{"id":10560,"date":"2021-05-06T12:38:45","date_gmt":"2021-05-06T11:38:45","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=10560"},"modified":"2021-05-11T16:08:50","modified_gmt":"2021-05-11T15:08:50","slug":"minervan-miniatures-piano-works-by-women-composers-continues","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/06\/minervan-miniatures-piano-works-by-women-composers-continues\/","title":{"rendered":"Minervan Miniatures: piano works by women composers continues"},"content":{"rendered":"<p>Our project for the next academic year focusing on piano repertoire by women composers has been developing nicely recently; I&#8217;ve been at work researching further pieces, and have recorded several as part of highlighting some of the works which will feature.<\/p>\n<p>A series of movements from the charming suite, <em>A Wreath of Melodies Op. 35 <\/em>by <strong>Carrie Williams Krogmann:<\/strong><\/p>\n<div class=\"kent-video-wrapper\"><span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text\/html' width='474' height='297' src='https:\/\/www.youtube.com\/embed\/3seRrLPPFLw?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0' allowfullscreen='true'><\/iframe><\/span><\/div>\n<p>&nbsp;<\/p>\n<p>The first movement of a Baroque keyboard sonata by <strong>Maria Teresa d&#8217;Agnesi<\/strong>:<\/p>\n<div class=\"kent-video-wrapper\"><span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text\/html' width='474' height='297' src='https:\/\/www.youtube.com\/embed\/KJgVTUhAdgs?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0' allowfullscreen='true'><\/iframe><\/span><\/div>\n<p>&nbsp;<\/p>\n<p>A wonderfully light-footed waltz by<strong> Marie de Croze-Magnan\u00a0<\/strong>with a deliberately emphatic &#8216;wrong note&#8217; that appears in the second section:<\/p>\n<div class=\"kent-video-wrapper\"><span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text\/html' width='474' height='297' src='https:\/\/www.youtube.com\/embed\/PEgBQIS39fk?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0' allowfullscreen='true'><\/iframe><\/span><\/div>\n<p>&nbsp;<\/p>\n<p>And the evocative <em>Autumn &#8211; a Tone Poem<\/em> by <strong>Mary Earl<\/strong>.<\/p>\n<div class=\"kent-video-wrapper\"><span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text\/html' width='474' height='297' src='https:\/\/www.youtube.com\/embed\/832U9tZYlSE?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0' allowfullscreen='true'><\/iframe><\/span><\/div>\n<p>&nbsp;<\/p>\n<p>Keep an eye on the developing<a href=\"https:\/\/youtube.com\/playlist?list=PLejwBqdJPDRDve2ozkL_OpwzSykWqFUt2\"><strong> Playlist on our YouTube channel,<\/strong><\/a> more pieces coming soon&#8230;<\/p>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/06\/minervan-miniatures-piano-works-by-women-composers-continues\/&amp;t=Minervan Miniatures: piano works by women composers continues' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=Minervan Miniatures: piano works by women composers continues%20https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/06\/minervan-miniatures-piano-works-by-women-composers-continues\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/06\/minervan-miniatures-piano-works-by-women-composers-continues\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/06\/minervan-miniatures-piano-works-by-women-composers-continues\/&amp;title=Minervan Miniatures: piano works by women composers continues' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/06\/minervan-miniatures-piano-works-by-women-composers-continues\/&amp;title=Minervan Miniatures: piano works by women composers continues' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Our project for the next academic year focusing on piano repertoire by women composers has been developing nicely recently; I&#8217;ve been at work researching further pieces, and have recorded several as part of highlighting some of the works which will feature. A series of movements from the charming suite, A Wreath of Melodies Op. 35 &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/music-matters\/2021\/05\/06\/minervan-miniatures-piano-works-by-women-composers-continues\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Minervan Miniatures: piano works by women composers continues<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":10545,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[248027,1110],"tags":[248027,248028,248029,248030],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/10560"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=10560"}],"version-history":[{"count":3,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/10560\/revisions"}],"predecessor-version":[{"id":10563,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/10560\/revisions\/10563"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media\/10545"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=10560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=10560"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=10560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}