{"id":10574,"date":"2021-05-11T16:06:50","date_gmt":"2021-05-11T15:06:50","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=10574"},"modified":"2021-05-21T11:22:20","modified_gmt":"2021-05-21T10:22:20","slug":"time-to-tango-odilia-by-maria-lluisa-ponsa-in-minervan-miniatures-series","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/11\/time-to-tango-odilia-by-maria-lluisa-ponsa-in-minervan-miniatures-series\/","title":{"rendered":"Time to tango: &#8216;Odilia&#8217; by Maria Lluisa Ponsa in Minervan Miniatures series"},"content":{"rendered":"<p>It&#8217;s time to don your dancing-shoes for today&#8217;s episode of\u00a0<em>Minervan Miniatures,\u00a0<\/em>our series dedicated to exploring forgotten piano repertoire by women composers: &#8216;Odilia&#8217; (tango) from &#8216;Mis peque\u00f1os amigos&#8217; by <strong>Maria Lluisa Ponsa<\/strong> (1879-1919)<strong>, <\/strong>published around 1918.<\/p>\n<div class=\"kent-video-wrapper\"><span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text\/html' width='474' height='297' src='https:\/\/www.youtube.com\/embed\/wi-e2Ec-xm8?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0' allowfullscreen='true'><\/iframe><\/span><\/div>\n<p>Watch the unfolding series in the Playlist <a href=\"https:\/\/youtube.com\/playlist?list=PL_WtmFSyEybPDsZafunugiA6wkFeoTOuC\"><strong>here<\/strong><\/a>.<\/p>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/11\/time-to-tango-odilia-by-maria-lluisa-ponsa-in-minervan-miniatures-series\/&amp;t=Time to tango: 'Odilia' by Maria Lluisa Ponsa in Minervan Miniatures series' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=Time to tango: 'Odilia' by Maria Lluisa Ponsa in Minervan Miniatures series%20https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/11\/time-to-tango-odilia-by-maria-lluisa-ponsa-in-minervan-miniatures-series\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/11\/time-to-tango-odilia-by-maria-lluisa-ponsa-in-minervan-miniatures-series\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/11\/time-to-tango-odilia-by-maria-lluisa-ponsa-in-minervan-miniatures-series\/&amp;title=Time to tango: 'Odilia' by Maria Lluisa Ponsa in Minervan Miniatures series' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/11\/time-to-tango-odilia-by-maria-lluisa-ponsa-in-minervan-miniatures-series\/&amp;title=Time to tango: 'Odilia' by Maria Lluisa Ponsa in Minervan Miniatures series' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>It&#8217;s time to don your dancing-shoes for today&#8217;s episode of\u00a0Minervan Miniatures,\u00a0our series dedicated to exploring forgotten piano repertoire by women composers: &#8216;Odilia&#8217; (tango) from &#8216;Mis peque\u00f1os amigos&#8217; by Maria Lluisa Ponsa (1879-1919), published around 1918. Watch the unfolding series in the Playlist here.<\/p>\n","protected":false},"author":620,"featured_media":10545,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[248027,909],"tags":[248027,172217,248031,248029,248030],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/10574"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=10574"}],"version-history":[{"count":1,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/10574\/revisions"}],"predecessor-version":[{"id":10575,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/10574\/revisions\/10575"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media\/10545"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=10574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=10574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=10574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}