Bouncing back for a second year: bOing International Family Festival: interview with Liz Moran

It’s a bright, summer morning in the Gulbenkian café, and already it’s a thriving hubbub of activity, with children clacking their way through in dance-shoes, beribboned with medals, parents hurrying after them, and an assistant carrying what appears to be a bucket of pink and mauve decapitated toy flamingos. It’s all part of the Canterbury Dance Festival, which is in full swing in the theatre.

Through the ebb and flow of dancers and harassed-looking parents shimmers the Director of the Gulbenkian, Liz Moran, who’s come to talk about bOing!, its family festival which is back for the second year running. I begin by asking her how the festival has developed since last year.

‘’It’s developed dramatically since last year,’’ she enthuses,  ‘’thanks to the additional funding from Arts Council England as a result of us becoming a National Portfolio Organisation. We have been able to bring to Kent some of the best international work created for young audiences from across Europe as well as a new commission in partnership with Conflux in Glasgow of a spectacular outdoor new outdoor show, Fragile.’’

Young people and families are at the heart both of the Gulbenkian itself and of bOing; how has she put a festival together to appeal to all ages ?

‘’The emphasis is on quality of work, and not just programming work for particular ages. We do include work that has considered the particular needs of babies or young people with PMLD but the majority of what is on offer will engage all ages. I believe the value of a festival such as this is that all ages can share incredible and inspiring work in a relaxed and fun environment.’’

I dare to suggest that one of the new works is something of a ‘Dances With JCBs;’ what exactly is Motionhouse ?

Image: Kent Online
Image: Kent Online

Her eyes light up immediately. ‘’Our commissioning of this new work is very exciting. I have worked with Motionhouse for many years and Kevin Finnan their Artistic Director was Choreographer and Movement Director for the Opening Ceremony of the London 2012 Paralympic Games. We have commissioned this with the Merchant City Festival in Glasgow as part of their Conflux Festival. It opened last weekend and attracted thousands to see it. It is mega! 3 JCB’s which really do dance in the company of 21 stunning and very brave dancers. This will be the English premiere, and you won’t be able to see it anywhere else!’’

And it’s not just happening in Canterbury this year;  bOing! is spreading its wings and going to Medway as well ?

‘’Yes! We are developing bOing! as a Kent festival and will develop more work in other areas of Kent besides Canterbury. The show we are taking to the streets of Chatham is by the UK’s leading Parkour company, Urban Playground. They will not only perform their show but will also work with teenagers to demonstrate how to do Parkour safely as many teenagers have been injured attempting Parkour. What is very exciting is that this has led to Medway Council building their own ‘Urban’ festival around this performance.’’

What, I ask, have been the challenges with putting together this year’s programme ?

‘’Lots and lots of different types of challenges ! Finding the right space for the enormous number of events we are offering is one but we have been fortunate to get so much support from across the University to meet this challenge. Also getting the balance between all of the free events and the wonderful international work that is ticketed.’’

And that’s part of the magic of this festival – its accessibility, and programme of events that are free to attend that runs alongside the ticketed performances. Keeping the balance between free and paid events is always going to be something of a financial challenge for a festival, but bOing! continues to make a significant proportion cash-free, encouraging families and audiences to try something new. And the range of events is appealing, too; whether it’s interactive theatre, immersive concerts from the brilliantly-inventive Aurora Orchestra, or innovative dance, the festival manages to bring new and exciting work to audiences of all ages.

And finally, I ask her, what’s bOing’s best-kept secret this year, if she can tell us ?

‘’Ah, well,’’ comes the reply, ‘’there are so many to discover…you have to come to find out – but the most wonderful one involves the show on the front cover of the bOing! brochure…’’

bOing_2015_logoAnd with that, our time is up and Liz shimmies off through the café through the thronging dance festival attendees, back off to mastermind more creative ideas for the future of the Gulbenkian. The bOing! International Family Festival 2015 takes place on Sat 29 and Sun 30 August; find out what’s in store here or download the brochure for yourself here.

 

Good musicians make good students

It’s that time of the year when students and their families are thronging to cathedrals in Canterbury and Rochester to take part in their Graduation ceremonies (cue lots of photos of mortar-boards being hurled in celebratory fashion into the air!).

This year, we have seven Music Scholarship students graduating, of whom five will be doing so with first-class degrees; congratulations to them all – it just goes to show that good musicians do indeed make good students…

Best wishes to everyone involved in music-making who will be graduating over these two weeks!

after-graduation-kent

Awards ceremony recognises outstanding contributions to music-making at Kent

This year’s music prizes at the University of Kent have been awarded to six outstanding students at a ceremony at the end of the Scholars’ Lunchtime Concert during Summer Music Week. They received congratulations from Rosie Turner, Director of the Canterbury Festival, Jonathan Monckton, former Chair of the Colyer-Fergusson Charitable Trust, Professor John Craven, formerly Deputy Vice-Chancellor at Kent, Professor Keith Mander, Deputy Vice-Chancellor and members of the Music Awards Committee.

Music Prize Winners together with those presenting the award
Music Prize Winners together with those presenting the award

The Canterbury Festival Music Prize, which is awarded to a final-year student who has made an outstanding contribution to music was presented to Emma Murton. As well as being this year’s student conductor of the Chamber Choir, Emma has also been a singer in Chamber Choir, Chorus and Cecilian Choir, and harpist with the Symphony Orchestra and Lost Consort; she also played the harp in the recent Music Department commission, Ringing Changes. She has also sung in Musical Theatre showcases, and was a University Music Performance Scholar.

Emma Murton receives her award from Rosie Turner
Emma Murton receives her award from Rosie Turner

The Colyer-Fergusson Music Prize, awarded each year to a student who has made a major contribution to organising music at the University, was presented to Rowena Murrell, a final-year student reading Financial Mathematics
The award recognised her exceptional all-round behind-the-scenes organisation and administrative skills as Chorus Manager – the issuing and returning of vocal scores and deposits for members of the University Chorus (no mean feat!), staff and external membership and liaising closely with the Music Department. She has also sung in Chorus, Chamber Choir, Cecilian Choir and Lost Consort, and was a University Music Lesson Scholar.

The John Craven Music Prize, which goes to a returning student who has made a major contribution to music at Kent, this year went to Anne Engels, a second-year student reading English & American Literature and Philosophy, and University Music Performance Scholar. Anne has played principal flute in the Symphony Orchestra and Concert Band, and was also in the Wind Ensemble, Wind Quintet and appeared as an instrumental soloist in the Chamber Choir Crypt Concert this year.

The First-year Prize, awarded (if appropriate) to a student who has made a significant contribution to music during their first year, was presented to Jonathan Butten, reading Biomedical Sciences. As a University Music Performance Scholar, Jonathan has played principal oboe in the Symphony Orchestra in all the major concerts, and also a prominent cor anglais solo in the orchestral concert in March. He has also played in the Wind Ensemble and Wind Quintet.

The University Music Awards Committee Prize, for students who have made a special contribution to music, was awarded jointly to Hannah Perrin and Kathryn Cox. In her final year as a PhD student in Social Policy, Hannah’s award recognised  her all-round special contribution to music-making for the past five years as both a Masters and PhD student. Her participation has included singing in Chorus, Chamber Choir, Cecilian Choir and the Lost Consort and she was also pianist for the student group Sing!  She helped the Music Department organise several events for Children in Need, and has brought an enthusiasm and a commitment to music at Kent that has been a motivational force throughout the department. Kathryn, a University Music Scholar in her final-year reading Psychology, has made a particularly valuable contribution to University Music as a singer, as a member of Chorus, Chamber Choir, Cecilian Choir and the Lost Consort. She was also a number of solos in concerts, and lunchtime foyer events, including the Variations for Judith project, held over eleven consecutive days earlier this year, and took part in a singing masterclass with Dame Anne Evans last year.

Hannah Perrin receives her award from Professor Keith Mander
Hannah Perrin receives her award from Professor Keith Mander

The extra-curricular musical life at the University is a reflection of the commitment, enthusiasm and excellence of many of its participants, and it’s a great pleasure to be able to recognise the outstanding contribution made by particular students, whose energy and enthusiasm for making music alongside their academic studies has done so much to enrich the life of the University this year. Our thanks also to our generous donors, whose financial support enables us to award these prizes each year.

Dutch youth orchestra visits Colyer-Fergusson

We were delighted to welcome the Almere Youth Symphony Orchestra to Colyer-Fergusson on Sunday.

Hailing from a city in the heart of the Netherlands, the age-range of the orchestral members is between 13 to 21. Under the baton of conductor Hans Welle, they demonstrated a high standard of playing, performing a range of music with the emphasis on English pieces – from music from James Bond through to a beautiful performance of Elgar’s ‘Nimrod’ and one of the fastest versions  of the Pomp and Circumstance March I have ever heard!

Almere_Youth_OrchestraIt was a real pleasure to have them visit, and we hope they will come back again soon.