{"id":11680,"date":"2024-12-10T12:54:03","date_gmt":"2024-12-10T12:54:03","guid":{"rendered":"https:\/\/blogs.kent.ac.uk\/music-matters\/?p=11680"},"modified":"2024-12-16T11:21:28","modified_gmt":"2024-12-16T11:21:28","slug":"winter-nights-weekend-premiere","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2024\/12\/10\/winter-nights-weekend-premiere\/","title":{"rendered":"Winter Nights weekend premiere"},"content":{"rendered":"

It’s always both exciting and a little bit daunting, taking on a contemporary piece of music to give the UK premiere – and even more so when the composer herself is in the audience!<\/p>\n

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Stephanie Martin attending the afternoon rehearsal<\/figcaption><\/figure>\n
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Stephanie Martin<\/figcaption><\/figure>\n

Last weekend saw the Music department’s combination of concerts, ‘Winter Journeys, Winter Nights<\/strong>‘ featuring the String Sinfonia, Concert Band, Chorus, Orchestra, Cecilian Choir and Flute Choir coming together over two nights to perform seasonal works, the centrepiece of which was a marvellously colourful seasonal cantata, Winter Nights<\/em>, by the Canadian composer, Stephanie Martin.<\/strong><\/a> This five-movement work sets a variety of poems focusing on different aspects of the winter season, from the anonymous ‘Cold is the night when when stars shine bright,’\u00a0 through the fierce drama of ‘Loud rings the frozen earth’ by James Thompson, to the wonder and mystery of Cori Martin’s ‘Could it be true \/ Old Thomas Hardy’s tale,’ all culminating in Thomas Campion’s ‘Now winter nights enlarge.’<\/p>\n

The piece distils a variety of colours, textures and vivid images from the cast of voices, strings and percussion, reflecting the manifold aspects of the season, and the whole cantata captures the full range of the season\u2019s contrasts – its warmth, magic, wonder, jollity, bitterness, wildness, and revelry \u2013 bringing the different scenes to vivid life with a vibrant energy.<\/p>\n

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Stephanie talking with choir and orchestra<\/figcaption><\/figure>\n

We were delighted to welcome Stephanie to the afternoon rehearsal – always a slightly scary moment, the first time performing a piece in front of the composer – and then to the evening performance. With warmth and generosity, Stephanie talked with the performers in the afternoon about the piece, including the three students singing the solo trio heralding the arrival of Winter; and she received a hugely enthusiastic round of applause following the performance later that evening.<\/p>\n

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\"\"Congratulations to all the performers involved across the entire weekend, and our thanks in particular to Stephanie for taking the time to stop over in Canterbury on her flight from Europe to Canada, to come to Colyer-Fergusson and be part of the event.<\/p>\n

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Enthusiastic applause greets the composer after the performance<\/figcaption><\/figure>\n

Here is the performance in full, filmed and used with kind permission from Stephanie Martin.<\/p>\n