{"id":10572,"date":"2021-05-10T10:20:59","date_gmt":"2021-05-10T09:20:59","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=10572"},"modified":"2021-05-21T11:22:56","modified_gmt":"2021-05-21T10:22:56","slug":"a-finely-wrought-gem-minervanminiatures-sonatine-in-f-by-otillie-heinke","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/10\/a-finely-wrought-gem-minervanminiatures-sonatine-in-f-by-otillie-heinke\/","title":{"rendered":"A finely-wrought gem: #MinervanMiniatures: Sonatine in F by Otillie Heinke"},"content":{"rendered":"<p>The series exploring forgotten piano repertoire by women composers, <strong><em>#MinervanMiniatures<\/em><\/strong>, unearths this finely-wrought gem by <strong>Otillie Heinke<\/strong> (1823-1888), the <em>Sonatine in F major<\/em>,\u00a0 published around 1876. Enjoy the almost Valkyrie-in-miniature passage in the development, as a gently heroic theme in thirds echoes between the left- and right-hand.<\/p>\n<div class=\"kent-video-wrapper\"><span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text\/html' width='474' height='297' src='https:\/\/www.youtube.com\/embed\/_6lWLAdOo-Y?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0' allowfullscreen='true'><\/iframe><\/span><\/div>\n<p>See the developing playlist <a href=\"https:\/\/youtube.com\/playlist?list=PL_WtmFSyEybPDsZafunugiA6wkFeoTOuC\">here<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/10\/a-finely-wrought-gem-minervanminiatures-sonatine-in-f-by-otillie-heinke\/&amp;t=A finely-wrought gem: #MinervanMiniatures: Sonatine in F by Otillie Heinke' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=A finely-wrought gem: #MinervanMiniatures: Sonatine in F by Otillie Heinke%20https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/10\/a-finely-wrought-gem-minervanminiatures-sonatine-in-f-by-otillie-heinke\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/10\/a-finely-wrought-gem-minervanminiatures-sonatine-in-f-by-otillie-heinke\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/10\/a-finely-wrought-gem-minervanminiatures-sonatine-in-f-by-otillie-heinke\/&amp;title=A finely-wrought gem: #MinervanMiniatures: Sonatine in F by Otillie Heinke' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/10\/a-finely-wrought-gem-minervanminiatures-sonatine-in-f-by-otillie-heinke\/&amp;title=A finely-wrought gem: #MinervanMiniatures: Sonatine in F by Otillie Heinke' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>The series exploring forgotten piano repertoire by women composers, #MinervanMiniatures, unearths this finely-wrought gem by Otillie Heinke (1823-1888), the Sonatine in F major,\u00a0 published around 1876. Enjoy the almost Valkyrie-in-miniature passage in the development, as a gently heroic theme in thirds echoes between the left- and right-hand. See the developing playlist here. &nbsp;<\/p>\n","protected":false},"author":620,"featured_media":10545,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[248027,909],"tags":[248027,172217,248029,248030],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/10572"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=10572"}],"version-history":[{"count":1,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/10572\/revisions"}],"predecessor-version":[{"id":10573,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/10572\/revisions\/10573"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media\/10545"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=10572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=10572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=10572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}