{"id":10019,"date":"2020-04-27T15:09:06","date_gmt":"2020-04-27T14:09:06","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/music-matters\/?p=10019"},"modified":"2020-04-27T15:12:23","modified_gmt":"2020-04-27T14:12:23","slug":"virtual-music-project-two-piano-doxy","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/music-matters\/2020\/04\/27\/virtual-music-project-two-piano-doxy\/","title":{"rendered":"Virtual Music Project: two-piano Doxy"},"content":{"rendered":"<p>The latest addition to the burgeoning<strong> Virtual Music Project<\/strong> features alumnus and pianist, Jim Reid, trading pianistic tricks and turns with Your Loyal Correspondent in a virtual two-piano rendition of\u00a0<em>Doxy<\/em> by jazz giant, Sonny Rollins. Originally written by Rollins in 1954 and recorded alongside Miles Davis, and famously included on\u00a0 Davis&#8217; album as band-leader,\u00a0<em> Bags Groove,\u00a0<\/em>three years later,\u00a0<em>\u00a0<\/em>Doxy has since become a classic of the repertoire.<\/p>\n<iframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F808182463&visual=true\"><\/iframe>\n<p>More from the Virtual Music Project later in the week&#8230;<\/p>\n<ul class=\"kent-social-links\"><li><a href='http:\/\/www.facebook.com\/sharer.php?u=https:\/\/blogs.kent.ac.uk\/music-matters\/2020\/04\/27\/virtual-music-project-two-piano-doxy\/&amp;t=Virtual Music Project: two-piano Doxy' target='_blank'><i class='ksocial-facebook' title='Share via Facebook'><\/i><\/a><\/li><li><a href='http:\/\/twitter.com\/home?status=Virtual Music Project: two-piano Doxy%20https:\/\/blogs.kent.ac.uk\/music-matters\/2020\/04\/27\/virtual-music-project-two-piano-doxy\/' target='_blank'><i class='ksocial-twitter' title='Share via Twitter'><\/i><\/a><\/li><li><a href='https:\/\/plus.google.com\/share?url=https:\/\/blogs.kent.ac.uk\/music-matters\/2020\/04\/27\/virtual-music-project-two-piano-doxy\/' target='_blank'><i class='ksocial-google-plus' title='Share via Google Plus'><\/i><\/a><\/li><li><a href='http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/blogs.kent.ac.uk\/music-matters\/2020\/04\/27\/virtual-music-project-two-piano-doxy\/&amp;title=Virtual Music Project: two-piano Doxy' target='_blank'><i class='ksocial-linkedin' title='Share via Linked In'><\/i><\/a><\/li><li><a href='mailto:content=https:\/\/blogs.kent.ac.uk\/music-matters\/2020\/04\/27\/virtual-music-project-two-piano-doxy\/&amp;title=Virtual Music Project: two-piano Doxy' target='_blank'><i class='ksocial-email' title='Share via Email'><\/i><\/a><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>The latest addition to the burgeoning Virtual Music Project features alumnus and pianist, Jim Reid, trading pianistic tricks and turns with Your Loyal Correspondent in a virtual two-piano rendition of\u00a0Doxy by jazz giant, Sonny Rollins. Originally written by Rollins in 1954 and recorded alongside Miles Davis, and famously included on\u00a0 Davis&#8217; album as band-leader,\u00a0 Bags &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/music-matters\/2020\/04\/27\/virtual-music-project-two-piano-doxy\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Virtual Music Project: two-piano Doxy<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":620,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1110,217368],"tags":[217374,934,217368],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/10019"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/users\/620"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/comments?post=10019"}],"version-history":[{"count":4,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/10019\/revisions"}],"predecessor-version":[{"id":10023,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/posts\/10019\/revisions\/10023"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/media?parent=10019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/categories?post=10019"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/music-matters\/wp-json\/wp\/v2\/tags?post=10019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}