{"id":953,"date":"2014-01-30T13:57:07","date_gmt":"2014-01-30T13:57:07","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/?p=953"},"modified":"2014-01-30T13:57:07","modified_gmt":"2014-01-30T13:57:07","slug":"hitchcocks-dial-m-for-murder-1954-showing-at-gulbenkian-cinema-on-1st-of-feb","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2014\/01\/30\/hitchcocks-dial-m-for-murder-1954-showing-at-gulbenkian-cinema-on-1st-of-feb\/","title":{"rendered":"Hitchcock&#8217;s Dial M For Murder (1954) Showing at Gulbenkian Cinema on 1st of Feb"},"content":{"rendered":"<p>Posted by Sarah<\/p>\n<p style=\"text-align: justify\">The second\u00a0film in\u00a0the Gulbenkian Cinema&#8217;s Gothic Season &#8211; Alfred Hitchcock&#8217;s Dial M For Murder (1954) &#8211;\u00a0will screen on Saturday the 1st of Feb at 2.30 pm.<\/p>\n<p style=\"text-align: justify\"><a href=\"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/files\/2014\/01\/Dial-M.png\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-954\" alt=\"Dial M\" src=\"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/files\/2014\/01\/Dial-M.png\" width=\"259\" height=\"194\" \/><\/a><\/p>\n<p style=\"text-align: justify\">The Gulbenkian Cinema description of the film:<\/p>\n<p style=\"text-align: justify\">Alfred Hitchcock | US\u00a0 | 1954 | 105mins | Ray Milland, Grace Kelly, Robert Cummings<\/p>\n<p style=\"text-align: justify\">Originally shot in 3D and newly remastered and restored,\u00a0 Alfred Hitchcock&#8217;s screen version of Frederick Knott&#8217;s stage hit <em>Dial M for Murder<\/em> is a tasty blend of\u00a0 elegance and suspense casting Grace Kelly, Ray Milland and Robert Cummings as\u00a0 the points of a romantic triangle.<\/p>\n<p style=\"text-align: justify\">Kelly won the New York Film Critics and National Board of\u00a0 Review Best Actress Awards for this and two other acclaimed 1954 performances.\u00a0 She loves Cummings; her husband Milland plots her murder. But when he dials a\u00a0 Mayfair exchange to set the plot in motion, his right number gets the wrong\u00a0 answer &#8211; and gleaming scissors become a deadly weapon. Dial &#8220;M&#8221; for\u00a0 the Master of Suspense at his most stylish.<\/p>\n<p style=\"text-align: justify\"><em>&#8220;Alfred\u00a0 Hitchcock&#8217;s 1954 thriller is a precision-engineered delight&#8221;<\/em> &#8211; The Telegraph<\/p>\n<p style=\"text-align: justify\">For more information and to book your ticket please go to:<\/p>\n<p><a href=\"http:\/\/www.thegulbenkian.co.uk\/events\/cinema\/2014\/February\/2014-02-dial-m-for-murder.html\">http:\/\/www.thegulbenkian.co.uk\/events\/cinema\/2014\/February\/2014-02-dial-m-for-murder.html<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Posted by Sarah The second\u00a0film in\u00a0the Gulbenkian Cinema&#8217;s Gothic Season &#8211; Alfred Hitchcock&#8217;s Dial M For Murder (1954) &#8211;\u00a0will screen on Saturday the 1st of Feb at 2.30 pm. The Gulbenkian Cinema description of the film: Alfred Hitchcock | US\u00a0 &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2014\/01\/30\/hitchcocks-dial-m-for-murder-1954-showing-at-gulbenkian-cinema-on-1st-of-feb\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5401,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[32,124],"tags":[92862,50778,92812,92863,92859,50775,100152,20536,100153,92861,92860,50611],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/953"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/users\/5401"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/comments?post=953"}],"version-history":[{"count":1,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/953\/revisions"}],"predecessor-version":[{"id":955,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/953\/revisions\/955"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/media?parent=953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/categories?post=953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/tags?post=953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}