{"id":184,"date":"2013-03-03T15:13:49","date_gmt":"2013-03-03T15:13:49","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/?p=184"},"modified":"2013-03-03T15:13:49","modified_gmt":"2013-03-03T15:13:49","slug":"unmissable-melodramas-the-long-list","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2013\/03\/03\/unmissable-melodramas-the-long-list\/","title":{"rendered":"Unmissable Melodramas -The Long List"},"content":{"rendered":"<p>Posted by Sarah<\/p>\n<p>This is the longer list of suggested unmissable melodramas. Do email me on <a href=\"mailto:sp458@kent.ac.uk\">sp458@kent.ac.uk<\/a> or log in to leave\u00a0your comments. Are there any here that should have made the top 50 and didn&#8217;t? Or perhaps you think some of the films listed below should not be considered melodramas at all&#8230;..<\/p>\n<p><b>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/b><\/p>\n<ol>\n<li><i>A Free Soul<\/i> (Clarence Brown, 1931)<\/li>\n<li><i>A Matter of Life and Death<\/i> (Michael Powell, Emeric Pressburger, 1946)<\/li>\n<li><i>A Place In The Sun<\/i> (George Stevens, 1951)<\/li>\n<li><i>A Star is Born<\/i> (George Cukor, 1954)<\/li>\n<li><i>A Summer Place <\/i>(Delmer Daves, 1959)<\/li>\n<li><i>All I Desire <\/i>(Douglas Sirk, 1953)<i><\/i><\/li>\n<li><i>All that Heaven Allows<\/i> (Douglas Sirk, 1956)<\/li>\n<li><i>All This and Heaven Too<\/i> (Anatole Litvak, 1940)<\/li>\n<li><em>Angela\u2019s Ashes<\/em> (Alan Parker, 1999)<\/li>\n<li><i>Anna Karenina<\/i> (Clarence Brown, 1935)<i><\/i><\/li>\n<li><i>Asoka <\/i>(Santosh Sivan, 2001)<\/li>\n<li><i>Autumn Leaves<\/i> (Robert Aldrich, 1956)<\/li>\n<li><i>Autumn Sonata<\/i> (Ingmar Bergman, 1978)<\/li>\n<li><i>Baby Doll<\/i> (Elia Kazan, 1956)<\/li>\n<li><i>Baby Face<\/i> (Alfred E Green, 1933)<\/li>\n<li><i>Back Street<\/i> (John M Stahl, 1932)<\/li>\n<li><i>Beaches<\/i> (Garry Marshall, 1988)<\/li>\n<li><i>Best Years of Our Lives<\/i> (William Wyler, 1946)<i><\/i><\/li>\n<li><i>Beyond the Forest<\/i> (King Vidor, 1949)<\/li>\n<li><i>Beyond the Rocks<\/i> (Sam Wood, 1922)<\/li>\n<li><i>Bigger Than Life<\/i> (Nicholas Ray, 1956)<\/li>\n<li><i>Black Narcissus<\/i> (Michael Powell, Emeric Pressburger, 1947)<\/li>\n<li><i>Blanche Fury<\/i> (Marc Allegret, 1948)<\/li>\n<li><i>Blonde Venus<\/i> (Josef von Sternberg, 1932)<\/li>\n<li><i>Brief Encounter<\/i> (David Lean, 1945)<\/li>\n<li><i>Broken Blossoms<\/i> (D. W. Griffiths, 1919)<\/li>\n<li><i>By Love Possessed <\/i>(John Sturgess, 1961)<\/li>\n<li><i>Camille<\/i> (George Cukor, 1936)<\/li>\n<li><i>Caravan<\/i> (Arthur Crabtree, 1946)<\/li>\n<li><i>Carousel<\/i> (Henry King, 1956)<\/li>\n<li><i>Cat on a Hot Tin Roof<\/i> (Richard Brooks, 1958)<\/li>\n<li><i>Caught<\/i> (Max Ophuls, 1948)<\/li>\n<li><i>City Lights<\/i> (Charles Chaplin, 1931)<\/li>\n<li><i>Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean<\/i> (Robert Altman, 1983)<\/li>\n<li><i>Cries and Whispers<\/i> (Ingmar Bergman, 1972)<\/li>\n<li><i>Dance with a Stranger<\/i> (Mike Newell, 1985<\/li>\n<li><em>Dancer in the Dark<\/em> (Lars Von Trier, 2000)<\/li>\n<li><em>Dangerous Liaisons<\/em> (Stephen Frears, 1988)<\/li>\n<li><i>Dark Victory<\/i> (Edmund Goulding, 1939)<\/li>\n<li><i>David Copperfield<\/i> (George Cukor, 1935)<\/li>\n<li><i>Dead Poets&#8217; Society<\/i> (Peter Weir, 1989)<\/li>\n<li><i>Death in Venice <\/i>(Luchino Visconti, 1971)<\/li>\n<li><i>Deception<\/i> (Irving Rapper, 1947)<\/li>\n<li><i>Desert Hearts<\/i> (Donna Deitch, 1985)<\/li>\n<li><i>Devdas<\/i> (Bimal Roy, 1955)<\/li>\n<li><i>Devdas<\/i> (Sanjay Leela Bhansali, 2002)<\/li>\n<li><em>Distant Voices, Still Lives<\/em> (Terence Davies, 1988)<\/li>\n<li><i>Dr. Zhivago<\/i> (David Lean, 1965)<\/li>\n<li><i>Drums Along the Mohawk<\/i> (John Ford, 1939)<\/li>\n<li><i>Duel in the Sun<\/i> (King Vidor, 1946)<\/li>\n<li><i>East of Eden<\/i> (Elia Kazan, 1955)<\/li>\n<li><i>\u00c9l (This Strange Passion) <\/i>(Luis Bunuel, 1953)<\/li>\n<li><i>El Amor Brujo<\/i> (Carlos Saura, 1986)<\/li>\n<li><i>Fanny by Gaslight<\/i> (Anthony Asquith, 1944)<\/li>\n<li><i>Far From Heaven<\/i> (Todd Haynes, 2002)<\/li>\n<li><i>Farewell My Concubine<\/i> (Kaige Chen, 1993)<\/li>\n<li><i>Fear Eats the Soul<\/i> (Rainer Werner Fassbinder, 1974)<\/li>\n<li><i>Festen<\/i> (Thomas Vinterberg, 1998)<\/li>\n<li><i>Flame in the Streets<\/i> (Roy Ward Baker, 1961)<\/li>\n<li><i>Flesh and the Devil<\/i> (Clarence Brown, 1926)<\/li>\n<li><em>Fried Green Tomatoes at the Whistle-Stop Cafe <\/em>(Jon Avnet, 1991)<\/li>\n<li><i>Gaslight<\/i> (Thorold Dickinson, 1940)<\/li>\n<li><i>Giant<\/i> (George Stevens, 1956)<\/li>\n<li><i>Gladiator<\/i> (Ridley Scott, 2000)<\/li>\n<li><i>Gone to Earth <\/i>(Michael Powell &amp; Emeric Pressburger, 1950)<\/li>\n<li><i>Gone With the Wind<\/i> (Victor Flemming, 1939)<\/li>\n<li><i>Good Time Girl<\/i> (David MacDonald, 1948)<\/li>\n<li><i>Greed<\/i> (Erich von Stroheim, 1923)<\/li>\n<li><i>Guilt is My Shadow<\/i> (Roy Kellino, 1950)<\/li>\n<li><i>Happy Together<\/i> (Wong Kar Wai, 1997)<\/li>\n<li><i>Hindle Wakes<\/i> (Victor Saville, 1930)<\/li>\n<li><i>Hold Your Man<\/i> (Sam Wood, 1933)<\/li>\n<li><i>Home From the Hill<\/i> (Vincente Minnelli, 1960)<\/li>\n<li><i>Humoresque<\/i> (Jean Negulesco, 1947)<\/li>\n<li><i>I See a Dark Stranger<\/i> (Frank Launder, 1946)<\/li>\n<li><i>I Want to Live!<\/i> (Robert Mann, 1958)<\/li>\n<li><i>I\u2019ll Cry Tomorrow<\/i> (Daniel Mann, 1955)<\/li>\n<li><i>Imitation of Life<\/i> (Douglas Sirk, 1959)<\/li>\n<li><i>In Which We Serve<\/i> (Noel Coward &amp; David Lean, 1942)<\/li>\n<li><i>Interlude<\/i> (Douglas Sirk, 1957)<\/li>\n<li><i>Io sono l&#8217;amore\/I <\/i><i>Am Love <\/i>(Luca Guadagnino, 2009)<i><\/i><\/li>\n<li><i>It Always Rains on Sunday<\/i> (Robert Hamer, 1947)<\/li>\n<li><i>It\u2019s a Wonderful Life<\/i> (Frank Capra, 1947)<\/li>\n<li><i>Jane Eyre<\/i> (Robert Stevenson, 1943)<\/li>\n<li><i>Jassy<\/i> (Bernard Knowles, 1947)<\/li>\n<li><i>Jezebel <\/i>(William Wyler, 1938)<\/li>\n<li><i>Johnny Belinda<\/i> (Jean Negulesco, 1948)<\/li>\n<li><i>Johnny Guitar<\/i> (Nicholas Ray, 1953)<\/li>\n<li><i>Julia <\/i>(Fred Zinnemann, 1977)<\/li>\n<li><i>Juno and the Peacock<\/i> (Alfred Hitchcock, 1930)<\/li>\n<li><i>Kabhi Kabhie<\/i> (Yash Chopra, 1976)<\/li>\n<li><i>King\u2019s Row<\/i> (Sam Wood, 1941)<\/li>\n<li><i>Kiss of the Spider Woman<\/i> (Hector Babenco, 1985)<\/li>\n<li><i>L\u2019Innocente<\/i> (Luchino Visconti, 1976)<\/li>\n<li><i>Lady of the Night<\/i> (Monta Bell, 1925)<\/li>\n<li><i>Leave Her To Heaven<\/i> (John M. Stahl, 1945)<\/li>\n<li><i>London Belongs to Me<\/i> (Sidney Gilliat, 1948)<\/li>\n<li><em>Longtime Companion<\/em> (Norman Rene, 1990)<\/li>\n<li><i>Love is a Many Splendoured Thing<\/i> (Henry King, 1955)<\/li>\n<li><i>Love Story<\/i> (Leslie Arliss, 1944)<\/li>\n<li><i>Love Story<\/i> (Arthur Hiller, 1970)<\/li>\n<li><i>Madame Bovary<\/i> (Vincente Minelli, 1949)<\/li>\n<li><i>Madame X<\/i> (David Lowell Rich, 1965)<\/li>\n<li><i>Madonna of the Seven Moons<\/i> (Arthur Crabtree, 1944)<\/li>\n<li><i>Magnificent Obsession<\/i> (Douglas Sirk, 1954)<\/li>\n<li><i>Mandy<\/i> (Alexander Mackendrick, 1952)<\/li>\n<li><i>Mar\u00eda Candelaria<\/i> (Emilio Fern\u00e1ndez, 1943)<\/li>\n<li><i>Marjorie Morningstar<\/i> (Irving Rapper, 1957)<\/li>\n<li><i>Marnie<\/i> (Alfred Hitchcock, 1964)<\/li>\n<li><i>Mater Doloroso<\/i> (Abel Gance, 1917,)<\/li>\n<li><i>Maurice <\/i>(James Ivory, 1987)<\/li>\n<li><i>Meet Me in St. Louis<\/i> (Vincente Minnelli, 1944)<\/li>\n<li><i>Mere Mehboob<\/i> (Harnam Singh Rawail, 1963)<\/li>\n<li><i>Mildred Pierce<\/i> (Michael Curtiz, 1945)<\/li>\n<li><i>Millions Like Us<\/i> (Launder &amp; Gilliat, 1943)<\/li>\n<li><i>Mommie Dearest <\/i>(Frank Perry, 1981)<\/li>\n<li><i>Mother India<\/i> (Mehboob Khan, 1957)<\/li>\n<li><i>Mrs Miniver<\/i> (William Wyler, 1942)<\/li>\n<li><i>No Regrets for Our Youth<\/i> (Akira Kurosawa, 1946)<\/li>\n<li><i>Now Voyager<\/i> (Irving Rapper 1942)<\/li>\n<li><i>Nuts<\/i> (Martin Ritt, 1987)<\/li>\n<li><i>Oliver Twist <\/i>(Frank LLoyd, 1922)<\/li>\n<li><i>On Golden Pond<\/i> (Mark Rydall, 1981)<\/li>\n<li><i>Only Yesterday<\/i> (John Stahl, 1933)<\/li>\n<li><i>Ordinary People<\/i> (Robert Redford, 1980)<\/li>\n<li><i>Orphans of the Storm<\/i> (D. W. Griffiths, 1921)<\/li>\n<li><i>Ossessione<\/i> (Luchino Visconti, 1943)<\/li>\n<li><i>Pakeezah<\/i> (Kamal Amrohi, 1971)<\/li>\n<li><i>Parrish<\/i> (Delmer Daves, 1961)<\/li>\n<li><i>Partir\/Leaving<\/i> (Catherine Corsini, 2009)<\/li>\n<li><i>Penthouse<\/i> (W.S. Van Dyke, 1933)<\/li>\n<li><i>Persona<\/i> (Ingmar Bergman, 1966)<\/li>\n<li><i>Peyton Place<\/i> (Mark Robson, 1957)<\/li>\n<li><i>Piccadilly<\/i> (Ewald Andr\u00e9 Dupont, 1929)<\/li>\n<li><i>Picnic<\/i> (Joshua Logan, 1955)<\/li>\n<li><i>Places in the Heart<\/i> (Robert Benton, 1984)<\/li>\n<li><i>Polyester<\/i> (John Waters, 1981)<\/li>\n<li><i>Possessed<\/i> (Curtis Bernhardt, 1947)<\/li>\n<li><i>Quai Des Brumes<\/i> (Marcel Carn\u00e9, 1938)<\/li>\n<li><i>Raise the Red Lantern<\/i> (Yimou Zhang, 1991)<\/li>\n<li><i>Rancho Notorious<\/i> (Fritz Lang, 1952)<\/li>\n<li><i>Random Harvest<\/i> (Mervyn Le Roy, 1942)<\/li>\n<li><i>Rebel Without a Cause<\/i> (Nicholas Ray, 1955)<\/li>\n<li><i>Remains of the<\/i> <i>Day<\/i> (James Ivory, 1993)<\/li>\n<li><i>River of No Return<\/i> (Otto Preminger, 1954)<\/li>\n<li><i>Rocky<\/i> (John G. Avildsen, 1976)<\/li>\n<li><i>Sabotage<\/i> (Alfred Hitchcock, 1936)<\/li>\n<li><i>Safe In Hell<\/i> (William A Wellman, 1931)<\/li>\n<li><em>Salmonberries<\/em> (Percy Adlon, 1991)<\/li>\n<li><i>Scarlet Pages <\/i>(Ray Enright, 1930)<\/li>\n<li><i>Schindler\u2019s List <\/i>(Steven Spielberg, 1993)<\/li>\n<li><i>S\u00e9ance on a Wet Afternoon<\/i> (Bryan Forbes, 1964)<\/li>\n<li><i>Secrets and Lies<\/i> (Mike Leigh, 1996)<\/li>\n<li><i>Senso<\/i> (Luchino Visconti, 1954)<\/li>\n<li><i>Shane<\/i> (George Stevens, 1953)<\/li>\n<li><i>Shanghai Triad<\/i> (Yimou Zhang, 1995)<\/li>\n<li><i>Sholay<\/i> (Ramesh Sippy, 1975)<\/li>\n<li><i>Since You Went Away<\/i> (John Cromwell, 1944)<\/li>\n<li><i>Some Came Running<\/i> (Vincente Minnelli, 1958)<\/li>\n<li><i>Spellbound<\/i> (Alfred Hitchcock, 1945)<\/li>\n<li><i>Stagecoach<\/i> (John Ford, 1939)<\/li>\n<li><i>Stella Dallas<\/i> (King Vidor, 1936)<\/li>\n<li><i>Suddenly Last Summer<\/i> (Joseph L. Mankiewicz, 1959)<\/li>\n<li><i>Sunrise<\/i> (F. W. Murnau, 1927)<\/li>\n<li><i>Sunset Boulevard<\/i> (Billy Wilder, 1950)<\/li>\n<li><i>Tea and Sympathy<\/i> (Vincente Minnelli, 1956)<\/li>\n<li><i>Temptress Moon<\/i> (Kaige Chen, 1996)<\/li>\n<li><i>Tender Comrade<\/i> (Edward Dmytryk, 1943)<\/li>\n<li><i>Terms of Endearment<\/i> (James L. Brooks, 1983)<\/li>\n<li><i>That Hamilton Woman<\/i> (Alexander Korda, 1941)<\/li>\n<li><i>The Best of Everything <\/i>(Jean Negulesco, 1959)<\/li>\n<li><i>The Big Parade<\/i> (King Vidor, 1925)<\/li>\n<li><i>The Bitter Tea of General Yen<\/i> (Frank Capra, 1933)<\/li>\n<li><i>The Blue Lamp<\/i> (Basil Dearden, 1950)<\/li>\n<li><em>The Bridges of Madison County<\/em> (Clint Eastwood, 1995)<\/li>\n<li><i>The Champ<\/i> (Franco Zeffirelli, 1979)<\/li>\n<li><i>The Cobweb<\/i> (Vincente Minnelli, 1955)<\/li>\n<li><i>The Color Purple <\/i>(Steven Spielberg)<\/li>\n<li><i>The Crowd<\/i> (King Vidor, 1928)<\/li>\n<li><i>The Damned Don\u2019t Cry!<\/i> (Vincent Sherman, 1950)<\/li>\n<li><i>The Divorce\u00e9<\/i> (Robert Z Leonard, 1930)<\/li>\n<li><i>The Flower of my Secret<\/i> (Pedro Almodovar, 1995)<\/li>\n<li><i>The Four Horsemen of the Apocalypse<\/i> (Rex Ingram, 1921)<\/li>\n<li><i>The Go-Between<\/i> (Joseph Losey, 1971)<\/li>\n<li><i>The Goddess<\/i> (Wu Yonggang, 1934)<\/li>\n<li><i>The Hours<\/i> (Stephen Daldry, 2002)<\/li>\n<li><i>The House of Trent<\/i> (Norman Walker, 1933)<\/li>\n<li><i>The Innocents<\/i> (Jack Clayton, 1961)<\/li>\n<li><i>The Killing of Sister George<\/i> (Robert Aldrich, 1968)<\/li>\n<li><i>The Lonely Passion of Judith Hearne<\/i> (Jack Clayton, 1987)<\/li>\n<li><i>The Man in Grey<\/i> (Leslie Arliss, 1943)<\/li>\n<li><i>The Men<\/i> (Fred Zinneman, 1950)<\/li>\n<li><i>The Merchant of Four Seasons<\/i> (Rainer Werner Fassbinder, 1972)<\/li>\n<li><i>The Old Maid<\/i> (Edmund Goudling, 1939)<\/li>\n<li><i>The Passion of Anna<\/i> (Ingmar Bergman, 1969)<\/li>\n<li><i>The Passionate Friends<\/i> (David Lean, 1949)<\/li>\n<li><i>The Private Lives of Elizabeth and Essex<\/i> (Michael Curtiz, 1939)<\/li>\n<li><i>The Reckless Moment<\/i> (Max Ophuls, 1949)<\/li>\n<li><i>The Return of Carol Deane<\/i> (Arthur B Woods, 1938)<\/li>\n<li><i>The Sheik<\/i> (George Melford, 1921)<\/li>\n<li><i>The Singer Not The Song<\/i> (Roy Ward Baker, 1961)<\/li>\n<li><i>The Spanish Gardener<\/i> (Philip Leacock, 1956)<\/li>\n<li><i>The Stray Bullet<\/i> (Yu Hyun-mok, 1960)<\/li>\n<li><i>The Tarnished Angels<\/i> (Douglas Sirk, 1958)<\/li>\n<li><i>The Way We Were<\/i> (Sydney Pollack, 1973)<\/li>\n<li><i>The Wicked Lady<\/i> (Leslie Arliss, 1945)<\/li>\n<li><i>The Wind<\/i> (Victor Sjorstrom, 1928)<\/li>\n<li><i>There\u2019s Always Tomorrow<\/i> (Douglas Sirk, 1956)<\/li>\n<li><i>They Were Sisters <\/i>(Arthur Crabtree, 1945)<\/li>\n<li><i>Thirteen Women<\/i> (George Archainbaud, 1932)<\/li>\n<li><i>To Each His Own<\/i> (Mitchell Leisen, 1946)<\/li>\n<li><i>To Live<\/i> (Yimou Zhang, 1994)<\/li>\n<li>Torch Song Trilogy (Paul Bogart, 1988)<\/li>\n<li><i>Tormento<\/i> (Raffaello Matarazzo, 1950)<\/li>\n<li><i>Umrao Jaan<\/i> (Muzaffar Ali, 1981)<\/li>\n<li><i>Victim<\/i> (Basil Dearden, 1961)<\/li>\n<li><i>Watch on the Rhine<\/i> (Herman Shulmin, 1943)<\/li>\n<li><i>Waterloo Bridge<\/i> (Mervyn LeRoy, 1940)<\/li>\n<li><i>Way Down East<\/i> (D. W. Griffiths, 1920)<\/li>\n<li><i>West Side Story<\/i> (Robert Wise, 1961)<\/li>\n<li><i>Who\u2019s Afraid of Virginia Woolf?<\/i> (Mike Nichols, 1966)<\/li>\n<li><i>Written on the Wind<\/i> (Douglas Sirk, 1956)<\/li>\n<li><i>Wuthering Heights<\/i> (William Wyler, 1939)<\/li>\n<li><i>Yanks<\/i> (John Schlesinger, 1979)<\/li>\n<li><i>Yield to the Night<\/i> (J. Lee Thompson, 1956)<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Posted by Sarah This is the longer list of suggested unmissable melodramas. Do email me on sp458@kent.ac.uk or log in to leave\u00a0your comments. Are there any here that should have made the top 50 and didn&#8217;t? Or perhaps you think &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2013\/03\/03\/unmissable-melodramas-the-long-list\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5401,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/184"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/users\/5401"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/comments?post=184"}],"version-history":[{"count":5,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/184\/revisions"}],"predecessor-version":[{"id":194,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/184\/revisions\/194"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/media?parent=184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/categories?post=184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/tags?post=184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}