{"id":2188,"date":"2019-01-26T09:53:20","date_gmt":"2019-01-26T09:53:20","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/?p=2188"},"modified":"2019-01-26T09:53:20","modified_gmt":"2019-01-26T09:53:20","slug":"melodrama-screening-and-discussion-wednesday-6th-february-5-7pm-jarman-6","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2019\/01\/26\/melodrama-screening-and-discussion-wednesday-6th-february-5-7pm-jarman-6\/","title":{"rendered":"Melodrama Screening and Discussion, Wednesday 6th February, 5-7pm, Jarman 6"},"content":{"rendered":"<p style=\"text-align: justify\">All are very welcome to join us as we take a brief break from screening Dirk Bogarde melodramas to once more appreciate Barbara Stanwyck. We will screen <em>L<\/em><i><span style=\"color: #373737\">adies They Talk About\u00a0<\/span><\/i><span style=\"float: none;background-color: transparent;color: #373737;font-family: 'Helvetica Neue',Helvetica,Arial,sans-serif;font-size: 15px;font-style: normal;font-variant: normal;font-weight: 300;letter-spacing: normal;text-align: justify;text-decoration: none;text-indent: 0px\">(1933, Howard Bretherton and William Keighley, 69 mins) <\/span>on Wednesday the 6th of February, 5-7pm, in Jarman 6.<\/p>\n<p><a href=\"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/files\/2018\/02\/Ladies-they-talk-about-prison-.jpg\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-1975\" src=\"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/files\/2018\/02\/Ladies-they-talk-about-prison-.jpg\" alt=\"\" width=\"342\" height=\"255\" srcset=\"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/files\/2018\/02\/Ladies-they-talk-about-prison-.jpg 342w, https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/files\/2018\/02\/Ladies-they-talk-about-prison--300x224.jpg 300w\" sizes=\"(max-width: 342px) 100vw, 342px\" \/><\/a><\/p>\n<p style=\"text-align: justify\">The British Film Institute (BFI) is celebrating Stanwyck in a season running from February to March. (More information on their programme of events can be found <a href=\"https:\/\/whatson.bfi.org.uk\/Online\/default.asp?BOparam::WScontent::loadArticle::permalink=barbarastanwyck&amp;BOparam::WScontent::loadArticle::context_id=\">here<\/a>). The season includes screenings of Barbara Stanwyck films the melodrama group has previously discussed such as <em>Baby Face<\/em> (1933, Alfred Green) and <em>Stella Dallas<\/em><span style=\"float: none;background-color: transparent;color: #333333;cursor: text;font-family: 'Helvetica Neue',Helvetica,Arial,'Nimbus Sans L',sans-serif;font-size: 15px;font-style: normal;font-variant: normal;font-weight: 300;letter-spacing: normal;text-align: left;text-decoration: none;text-indent: 0px\"> (1937, King Vidor).(See summaries of our discussion <a href=\"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2017\/12\/04\/summary-of-discussion-on-baby-face\/\">here<\/a> and<a href=\"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2014\/05\/17\/summary-of-discussion-on-stella-dallas\/\"> here)<\/a>.\u00a0 <\/span><\/p>\n<p style=\"text-align: justify\">The event starts with a series of talks &#8216;Barbara Stanwyck in the Spotlight&#8217; on Saturday the 2nd of February, at BFI Southbank in London. One of the speakers is melodrama research group member Lies Lanckman. (See more details and purchase tickets <a href=\"https:\/\/whatson.bfi.org.uk\/Online\/default.asp?doWork::WScontent::loadArticle=Load&amp;BOparam::WScontent::loadArticle::article_id=F85633B0-3FB1-460E-B652-DA9A4FF3065B&amp;BOparam::WScontent::loadArticle::context_id=FCB531A0-1E82-4115-9F87-670EEBFDF80B\">here.)<\/a><\/p>\n<p style=\"text-align: justify\">Lies will also kindly be introducing our on campus screening of<em> Ladies They Talk About.\u00a0<\/em><\/p>\n<p style=\"text-align: justify\">A quick plot summary of the film:<\/p>\n<p style=\"text-align: justify\">This Warner Brothers production stars Barbara Stanwyck. She plays gangster\u2019s moll, Nan Taylor, who is caught during a bank robbery but who appeals to old male classmate David Slade (Preston Foster) for help. David is now a radio evangelist, intent on just punishment for criminals, but agrees to help Nan. Despite David\u2019s intervention, Nan is sent too San Quentin prison where she meets an array of fellow female convicts. Dramatic urgency is supplied by a thwarted escape, a shooting, and romance.<\/p>\n<p style=\"text-align: justify\">The film was later remade in 1942, starring Faye Emerson as the more aptly titled <em>Lady Gangster<\/em> (Robert Florey).<\/p>\n<p style=\"text-align: justify\">Do join us if you can.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>All are very welcome to join us as we take a brief break from screening Dirk Bogarde melodramas to once more appreciate Barbara Stanwyck. We will screen Ladies They Talk About\u00a0(1933, Howard Bretherton and William Keighley, 69 mins) on Wednesday &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2019\/01\/26\/melodrama-screening-and-discussion-wednesday-6th-february-5-7pm-jarman-6\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5401,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[50575],"tags":[211547,177793,100037,50738,177899,177898,100032,177900,211548,20536,177902,177903,100154,100034,177860,177897],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/2188"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/users\/5401"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/comments?post=2188"}],"version-history":[{"count":2,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/2188\/revisions"}],"predecessor-version":[{"id":2193,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/2188\/revisions\/2193"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/media?parent=2188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/categories?post=2188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/tags?post=2188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}