{"id":1615,"date":"2016-09-27T08:53:35","date_gmt":"2016-09-27T07:53:35","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/?p=1615"},"modified":"2016-09-27T08:55:07","modified_gmt":"2016-09-27T07:55:07","slug":"melodrama-screening-and-discussion-3rd-of-october-5-7pm-jarman-7","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2016\/09\/27\/melodrama-screening-and-discussion-3rd-of-october-5-7pm-jarman-7\/","title":{"rendered":"Melodrama Screening and Discussion, 3rd of October, 5-7pm, Jarman 7"},"content":{"rendered":"<p style=\"text-align: justify\">All are very welcome to join us for the first of this term&#8217;s Screening and Discussion sessions, which will take place on\u00a0Monday the\u00a03rd of October,\u00a05-7pm, in Jarman 7.<\/p>\n<p style=\"text-align: justify\">We will be showing the silent French short <em>Barbe Bleue <\/em>(1901, George Melies, 9 mins) and the Hollywood production <em>Bluebeard <\/em>(1944, Edgar G. Ulmer, 72 mins).<\/p>\n<p><a href=\"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/files\/2016\/09\/Bluebeard-ad.jpg\"><img loading=\"lazy\" class=\"aligncenter size-medium wp-image-1616\" src=\"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/files\/2016\/09\/Bluebeard-ad-199x300.jpg\" alt=\"bluebeard-ad\" width=\"199\" height=\"300\" srcset=\"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/files\/2016\/09\/Bluebeard-ad-199x300.jpg 199w, https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/files\/2016\/09\/Bluebeard-ad.jpg 200w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><\/a><\/p>\n<p style=\"text-align: justify\">Continuing our focus on the Gothic, we turn to the fundamental\u00a0Bluebeard myth. Melies&#8217; short tells the traditional tale, while in the later film John Carradine plays \u00a0Gaston Morrell, a\u00a0 Parisian portrait artist and puppeteer,\u00a0whose models are mysteriously murdered by the violent &#8216;Bluebeard&#8217;.<\/p>\n<p style=\"text-align: justify\">At the time,Trade magazine <em>Motion Picture Herald&#8217;s<\/em> review\u00a0categorised\u00a0Ulmer&#8217;s film as a\u00a0&#8216;Class Melodrama&#8217;. It also\u00a0opined that its return to the Bluebeard narrative (albeit an updated version) was a response to the &#8216;tawdry fripperies frothed up&#8230;under the guide of melodrama&#8217; (by W.R.W, 14 October 1944, p. 2138). It therefore closely ties Melodrama, and not just the Gothic, to the Bluebeard folktale,\u00a0placing this, favourably,\u00a0within the context of contemporary Hollywood productions.<\/p>\n<p style=\"text-align: justify\">Do join us if you can for these two films, as well as discussion about the upcoming term&#8217;s events.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>All are very welcome to join us for the first of this term&#8217;s Screening and Discussion sessions, which will take place on\u00a0Monday the\u00a03rd of October,\u00a05-7pm, in Jarman 7. We will be showing the silent French short Barbe Bleue (1901, George &hellip; <a href=\"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2016\/09\/27\/melodrama-screening-and-discussion-3rd-of-october-5-7pm-jarman-7\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5401,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[50575],"tags":[100307,100305,92790,50615,100306,20536,100308,100154,50611],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/1615"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/users\/5401"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/comments?post=1615"}],"version-history":[{"count":2,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/1615\/revisions"}],"predecessor-version":[{"id":1618,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/1615\/revisions\/1618"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/media?parent=1615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/categories?post=1615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/tags?post=1615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}