{"id":10893,"date":"2022-03-09T16:00:53","date_gmt":"2022-03-09T16:00:53","guid":{"rendered":"https:\/\/blogs.kent.ac.uk\/music-matters\/?p=10893"},"modified":"2022-03-10T11:42:11","modified_gmt":"2022-03-10T11:42:11","slug":"in-pictures-music-scholars-masterclass-with-london-conchord-ensemble","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2022\/03\/09\/in-pictures-music-scholars-masterclass-with-london-conchord-ensemble\/","title":{"rendered":"In pictures: Music Scholars’ masterclass with London Conchord Ensemble"},"content":{"rendered":"

It’s never easy to take part in an instrumental masterclass; it’s like having a very public lesson, with someone you’ve only just met, who’s asking you to produce instant results in the way you play.<\/p>\n

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So it’s many congratulations to flautists Rena Ward, Yuyu Hosokawa<\/strong> and Kiran Dehal<\/strong>, and pianists Will Morgan<\/strong> and Hana Fairuzamira<\/strong>, on this afternoon’s masterclass with members of London Conchord Ensemble, working on the three movements of the Poulenc Flute Sonata. The session followed on from the ensemble’s Lunchtime Concert, and was a great opportunity for some of this year’s Music Performance Scholars and Music Award Holders to work on Poulenc’s challenging work.<\/p>\n

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