Final-year Music Scholar exhibiting in We Are Human-ish next week

Final-year Music Performance Scholar, Megan Boyle, is one of seven graduating BA Fine Art students from the School of Music and Fine Art exhibiting in next week’s show in Studio 3 Gallery, We Are Human-ish.

Megan Boyle

Megan has just completed her Fine Art degree, and will be familiar to those who have attended concerts given by the Symphony Orchestra and the Concert Band, with which groups Megan has played clarinet, having also been Co-Principal clarinettist in the orchestra. Her work featured in the Fine Art Degree Show, Reverberate, which took place at Chatham Historic Dockyard last month.

“My work in the exhibition is an investigation into the influence of technology, particularly the Internet, on everyday speech” she enthuses, “including written language and published dialogue, realised through the construction of a new, physical language which questions the nature of interaction and communication methods adopted by human and machine.”

We are Humanish showcases a number of works that explore what it means to be human, questioning ideas associated with gender, culture, language, disability and technology. All the participants are united by their drive to examine human nature and the assumptions, purpose and essence of humanity.

Click to view

The exhibition takes place from 26 June until 1st July, with site-specific performances arranged for the 1 July, in Studio 3 Gallery in the Jarman Building on the Canterbury campus.

 

Music prizes recognise outstanding students during Summer Music Week

At the end of the academic year, it’s always a pleasure and a privilege to be able to recognise particular students for their outstanding contributions to music-making. During Summer Music Week, a public presentation takes place in which to acknowledge their participation and involvement in music with a number of prizes, and the occasion on Tuesday 6 June followed the Scholars’ Lunchtime Recital as part of the week’s event.

Music Prize winners 2017
Jenn Morgan

The Canterbury Festival Prize, presented by Festival Director Rosie Turner, awarded to to a final-year student who has made an outstanding contribution to music at the University, went to Jennifer Morgan, who has just finished reading French and Spanish. Jenn has been Principle double bass in Symphony Orchestra, bassist in Concert Band, star electric bassist for the Big Band, and our 1930s dance orchestra, General Harding’s Tomfoolery. Throughout her final two years, Jenn was a Music Performance Award holder, and was Social Media Representative on the Music Society Committee this year.

The Colyer-Fergusson Music Prize, awarded to a student who has made a major contribution to the organisation of music at the University, was presented jointly to Amy Poulter and Inger Kviseth.

Amy (right) with Tomfoolery

Amy is a final-year student reading Philosophy and English Language & Linguistics, and has been awarded the prize for her exceptional all-round behind-the-scenes organising and admin skills as Concert Band and Big Band Assistant, in which she plays alto saxophone. This involved liaising with the conductor, Ian Swatman, helping to set-up rehearsals and co-ordinating, circulating and collecting all the many sheets of music which go into the instruments folders (a somewhat arduous and thankless task – especially when they go missing!) She also had the mammoth task of running this year’s student battle-of-the bands event, Keynestock, in her capacity as College President.

Inger (left) rehearsing with the Chamber Choir

A final-year student reading Conflict, Peace and Security, Inger’s award recognised her role as Chamber Choir Assistant and Minerva Voices Assistant. She managed the running and the choral library for both choirs during this year, liaised with the choir members about rehearsals and performances and organised the catering during workshop days (which, as anyone who has ever worked with musicians will know, was very important!). She also organised a fund-raising carol-singing afternoon in aid of Cancer Research UK on a very cold December day. Her quiet, proactive efficiency has been a crucial part of the success of both choirs this year. Both students received their awards from the former Chair of the Colyer-Fergusson Charitable Trust, the Honourable Jonathan Monckton.

The John Craven Music Prize, awarded to a returning student who has a made a major contribution to music at the University this year,  was awarded jointly to Lydia Cheng and Jasper Rose.

Lydia Cheng

In her second year reading Law, Lydia is a wonderfully talented violinist – indeed, she turned down music scholarships to both Berkeley and McGill in order to come to Kent. Such is her commitment and talent that she was given the sole responsibility as leader of the Symphony Orchestra in the cathedral concert this year. She also plays in the String Sinfonia and gave a public lunchtime concert last term as part of a piano trio exploring the world of the tango. She is a Music Performance Scholar and is one of the Symphony Orchestra Assistants.

Jasper Rose (back centre)

Jasper is a second-year reading Criminal Justice and Criminology on our Medway campus, and trombonist who features prominently in both the Concert and Big Bands, as well as the Symphony Orchestra. Jasper also plays in the National Youth Jazz Orchestra and is a Music Performance Scholar. The students received their prizes from Patron of the Music Scholarships, Dame Anne Evans.

Where appropriate, the Music Awards Committee can also award the First-Year Prize,  to a student who has made a significant contribution to music-making during their first year of study. This year, the award went to Tom Wust, reading Business and Management on our Medway campus. Tom is Co-principal clarinet in the Symphony Orchestra  and in Concert Band, and tenor sax in Big Band and General Harding’s Tomfoolery. Tom is a Music Performance Scholar, and demonstrated his prowess in the Music Scholars’ concert with two movements from the fiendish Clarinet Sonata by Joseph Horovitz. Tom’s award was presented by Professor April McMahon.

Jonathan Butten (right)

This year, we were pleased to be able to award the cumbersomely-titled yet no less important Music Awards Committee Prize renamed as the David Humphreys Music Prize, in memory of David who was a terrific supporter of music at the University, and whose fund in memory of his wife, Julia, continues to support the annual Crypt Concert by the University Chamber Choir. The award recognises students who have made a special contribution to music at Kent, and this was awarded to three students jointly: Jonathan Butten, Faith Chan and Cory Adams.

Jonathan is a final -year student, reading Biomedical Sciences, and the prize was awarded for his outstanding contribution as Principal oboe and cor anglais in the Symphony Orchestra. Jonathan has been a remarkable woodwind player, performing in lunchtime concerts, and has been a University Music Performance Scholar, and this year acting as one of the Symphony Orchestra Assistants.

Faith Chan

In her final year reading Law,  Faith received her prize for her special contribution to University Music as a cellist. She is principal cellist in the Symphony Orchestra and Sinfonia and gave a public lunchtime concert last term with the Piazzolla piano trio. Her versatility meant she has also been a very fine continuo player, featuring in Baroque concerts and lunchtime performances over the course of her time at Kent. She is a Music Performance Scholar, and has also been one of the Symphony Orchestra Assistants.

Cory is Masters student reading Hispanic and Comparative Literature; he has been Principal timpanist and percussionist in Symphony Orchestra, and kit and percussion in Concert Band, Big Band and General Harding’s Tomfoolery. He is a University Music Performance Scholar and has just finished impressively organising (and exhausting!) everyone in his capacity as President of the Music Society. The three students received their prize from Chair of the Music Awards Committee and Reader in Biosciences, Dr Dan Lloyd.

Cory Adams

Music-making at Kent, as an extra-curricular activity, really does rely on the participation, commitment and enthusiasm of all the many students (and staff) who take part in rehearsals and performances on top of their studies during the academic year. The awards ceremony during Summer Music Week is an opportunity publically to recognise and to thank a few individuals for all that they contributed during their time at the University; our congratulations to everyone on their awards, and our gratitude for the part they have played in making the musical year at the University such a success.

Summer Music Week: Days One and Two

Our annual Summer Music Week festival launched in fine style over the weekend, as the Big Band headed to the seaside to perform on the Memorial Bandstand at Deal.

Big Band at the Beach!

Blue skies, clear weather and a great crowd greeted the players under the baton of Ian Swatman, with audience scattered on the greensward around the bandstand in deck-chairs and sun-hats.

Summertime and the livin’ is easy…

Day Two yesterday carried on the jazz theme, as General Harding’s Tomfoolery filled Colyer-Fergusson Hall with swing music from the 30s, 40s and 50s in Five O’Clock Stomp. The thirteen-piece dance orchestra were joined by The Minervettes, and unveiled an energy-filled programme of popular favourites including The Charleston, Puttin’ On The Ritz and classic Glenn Miller tunes.

Today, Day Three, sees a Lunchtime Recital by University Music Scholars in music by Piazzolla, Joseph Horovitz and Sonny Rollins at 1.10pm, followed by the presentation of the annual Music Prizes. Summer Music Week continues until Saturday; details here.

Music in the archives: Summer Music Week ancillary exhibition

With Summer Music Week set to launch this Sunday, we’re delighted to reveal that our colleagues over in Special Collections and Archives will be holding an open afternoon of music-related archive and rare materials as part of the festival on Wednesday 7 June in the Templeman Library.

To complement Summer Music Week, Special Collections & Archives invites you  to learn more about how music is represented, recorded and explored through its collections between 2-4pm that day. Visitors will be able to view a wide range of material including items from the John Crow Ballad and Song Collection, rare books from the Pre-1700 Collection, artwork held in the British Cartoon Archive, and alternative cabaret performances found in the British Stand-Up Comedy Archive, and much more.

You don’t need to book, just drop in on the day; we are hugely grateful to Joanna Baines, Senior Assistant in Special Collections and Archives, for putting this all together, a terrific enhancement as Summer Music Week unfurls next week.

Explore music in archive materials on Weds 7 June…