by Wasilewski&#8217;s delicate artistry, Garbarek&#8217;s plangent melodic lines and Stanko&#8217;s lyricism. There&#8217;s a relaxed funkiness to &#8216;Take Off And Land&#8217;\u00a0that still manages to generate a\u00a0compelling rhythmic drive.\u00a0<\/p>\n<p>Not many albums can stand next to <em>Kind of Blue<\/em>: but this one, perhaps, just might.<\/p>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2010\/09\/29\/neglected-masterpieces-manu-katches-neighbourhood\/&amp;t=Neglected Masterpieces: Manu Katche's 'Neighbourhood'' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=Neglected Masterpieces: Manu Katche's 'Neighbourhood'%20https:\/\/blogs.kent.ac.uk\/music-matters\/2010\/09\/29\/neglected-masterpieces-manu-katches-neighbourhood\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2010\/09\/29\/neglected-masterpieces-manu-katches-neighbourhood\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2010\/09\/29\/neglected-masterpieces-manu-katches-neighbourhood\/&amp;title=Neglected Masterpieces: Manu Katche's 'Neighbourhood'' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2010\/09\/29\/neglected-masterpieces-manu-katches-neighbourhood\/&amp;title=Neglected Masterpieces: Manu Katche's 'Neighbourhood'' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Very few albums, in my opinion, match Kind of Blue, Miles Davis&#8217; legendary 1959 recording. But I think I have finally found one. Drummer-turned-leader Manu Katch\u00e9&#8217;s Neighbourhood displays a quite awe-inspiring line-up of jazz legends (a factor so significant that the album cover is simply a list of players on the recording, which shows you &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/music-matters\/2010\/09\/29\/neglected-masterpieces-manu-katches-neighbourhood\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Neglected Masterpieces: Manu Katche&#8217;s &#8216;Neighbourhood&#8217;<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[936,909],"tags":[934],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/2002"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=2002"}],"version-history":[{"count":9,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/2002\/revisions"}],"predecessor-version":[{"id":2087,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/2002\/revisions\/2087"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=2002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=2002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=2002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}