{"id":1601,"date":"2016-05-04T18:21:37","date_gmt":"2016-05-04T17:21:37","guid":{"rendered":"http:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/?p=1601"},"modified":"2016-05-04T18:21:37","modified_gmt":"2016-05-04T17:21:37","slug":"conference-programme-for-gothic-feminism-conference","status":"publish","type":"post","link":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/2016\/05\/04\/conference-programme-for-gothic-feminism-conference\/","title":{"rendered":"Conference Programme for Gothic Feminism Conference"},"content":{"rendered":"

Exciting news! Frances and Tamar have finalised the Conference Programme for the Gothic Feminism Conference.<\/p>\n

 <\/p>\n

<\/div>\n
\"Joan<\/a><\/div>\n
Gothic Feminism: The Representation of the Gothic Heroine in Cinema <\/strong><\/div>\n

26-27th<\/span><\/sup> May 2016<\/p>\n

Keynes College, University of Kent<\/p>\n

\u00a0PROGRAMME<\/strong><\/p>\n

\u00a0Thursday 26th<\/span><\/sup> May<\/strong><\/p>\n

09:00 \u2013 09:30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Registration & morning tea\/coffee<\/strong> (Keynes Atrium, Keynes College)<\/em><\/p>\n

09:30 \u2013 11:00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Keynote Speech<\/u> \u2013 Catherine Spooner<\/strong> (University of Lancaster): \u2018Women in White: (Un)dressing the Gothic Heroine\u2019 (Keynes Lecture Theatre 2, Keynes College)<\/em><\/p>\n

11:00 \u2013 11:30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tea & coffee break<\/strong> (Keynes Atrium)<\/em><\/p>\n

11:30 \u2013 13:00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Papers 1: Return to Manderley <\/u><\/strong>(KLT2)<\/em><\/p>\n

\u2018Against Fate and Paranoia: The Risk Assessor Heroine in The Second Woman<\/em> (1950)\u2019 \u2013 Guy Barefoot (University of Leicester)<\/p>\n

\u2018Rebecca<\/em> and The Haunting<\/em>: Comparisons of a Gothic Protagonist\u2019 \u2013 Johanna Wagner (H\u00f8gskolen i \u00d8stfold)<\/p>\n

\u2018Impossible Spaces: Gothic Special Effects and Female Subjectivity\u2019 \u2013 Christina Petersen (Eckerd College)<\/p>\n

13:00 \u2013 14:00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lunch <\/strong>(Keynes Atrium) <\/em><\/p>\n

14:00 \u2013 15:30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Papers 2: Unexpected Locations<\/u><\/strong> (KLT2)<\/em><\/p>\n

\u2018New Films in Gothic Mode: Pale Imitations or Crimson Peaks of Achievement?\u2019 \u2013 Tamar Jeffers McDonald (University of Kent)<\/p>\n

\u2018Bluebeard in the Cities: Investigative Gothic Heroines in Two Early 21st<\/span><\/sup> Century Films\u2019 \u2013 Lawrence Jackson (University of Kent)<\/p>\n

\u2018The Gothic Heroine Out West: A Town Called Bastard<\/em> (1971)\u2019 \u2013 Lee Broughton (University of Leeds)<\/p>\n

15:30 \u2013 16:00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tea & coffee break<\/strong> (Keynes Atrium)<\/em><\/p>\n

16:00 \u2013 17:30\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Videographic Work<\/u><\/strong>\u00a0 (TBC) (KLT2)<\/em><\/p>\n

17:30 \u2013 18:30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cake reception<\/p>\n

 <\/p>\n

Friday 27th<\/span><\/sup> May <\/strong><\/p>\n

09:00 \u2013 09:30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Morning tea & coffee <\/strong>(Keynes Atrium)<\/em><\/p>\n

09:30 \u2013 11:00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Papers 3: Small Screens<\/u><\/strong> (KLT2) <\/em><\/p>\n

\u2018There\u2019s a secret behind the door? And that secret is me? The Gothic Reimagining of Agatha Christie\u2019s And There Were None\u2019 <\/em>\u2013 Katerina Flint-Nicol (University of Kent)<\/p>\n

\u2018Laughing at Periods: Gothic Parody in Julia Davis\u2019 Hunderby<\/em> \u2013 Sarah McClellan (Independent Researcher)<\/p>\n

\u2018Bluebeard\u2019s Women Fight Back\u2019 \u2013 Gis\u00e8le M. Baxter (University of British Columbia)<\/p>\n

11:00 \u2013 11:30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tea & coffee break<\/strong> (Keynes Atrium)<\/em><\/p>\n

11:30 \u2013 13:00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Papers 4: Mothers <\/u><\/strong>(KLT2)<\/em><\/p>\n

\u2018The Science-Fiction of Feminism: Ripley as a Gothic Heroine in the Alien<\/em> Franchise\u2019 \u2013 Frances A. Kamm (University of Kent)
\n<\/u><\/p>\n

\u2018The Babadook<\/em>, Maternal Gothic and the \u2018woman\u2019s horror film\u2019\u2019 \u2013 Paula Quigley (Trinity College Dublin)<\/p>\n

\u2018Good Evening, Good Night: Goodnight Mommy and the Gothic Woman\u2019 \u2013 Lies Lanckman (University of Kent)<\/p>\n

13:00 \u2013 14:00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lunch <\/strong>(Keynes Atrium)<\/em><\/p>\n

14:00 \u2013 15:30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Papers 5: Beyond Hollywood<\/u><\/strong> (KLT2)<\/em><\/p>\n

\u2018\u2018Dammit\u2019 Janet!!!! Celebrating Female Sexuality in The Rocky Horror Picture Show Live Experience\u2019 \u2013 Sarah Cleary (Trinity College Dublin)<\/p>\n

\u2018East German Gothic\u2019 \u2013 Dana Weber (Florida State University\/ Freie Universit\u00e4t Berlin)<\/p>\n

\u2018Imperilled Chavs and Hoodie Heroines: (Under)Class, Gender and the Gothic\u2019 \u2013 Hannah Priest (Manchester Metropolitan University\/Swansea University)<\/p>\n

15:30 \u2013 16:00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tea & coffee break<\/strong> (Keynes Atrium)<\/em><\/p>\n

16:00 \u2013 16:30\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Final remarks <\/strong>(KLT2)<\/em><\/p>\n

 <\/p>\n

\n

Also\u00a0 remember to visit the\u00a0 gothic feminism blog and twitter\u00a0for the latest updates!<\/p>\n

https:\/\/gothicfeminism.wordpress.com\/<\/span><\/u><\/a><\/div>\n
https:\/\/twitter.com\/GothicFeminism<\/span><\/u><\/a><\/div>\n
<\/div>\n<\/div>\n
For any queries please contact: gothicfeminism2016@gmail.com<\/div>\n
<\/div>\n
Conference organisers: Frances Kamm and Tamar Jeffers McDonald, University of Kent<\/div>\n
Melodrama Research Group<\/div>\n
Centre for Film and Media Research<\/div>\n
School of Arts<\/div>\n
<\/div>\n
<\/div>\n
And don’t forget to register!\u00a0\u00a0Registration closes on 18th of May:<\/div>\n
\u00a0http:\/\/store.kent.ac.uk\/browse\/extra_info.asp?compid=1&modid=1&deptid=26&catid=158&prodvarid=207&searchresults=1<\/u><\/a><\/div>\n
<\/div>\n
\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Exciting news! Frances and Tamar have finalised the Conference Programme for the Gothic Feminism Conference.   Gothic Feminism: The Representation of the Gothic Heroine in Cinema 26-27th May 2016 Keynes College, University of Kent \u00a0PROGRAMME \u00a0Thursday 26th May 09:00 \u2013 … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":5401,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[32,124],"tags":[100304,100152,33813,50611],"_links":{"self":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/1601"}],"collection":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/users\/5401"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/comments?post=1601"}],"version-history":[{"count":1,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/1601\/revisions"}],"predecessor-version":[{"id":1602,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/posts\/1601\/revisions\/1602"}],"wp:attachment":[{"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/media?parent=1601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/categories?post=1601"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kent.ac.uk\/melodramaresearchgroup\/wp-json\/wp\/v2\/tags?post=1601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}